Ai Weiwei (1995)Ā Dropping a Han Dynasty Urn
An astonishingly irreverent piece of work. Ā This triptych features the artist dropping a Han Dynasty (206 BC - 220 AD) in three photographs. Ā
When questioned about the work, he suggested that the piece was about industry: ā[The urn] was industry then and is industry now.ā Ā His statement, therefore, was that the urn was just a cheap pot two thousand years ago, and the reverence we feel toward it is artificial. Ā One critic wrote: āIn other words, for all the aura of preciousness acquired by the accretion of time (and skillful marketing), this vessel is the Iron Age equivalent of a flower pot from K-Mart and if one were to smash the latter a few millennia from now, would it be an occasion for tears?ā
However, the not-so-subtle political undertone is clear. Ā This piece was about destroying the notion that everything that is old is good⦠including the traditions and cultures of China. Ā For Ai Weiwei, this triptych represents a moment in which culture suddenly shifts (sometimes violently), shattering the old and outdated to make room for the new. Ā












