June Lake, August 2024
šļøHarman Phoenix 200
hello vonnie
occasionally subtle
PUT YOUR BEARD IN MY MOUTH
š
Misplaced Lens Cap
TVSTRANGERTHINGS
Sade Olutola
Today's Document

Discoholic šŖ©
YOU ARE THE REASON

romaā

Love Begins
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Cosimo Galluzzi
Jules of Nature
𩵠avery cochrane š©µ
let's talk about Bridgerton tea, my ask is open
noise dept.

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seen from Tunisia

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seen from Malaysia

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@ocean--hymns
June Lake, August 2024
šļøHarman Phoenix 200
i swear i saw someone here (from Tumblr) at a rink in Houston this past Saturday, but not sure who! was it you?!
go fw my ig page and buy some shit i need money for rent and iām just announcing a new collection!
@bettymetals
@bettymetals
@bettymetals
Diego de Los Andes 1/8/2020
As the stress of the day crescendos during the afternoon drive home, the spell is broken when a clown steps through Los Angeles traffic demanding that drivers wake up and return to the present moment.
Diego de Los Andes is an artist, poet, radio host and clown from Chile with a unique perspective on street performance. āThis is a way for me to use art to recycle and cleanse energies created from capitalism,ā De Los Andes said in his native Chilean dialect; although his Spanish has absorbed some L.A. slang. āStreet performance is a tool completely outside of the capitalist, imperialist system to make money. When Iām out here, I am taking a political stance, or else I couldnāt do it.ā
Besides his ideological approach, there is a very physical human action and reaction involved in De Los Andesā performance. āNowadays, people are tense; extremely tense. Thereās a lot going on socially thatās affecting all of us. You can tell. You can see it in their muscles,ā De Los Andes says, as he pretends to be hunched over gripping a steering wheel tightly with both hands.Ā
Horns blare at a red light on Washington Boulevard and Normandie Avenue during the performance. Some horns are regular road rage, some are people smiling and showing support for the juggling clown.
āItās a repurposing of energy. I finish my show and look around for peopleās reactions. It happens sometimes where Iāll see someone in a completely other mood; Iāll signal for them to smile with my hands,ā De Los Andes says, as he pretends to pick up the edges of his mouth to form a smile. āAnd they do. They smile.āĀ
āTo me, thatās the most important change: when we can acknowledge and say āLook, everythings fucked,ā but we can choose to fight it with a smile and not sadness. Not with rage. We donāt get anything out of that,ā De Los Andes said.
De Los Andes can be seen in the heart of Los Angeles traffic. āWhen I was conceiving this idea, it was primarily to bring joy to Los Angelesā minority communities: Black, afro-descendant and Latino communities.
Street performing clowns are somewhat of a new thing to Los Angeles, maybe because itās been more closely associated with poverty. Living in the worldās wealthiest empire, itās a lot less common. But De Los Andes says itās much needed. āYou donāt see it much here, the juggling street clown - specifically at red lights. I know about 6 here in Los Angeles. Itās a way to disconnect people from whatās going on in the world. Itās a way to use the movement of the human body to spread a little bit of happiness. Thatās what motivates me and keeps me going.ā
Being an L.A. street clown is an experiment that De Los Andes is still figuring out. āMy clown character is still in a state of becoming. I feel like Iām still finding my inner clown. Iām a poet and theater director, but this is a new storyā De Los Andes said.
āHow did I get started in el mundo del payaso?ā he said. āI was in a theater group and I met a friend that would twirl devil sticks.āā Devil sticks are the pair of batons De Los Andes can be seen spinning and tossing into the sky at red lights throughout South Central L.A.
āWhen I saw my friend with the devils sticks, it brought up a memory of playing with some as a young kid. Thatās when I began to reincorporate them into my way of life. Thatās when I discovered life as a performer in public spaces,ā De Los Andes said.Ā For immigrants, playing and performing with something as simple as devil sticks is a bit cultural.
āThereās a certain nostalgia. For many people it makes them remember their home; Driving through streets in their country,ā De Los Andes said. In Latin America, performers and vendors at busy intersections is a common experience. āFor immigrants, that memory lingers, because in this country, common people donāt really have access to culture. Art is for the rich.ā
Along with the nostalgia, being a clown comes with a long tradition. āHistorically, the clown was the only one who could laugh at the king. He was the only vato that could do that. He was the only person who had that special key and mystery to be able to laugh and make anyone laugh,ā De Los Andes said. While heās now part of the long-standing history of clowns, itās just one part of Diegoās cultural movement,
āYou can find me on 90.7 KPFKā De Los Andes said. āIāve been working on a program called āNuestra Vozā for a while. Iām the producer of the cultural segment. To start the year, weāre looking to speak with people working in cultural fields. People who are making an impact through any medium of art of culture.ā
The email to contact āNuestra Vozā is [email protected]. The Instagram hanle for the show is @nuestravozkpfk. To get plugged in with Diego, his instagram handle is @fromandes.
āIām a clown without makeup,ā De Los Andes said. āI believe you can be a clown of the body, and you can make peopleās spirits do a somersault. Itās a tool for change. In the grand scheme of things, I feel like Iām just clowning on imperialism. Iām in the fight against capitalism through my work out here on the street.ā
SOLANGE KNOWLESĀ inĀ Document Journal, 23 December 2020
this visual was filmed november 11th and 12th of 2019. this has been a long time in the making and i feelā- a lot that i cannot quite pinpoint it. appreciative of the process, proud of my follow through in spite of. as said before, this project is, *andre 3000 voice* forever ever. everything is happening just as it should +
⢠⢠ā¢
#unapologeticallyRAW is a project in which poc are the focus of the conversation. should the fact that this project is for people of color be perceived as "wrong," or as something that offends you, i challenge you to reflect on why you feel this way... poc & non poc.
inside Ellsworth Kellyās Austin (2015), 10/2020.
Ā”BIDEN-HARRIS! (still, itās disgusting how close this race was after experiencing four years of a hateful & illegitimate president)
itās always a Sunday when i decide to dress a lil revealing + crave the Lordās chicken (Chick-fil-A)
Alexa says FKA twigsā name funny
though she was dramatic & exxagerated, i appreciate my mom being so anal about cleanliness when i was growing up (& still)
as covid cases continue to rise and folx get more relaxed in navigating the pandemic, everyday i remind myself i am not invisible
āi want you to touch that lil dangly thing that swing in the back of my throat!ā
in tears reading about what businesses and gov officials are doing to prepare for potential unrest this week. the current state of america makes no sense to me.
āFor the Good Times,ā by Al Green, 10/2020, Fulshear, TX.
10022020; Fulshear, TX.
amused by his being so amused.
content. i want a 512 number but also donāt want to part w my 213/go thru the process of updating my phone number everywhereā which is so so important. the person who received my old phone number was committing real life fraud w associates & friends of mine by pretending to be me and sending cash app requests to folx who reached out to the number i was no longer using. the person even went as far as having my final paycheck from the district mailed to them/// (hr in the school district i worked w made no sense).
- my mom. our family group chat be having me ded (watching the vp debate together from afar).
like, what in the hell did i just watch? i canāt. this is... scary.
āthat means the blizzard of lies is about to begin.ā -Brian Stelter
these CNN correspondents and anchors be cracking me up when they speak on Trumpā especially Don Lemon and Brianna Keilar.