won't you lie through your teeth and tell me I'm a monument to more than bone and tissue?
Acquired Stardust
taylor price
cherry valley forever

Kiana Khansmith
Lint Roller? I Barely Know Her
I'd rather be in outer space 🛸

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Not today Justin

Kaledo Art
Claire Keane
AnasAbdin

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shark vs the universe
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izzy's playlists!
styofa doing anything

@theartofmadeline
YOU ARE THE REASON
he wasn't even looking at me and he found me

Love Begins
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@obsessionoperarock
won't you lie through your teeth and tell me I'm a monument to more than bone and tissue?
je suis le mal aimé...
That feeling when you stay up until 3 am trying to get tickets for @prettywomanjp only to admit defeat an hour later, ticket-less. 😭 It's incredible how fast the show sold out!
So it's not just me. 🥲 Maybe there'll be some additional performances? Or a DVD? 🥹🥹🥹 Here's to hoping!
non-english hyperfixation will send you to the strangest places of youtube
And then you discover the Korean and Japanese versions of Elisabeth and suddenly find yourself crawling down rabbit holes on Chinese streaming sites that you never dared to dream of. 🫠🫠🫠
17. Ornate
Tbh i think elisabeth could work with english speaking audiences especially considering we have a bit of a gothic resurgence and period dramas are big rn. but it has to be a transfer of a prod with a budget larger than 25 cents and a bag of rocks
Colder than your mother's eyes, She never learned to sympathize with anyone.
I saw the professionally filmed version of the original cast of Phantom of the Opera at the NYC library archives and I will NEVER be the same.
To be honest, I never got the hype around the main trio. Michael Crawford’s voice was too unique for me and he never clicked with how I imagined the phantom. Sarah Brightman was similar. And Steve Barton I thought looked too, idk, old and not handsome to me, and I didn’t like the idea of a baritone Raoul. So I was almost not even going to bother going to see the archived footage.
… I was wrong. I cannot believe how wrong I was. I have never witnessed a musical that was truly perfect before. There’s always something, even just the tiniest thing, that I would change. Not here. Every actor was at their peak. Every movement was perfection. Every note. EVERYTHING.
I was watching it on an old box tv screen with big headphones on. Grainy footage, lines across the screen. And the cast made me feel like I was in the theatre. I forgot where I was. I forgot to take notes. In fact these are the only notes I took:
(Before Don Juan starts) Wait they set out a bottle of champagne out for the phantom before Don Juan? In his box? Raoul even repositioned it like he wanted to make it appealing? Do they really think, what, the phantoms gonna kick up his feet in box five and start sipping champagne?
The screams from Meg are top tier. Throughout but especially upon finding Piangi mid-nap.
(After PONR unmasking) Michael looks so scared when he’s unmasked - just a lil baby
He does not throw Christine in final lair. They start eye to eye. His mouth is pathetic.
He starts shaking during the kiss and when Christine backs away it’s like she thinks “did I kill him?” Cause dude isn’t MOVING he’s DEAD then he reanimates like “oh no oh no I done messed up oh no I’m so sorry baby girl”
I came into it assuming I would be rewinding and fast forwarding to rewatch stuff. But I couldn’t. I had to watch it all unfold and by the time it was over I was too devastated I couldn’t go back. If I had watched final lair again I would’ve started bawling in the library.
It was a religious experience. The cast took me to church. They transported me to another realm and deposited me back into an uncomfortable chair in front of a box tv with dorky headphones on.
Go see it if you can. Your life will never be the same.
"You are music" from the 2023 Toho production of Phantom (Yeston & Kopit, dir. Yu Shirota), Red Cast. Absolutely beautiful melody and great singing - I am in awe of how the performers slip in and out of operatic style. 🫠 One thing I always regret in the ALW version of PotO is that we never get to see Erik teaching Christine, so my heart is full right now!
The wonderfully amazing @adorare recently uploaded full English subtitles if you want to watch the entirety of the production - which I highly recommend! I knew the 2019 version before but fell in love with it all over again.
Mother sacrifices her son to death
homage to Rembrandt's painting "Abraham and Isaac."
05 Stuttgart version cast
ELISABETH DAS MUSICAL + DEATH AND THE MAIDEN ART
Der Tod und das Mädchen, Charlotte Salomon (1938) / Death and the Maiden, George Clark Stanton (1832-1894) / Pulmonary Tuberculosis, Richard Tennant Cooper (1912) / Death and the Maiden, Egon Schiele (1915) / The Girl and Death, Frederick Simpson Coburn (1871–1960) / Death and the Maiden, Marianne Stokes (1908) / Dancing With Death: A German Tango, Louis Raemaekers (1916) / La jeune fille et la mort, Henri-Léopold Lévy (1900)
bonus:
Der Triumph des Todes, Jan Swart van Groningen (1525-50)
ELISABETH DAS MUSICAL Original Vienna Production, 1992
我爱你!
Mammy's hero
Anton Zetterholm & Lisanne Veeneman, Vienna