de profundis

where my pulse dared the counter-beat

[unchildhood]

ADRIENNE RICH x MOSS ANGEL THE UNDYING x ANA MENDIETA

‘The Burning of Paper Instead of Children’, Collected Poems: 1950 – 2012 (2016);

Sea-Witch Vol. 2: Girldirt Angelfog (2017);

Untitled: Silueta Series (1978), Super-8 film, colour, silent

[y1yi]

suzaku 萌の朱雀 (1997), kawase naomi

[hellalayers]

Visit Original Link

Surprisingly my post for Ichiko Aoba’s “Ikinokori Bokura” from this album is the most popular thing I’ve ever posted. Never would have expected that. Anyways, here’s some more from her latest record, “0.” Gotta give the people what they want.

And you guys should really buy the album if you can afford it; it’s available on the U.S. iTunes store!

[oetica]

do u have any film recs? any genre is fine

international films: persona (swedish) the sacrifice (swedish, english, french) tokyo story (japanese) poet on a business trip (chinese, uyghur) close-up (persian) cleo from 5 to 7 (french)

english films:  legally blonde paris, texas synecdoche, new york frances ha

[antigonick]

Solitude closes down around us As we lie passive and exhausted Solitude clamps us softly in its warm hand.

Kenneth Rexroth, excerpt of “Still on Water”, in Sacramental Acts: The Love Poems of Kenneth Rexroth (via antigonick)

[365filmsbyauroranocte]

Geraldine Chaplin in Mamá cumple 100 años (Carlos Saura, 1979)

[portable-rock]

Miharu Koshi, 1992

[antigonick]

Evening               you gather back                         all that dazzling dawn has put asunder:

Sappho, excerpt of “Fragment 104a”, in If Not, Winter (tr. by Anne Carson)

[distantvoices]

By Giseok Cho

[allthetreesofthefield]

Visit Original Link

And every autumn singes With the business of sadness

[birdasaurus]

Brittany Bogan

[twixnmix]

Eartha Kitt photographed by Carl Van Vechten on October 19, 1952.

[thedreslyn]

Saskia Diez’s Fine Pearls

https://www.thedreslyn.com/theblog/mothers-day-gifts/

https://www.thedreslyn.com/fine-necklace-pearl-gold.html

[soapoperafanzine]

“Land Girl”. Iris Palmer Photographed by Tim Walker for Vogue UK January 1996  

[ggarbagecore]

[yua]

FREE-TOKYO

free magazine ISSUE 8

PHOTOGRAPHY CHIKASHI SUZUKI

[lavendeuse]

Agnès Varda about Le bonheur:

“I imagined a summer peach with its perfect colors, and inside, there is a worm. And impressionists paintings which emanate such melancholy, though they depict scenes of everyday happiness. I listened to Mozart, I thought of death’s preponderance..”