#OFWOUNDS . rage is gripped in the hands. [ ... ] rage is stuck in the throat, suppressed. rage is a promise kept. a dependent mumu blog, affiliated with redcreekfm penned and adored by veer ( she + her, 28, gmt+3 ).

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@ofwounds
#OFWOUNDS . rage is gripped in the hands. [ ... ] rage is stuck in the throat, suppressed. rage is a promise kept. a dependent mumu blog, affiliated with redcreekfm penned and adored by veer ( she + her, 28, gmt+3 ).
timeline: 9:45pm, dolly's diner. day of heather visser's vigil. closed for: eden de vries, @sweetsthing
dolly mother-hen in her butter-yellow apron bleached pale by years of wash-cycle penance, emerges from behind the kitchen pass-through with a plate of twin burgers stacked like soft-bun altars, each crowned with blister-melt cheese and haloed by steam. fries spilled around them in salted snowfall. she's already torn the ketchup packet, crimson ribbon unfurled, because she still remembers the way his hands shook the winter his father bled out and nothing in town felt warm enough to stop the shake. her fingers find his, just once; a pulse of stovetop heat, thumb brushing the soot of half-burned vigil wax from his wrist. then she’s gone, swallowed by the swinging door’s soft-mouth hush, leaving him to the diner's warmth and the haunted comfort of a booth that knows him better than most people do. nights he slept in the corner booth when rent was three months late, mornings he let dolly press grease-speckled sandwiches into his palm before the shop opened. the diner carries his fingerprints in its very grain. outside, the rain continues relentless, thunder mutters beyond the grain silos. the door swings open, and the bell above trembles out its usual hello as rain sluices in a rush of cold air, carrying eden with it. ketchup slides off a fry, lands on the plate with a quiet, arterial splatter. they haven’t spoken in years — not since the fight that turned a single kiss and one letter into shrapnel. but even the neatest avoidance frays when grief drags its wet boots across town, grinding two old gravities back into the same booth. zavian nudges the plate an inch across the table; the second burger still untouched and steaming. “ you can sit. ” he mutters, barely more than a breath. space made quietly.
Clarice Lispector, Água Viva
timeline: 07:58pm heather visser's vigil, red creek k-12. closed for: yaser çelik, @heartrendered
the courtyard isn't meant for mourning. it's meant for pep-rally banners screaming school pride, for the slam-thump of basketballs against backpack spines, and for the jittery choreography of sneakers shuffling towards a bus that never comes fast enough. tonight the town folds grief into those angles. candles shiver in their plastic cups, their flames bowing to the november wind. the PA speaker clears its throat once, uncertain, then swallows its own voice, sagging into a hush so wide it seems to gulp the sky. above it all, heather visser's senior portrait flaps on a plywood easel, corners lifting like pale moth wings — freckles softened into watercolor dusk, a smile held in permanence long after the bell rang her out of living. berkay stands among the mourners, whistle dead-quiet at his sternum, a brass town pin glinting on his lapel. yaser slides in from the periphery. he plants himself a fraction too close, the space between them crowded by old familiarity and fresh irritation. berkay tilts the spare candle toward him. wax frets at the wick, as if bracing for a stadium roar. a gesture polite on the surface, barbed beneath the paraffin sheen. and before yaser has a chance to speak, berkay’s voice finds the steady whistle-tone he uses on fourth-and-long: “ go on. let's hear it. what do you think happened to her? ” the question cuts the night on a clean bias; rumor, half-truth, and speculation spill like sawdust from the wound. it’s the only question left in town, the one gutting every coffee counter and local forum. what’s charlie not saying? berkay wants to hear whatever half-thought idea yaser's been polishing, like it deserves to live in daylight.
open to : anyone , uncapped .
tldr : caleb & your muse find themselves at the redemption chapel , two souls meeting in dire times tragedy .
dawn befalls town , sickly glow to the clouds scattered across the horizon - there's an undeniable hesitancy in it , as well . as if the divine powers themselves unsure how to proceed from given circumstances . heather had been found , cold as the fear she held in her eyes . it had caleb wondering . . . but perhaps that wasn't the ultimate approach for someone of his profession , perhaps he was meant to believe - believe in a higher power , in a right fixing what had been wronged , to guide the herd through misery . albeit there was agony ever lingering , alike a thick coat of dust fighting to not bury everything all and beneath it . " awake so soon , child ? " , timber softly echoes through the rows of the near empty chapel . though almost too big . . . too raw for them both , it held a certain kind of comfort meant towards consolidation .
berkay stands there, not quite in the doorway, not quite within. his silhouette strung thin along the pale throat of morning. every beam of early light stretches in on spider limbs, dragging itself across pews like something wounded, like confession left out overnight. “ you ever get tired of calling it god’s will? ” the question, drifts through the nave, lazy with confidence of someone who knows exactly where bruises live under a man's collar. it’s not meant to provoke, but it wants to. he steps forward and the chapel, in its wounded, wax-drunk hush, recognizes him at last. not as believer. not as mourner. not as anything so clean. but as a councilman. still, under his breath, he prays. not loud enough for the room to hear. just between cracked molars and a god who’s been with him in places far uglier than this. “ i'm not here for faith, father. ” there’s something in the way he says father that sounds near-profane like something he doesn’t believe in, but knows too well. mouth tilts not into a smile, but the ghost of one as his gaze moves over the bones of the chapel, the traces of faith left in polished wood and silent alcoves, the fluttering stained-glass eyelids, but when they land on caleb, they stay. watching him like he's waiting for something to slip — a button, a belief, the wrong word. “ i’m here because a girl is dead, and people they'll be looking to name something holy in all this. ” then a step closer. close enough for provocation to become atmosphere. “ but maybe you prefer it that way. ” a tilt of the head. “ all those eyes on you. all that grief waiting to be shaped into something sacred. makes you feel clean, doesn't it? ”
setting: red creek grocery
the hand barely touches the item before scott zooms past in a blur, careless and grinning, as he snatches it out from their grasp. "nuh uh, no can do." spoken in an easy drawl, too casual to argue with. he doesn't even break stride -- just tosses the item up, once, then catches it behind his back. "this isn't for sale," he lies. the item, which was the last one remaining, is tucked under his arm as he lifts his shoulders into a lazy shrug. "you'll just have to come back tomorrow."
fingers hover just above the last pack of beef-flavored ramen, where a 33¢ markdown sticker clings, and then, in a blink-clean subtraction, it’s gone. a hand cuts in, snatches it away before touch even registers. the pack arcs once through the air, wheeling in the slow, smug rotation of scotty's little performance. the cheapness of it sharpens the insult. small, stupid thing. humiliation compresses itself down to pocket change, a single coin clattering into the metal throat of a vending machine that never pays out, ticking away his pride one useless cent at a time. “ don’t be a fucking dick. ” zavian spits, jaw wired tight, voice still split at the seams from the tension of halloween. “ hand it back. ”
red stone pulses like something alive tonight, autumn chill warded off by the thrum of familiar patrons seeking communion at the bottom of their glasses, the chattering crowd unraveling like a loosened thread the later the night dragged on until inhibitions were shed with every ticking minute. ayla's dark locks are matted against the nape of her neck, the white dress she hadn't donned since her honeymoon nearly soaked through as she flits from face to face until it feels like the wings against her shoulder blades might actually take flight. she hadn't tasted freedom like this in a long time, not since before the twins had been born. it only felt right to let herself be tugged under the tide of any warm greeting tossed her way, every how have you been reciprocated with such intense intention it had her head spinning like she'd spent the night drinking instead of just talking. or perhaps it was merely the absence of the twins that left her feeling untethered, a planet knocked off its axis, desperate for a new center of gravity. but there was an anchor buried among the animated bar goers, a force ayla could feel in the very marrow of her bones even from across the room. like burak, the oldest yalçınkaya brother possessed that looming ferocity she'd never quite encountered until the day they'd arrived in red creek and altered her life forever. but where her husband demanded it, expected focus and devotion like it already belonged to him, like it was his right to take it, berkay inspired it, attracted it the way only the most careful restraint could. she returns to his side with aching feet, a weary cosmic traveler seeking refuge in the shadow of its sun, ready to chart a familiar course once more. ayla fixes him with a look much less effective in his peripheral as she slides into an empty stool. "you haven't had your fill of me yet?" the question is soft as it glides past her lips, words curved with the same quiet delight that drags the corners of her mouth upward into the ghost of a smile. "from where i'm sitting, it looks like you prefer the company of your glass." absentmindedly, dark eyes trace the sharp line of his jaw, drawn by the fleeting movement. look at me—the thought is just as sudden, so forceful ayla tears her gaze away like one might their hand from a hot stove, busying herself with unsticking the hair from her neck, temperature that'd felt inviting just moments before now a degree too warm. "you're as demanding as your niece and nephew."
hunger and demands — these are the oldest family heirlooms. passed down from father to sons and brothers to sisters, until the want itself thrums like a second pulse beneath the skin. berkay feels it now: the wolf born half-starved, pacing tight circles behind his ribs the moment ayla eases into the stool beside him. “ yalçınkaya appetites, ” he answers, voice poured slow over ridges of consonant that never quite learned to kneel to english, “ have a habit of outgrowing their plates. ” including plates marked with my brother's name. heat along the hollow of her throat, the pulse there stutters like a hummingbird trapped behind glass, and berkay senses the shift without needing to look. the air between them tightens — a wire drawn to the brink of snapping — and when his gaze slips back to hers, it’s as though it never strayed. each nervous adjustment she makes only drags his attention lower: along the pale column of her neck, further down to the thin band of gold that spits lightning at the edge of his vision. modesty, he thinks, is its own choreography of sin — step back, avert, breathe — meant to absolve, but here it only provokes. the wolf inside his chest bares its teeth and prowls forward, copper-tongued with opportunity. berkay leans in, letting his shadow pour over her shoulders. “ don’t. ” the word rasps out, dredged from the riverbed of restraint, and it lands between them like a coin on its edge, spinning. two knuckles settle at the hinge of her jaw, angling her face towards him. with that touch, an orchard’s worth of forbidden fruit bruises into a single, heartbeat under his thumb. deep in his marrow, where his father’s stern cadence tangles with scripture, comes the hiss haram, haram — but the caged wolf only grins wider, pacing the bars of his ribs with iron-tipped hunger. “ bana bak. ” the command is soft, yet it vibrates with the old force that parts seas and turns caravans home. his free hand signals the bartender. bourbon — not raki; burak despises bourbon — spills into twin tumblers. liquid fire flares, caged sunlight in crystal. berkay nudges one glass toward her. “ share it with me. ”
𝗰𝗵𝗲𝘁 𝗹𝗲𝘁 𝗼𝘂𝘁 𝗮 𝗿𝗼𝘂𝗴𝗵, 𝗹𝗼𝘄 chuckle — the kind that came from somewhere near the bottom of a bottle — and shifted his weight, boots grinding against gravel. “that right?” he said, voice carrying the kind of lazy drawl that could sound like humor until you realized it wasn’t. “hell, maybe you oughta give his daddy a few lessons, then. ’cause from where i’m standin’, looks like the whole damn town’s raisin’ boys who don’t know how to keep their mouths shut.” he took a slow sip from his cup — cider, or what looked like cider — and tilted his head toward berkay with a wry smirk. “don’t get me wrong, though. i like your style. bet you keep your roster real disciplined, huh? bet they jump when you whistle.”
a pop song filtered through the cheap speakers — tripping through the night like a ghost in polyester. ruby mae stood just behind him, clutching the edge of his jacket, her crescent tiara slipping down her forehead. she kept her eyes fixed on the ground, lip caught between her teeth, not wanting to draw attention, not wanting to see her daddy get mad again. chet reached back absently, his hand brushing her shoulder like a wordless stay put.
“anyway,” he said, dragging his gaze back to berkay. “ain’t lookin’ for trouble. just don’t like seein’ some punk mouthin’ off near my kid, is all. you get that.” his tone softened a fraction — just enough to sound civil — but there was steel under it, the kind that came from too many fights and too many hangovers. “world’s got enough ghosts without makin’ new ones outta dumb boys.”
temptation is easy. too easy when it has spent years corked behind the breastbone, aging into something dark and delicate like pomegranate molasses. this is the problem with discipline: it builds like plaque. gums up the works. leaves you with a mouth full of metal and nothing to chew. maybe you oughta give his daddy a few lessons. that's the moment. berkay’s eyes leave chet, skate past the kid's vampire cape, and hunt the crowd for the shape of a father — any father. he follows the boy’s wake, expecting a broad-shouldered echo to surface: a man with the same jawline, the same habit of slouching instead of standing tall. a father who will look at him the wrong way, say the wrong thing. give him one reason. no one appears. and the moment smolders instead of ignites. berkay smooths a cuff that does not need smoothing, ligaments showing like anchor cables beneath neat skin. finally he turns back to chet; he’d clocked the condescension. the way oughta lands like a spare rib tossed to a dog, the appraisal hidden behind bet they jump when you whistle. the smile he gives chet is thin as a razor stowed in cotton polite enough to pass inspection, and sharp enough to draw if pressed. “ funny thing about whistles, ” he says, voice pitched low, a hush you lean into like confession, “ dogs hear what people don’t. ” he lets that settle, soft, almost companionable, before adding, “ and every mutt in this town knows which yard it’s allowed to piss in. ” ruby mae's hand stayed fast on her father's jacket, and something in the motion tugs at a softer thread. not memory, exactly, but proximity. selin, with her curls and barrettes, frowning at her own wrists like they didn’t belong to her yet. berkay's nod is slight, an ember banked against wind. “ you’re doing right by her, ” he says, gaze fixed on ruby mae, “ stepping in. staying close. ”
— “suddenly it’s december”, margaux paul
👤 who: @ofwounds . 📍 where: redstone. ⌛ time: 12:20am.
casio had spoken too soon when he thought the night was going well. it wasn’t going horribly, but when you had a split lip and bruises forming, it was hard to think it was going the best it could.
usually he didn't mind a good fight. most times he was the one starting them, or egging a person on to start one with him. but, when it was just some random drunk asshole in a mask grabbing you by the shoulder, trying to lay you out with a right hook? that wasn’t exhilarating. it was infuriating.
casio threw back a second shot of gin; the burn sitting in his chest like a rock.
“i should’ve hit that white-feathered bastard another time.” he poured another shot and slid it over to zavian. the other had stepped in near the end of it; the interruption bringing casio back to his senses before he could go too far.
redstone bar inventories violence the way an undertaker counts the rings in a felled tree — each wound marking another year etched into grain. one split lip inked in arterial crimson, two ring-stained tumblers oxidizing the lacquered oak like counterfeit halos, and three loose teeth — one of them still joey tern's, kicked out on a tuesday in '94, and left to rattle under the floorboards every time the door swings open with the hush of a bad decision entering late. zavian leans in against the rail, looking like a bad western gone worse. fake blood webs his hair, crusted into a snarl at the temple from clementine's handiwork. his vest, once dirt-road brown, now stiffened black, crusted stiff with gore, and his hat got lost somewhere between the carnival and here. he brings the shot glass nicasio's poured to his mouth. the gin burns. doesn’t even hit bottom before his hand is in the ice well; water fountains up, cubes scattering like brittle dice across the barback’s graveyard of spilled spirits. the rag slaps across casio’s jaw like a misfired firecracker, wet and red with the memory of something worse. flecks of it reach zavian’s cheek. he doesn’t blink. not really. just that one slow tremble of lashes, like someone grazing the edge of a memory they wish they’d buried deeper. “ you’d be in the back of a cruiser right now if you had. ” he mutters, thumb pressing the rag under his chin, firm, like holding a bruise shut. “ charlie doesn't need much of a reason these days. window-peepers been complaining again. ”
1:19 am, redstone bar. closed for berkay yalçınkaya ( @ofwounds ).
the night spins around, and around, and around with the oiled precision of a carousel and it's fairytale menagerie of creatures in varying states of basswood repose. it's cyclical. it's mechanical. it's performance. and he, like all the rest of those howling and humming figurines, is pleated with a casual, remarkable stillness against the drink soaked adhesion of the bar top like a permanent fixture, something docile and animalistic in the way a trained circus bear atop a ball might seem, skewered into place as he is now by a braided rod of brass and intoning an interchangeable array of liquor languid dialogue with each full circle spin. it's a little like taxidermy, a little like ventriloquism, this illusion of presence clinging to him like skin, this black rotted absence festering through the meat and marrow of his chest like a cavity without a filling.
the ligaments in his knuckles tighten, they go white as a midwinter moth's wings as they flex against the hot and warm wetness of a largely ignored glass; he could slam it down against the resinous counter so hard it shattered in his hand in calamity sweet imitation of a smoke alarm, if he wanted. instead, he extinguishes the urge like the last cigarette in a pack, with a certain disenchanted trepidation, and tips the last of the highball's swirling contents down his throat, wordlessly excusing himself from further conversation about the present and future flavor palettes of lakeside's menu and the menacing fact of this trap sprung like a metal and mechanical jaw around red creek's fragile doe leg.
here is a man who had never glutted himself on garnered pride nor enormity until he had crossed over red creek's city limits. here is a man several years returned; arrogance tempered into a terrible calm.
he moves across the bar to seat himself at berkay's side, hollowed glass upturned against the wood with the last of his feint and feigned niceties slamming against the insides like a desperate, dying incest being choked of it's very breath. he'll pick it back up when he must, he'll drink it back down. though now he only asks, “ need another ? ” they have a language, yes, but not one he's yet learned to fluency. he only wants a moment without presentation.
soixante-dix-neuf. soixante-dix-huit. the air had the texture of chewed cloth — threadbare, sucked clean, flattened by humid breath of a room trying not to panic. it pressed close, low, damp with the heat of expectation and too many glances held a second too long. everything reeked of delay, of breath withheld, questions stalled at the molars, eyes turned to the one man who had not moved. and berkay, he was the flag planted in the wet earth of their fear. not salvation — not even shelter — but the thing you tether to when the wind threatens to lift you clean out of your skin. the councilman. the coach. the man with a name that carried weight, and his brother's badge-shaped shadow. under the bar-light, his reflection looked almost holy — the same artificial calm that had broken tempers and bent pride on the field now pressed against the pulse of this room. the muscles at his jaw ticks once. twice. no further. his tesbih sits in the curl of his hand like a weight no one else sees. black stone, bone-warm now. click faintly against one another with each shift of his thumb. the sound metronome, a private liturgy of restraint wound taut against the chambered steam of something too big to hold. the kind of wrath that wants to move. to crush. to remind the walls who they were built for. soixante-dix-sept. soixante-dix-six. aile her şeydir. and tonight, that everything was going silent on him. his brother hadn't called, and it bruises him like an insult. he was a man who could survive many things, but not knowing wasn’t one of them. not when his sister-in-law sat three boots down, not when the twins slept in the care of a stranger, too young to know the fair had gone dark, that the streets where shut. and no one was telling their uncle why. soixante-dix-cinq. soixante-dix — the count breaks. the stool beside him shifts. a recalibration of tension. the smallest tilt of his body, just enough room made in his posture to allow laurie's presence to fit beside his. berkay exhales slow, clipped, jaw angled like a loaded hinge. “ what i need, ” he begins, tesbih stays looped around his knuckles, tight. a serpent coiled taut. “ is about four inches of quiet and a goddamn reason. ” he tilts his glass sideways, lets it bleed out its final sliver of meltwater across the bar like a throat slashed in small, polite increments. “ but since we're not serving either tonight. if red stone’s hiding any of that smoked fig shit you hoard back at lakeside, i'll take it neat. ”
haunted house ; 12:50 am / @ofwounds
THE HOUSE LOOKS LIKE AN AFTERTHOUGHT of something once alive, breathing fog and flickering light, beckoning whoever’s foolish enough to step inside. mikhail can still feel the ghost of zavian’s stare, that flicker of annoyance before he disappeared inside the haunted house without a word, leaving only the echo of his retreat and the faint sting of being ignored. predictable. mikhail stands outside for a second too long, jaw clenched, before he goes in too — because of course, he'll follow him.
the air smells like dust and fake blood, and the floorboards creak under his boots. he passes by a rubber corpse hanging from the ceiling, brushes cobwebs from his sleeve, and exhales through his nose. “where are you, zavian,” he calls out, his mocking voice carrying down the hallway. the words bounce off the walls, softer when they come back to him. “you mad at me, or just scared of the dark?” the silence that answers back feels heavier than it should. he drags a hand through his hair, letting his sharp grin linger anyway. somewhere nearby, something shifts, and it almost sounds like breathing.
mikhail follows, of course he does — night tailing the sun, no matter how stubbornly the light pretends he isn't there. zavian slips through the haunted house without slowing down, past rubber cadavers dangling from the rafters, and a line of child-sized mannequins, whose heads twist to follow his shadow. his pulse jumps with the strobe's frantic flicker, each flash catching the fake blood on denim. the cowboy-cut, blood-spattered like he rode straight out of a massacre. his holster is empty, a costume piece. but a knife waits inside his left boot, a habit more than threat. zavian folds into a casket beside brittle remains, like a coyote listening for a partner who knows all its tricks. a strobe flickers, painting the room bone-white, then black, and in that flash, he catches mikhail's grin. with the lid hiding him, he lets his gaze wander over the mouth that wrecked his resolve two weeks ago. a pulse stirs, low and illicit — until mikhail's words ignite the thin line between craving and conflict. the coffin spits him out before he can stop himself. bodies crash together amid the splintered tombstones. dust erupts, moth-fine, glittering beneath the intermittent flashes. cowboy and zombie hit the splintered boards hard. mikhail's spine taking the impact; zavian lands on top of him, straddling his hips, breath sharp with adrenaline. his palm presses to mikhail's chest, tracing the rise and fall, and arguing with himself that it means nothing — even as his pulse betrays him. the position is familiar, and for a beat nothing moves but the lights, pulsing bruise-purple, then fever-red. while the house inhales around them, plywood ribs creaking, as though the whole structure is savoring their collision. “ you talk too damn much. ” zavian murmurs, voice shredded velvet, but he doesn't move away yet.
timeline: 12:38 a.m, redstone bar. closed for: ayla yalçınkaya, @silkteared.
by the time the kids were home and the sugar-high had worn off, redstone opened its jaw and exhaled adults in half-hearted costumes. devil horns slipped; plastic beads scattered like loose teeth underfoot and someone’s wings lay crushed beneath a bar stool. berkay was perched near the end of the bar — one elbow hooked on scarred mahogany, the other curling around a glass that barely warmed in his hand. he had become a kind of landmark tonight: not a beacon, but a thing you navigated around, like a post on the edge of a tide. every so often someone clapped his shoulder, said his name the way men greet a cliff face — fond of the view, wary of the drop — before drifting back to safer currents. ayla moved differently, drifting from booth to bar, letting conversations spool around her wrist like ribbon before she slipped free and found her way back to him. her closeness exhales perfume and autumn night; somewhere in it, a trace of cinnamon sugar he swears he can taste, sweeter than whiskey. blooming slow and shadowed, until desire hums like a low candle-flame. berkay allows her only the fringe of his vision; a heat-shimmer he'd spent all night pretending not to chase. amber tilts in his glass as he lifts in slow salute; neon snaps across the liquid and for a heartbeat they burn the same violent orange, moth and flame mid-collusion. “ you've been generous with your attention tonight, ” he says, voice low almost amused, like he's tasting the sentence before giving it away. on the surface, it's a tease, but an undertow drags the vowels deep: generous to everyone but me, güzelim. berkay's jaw flexes once before the smile returns. “ but not all of us are so easily fed. ”
› 𝘀𝘁𝗮𝗿𝘁𝗲𝗿𝗌𝗍𝖺𝗍𝗎𝗌 : open [ 0/5 ] 𝗍𝗂𝗆𝖾𝗅𝗂𝗇𝖾 : seven pm , fairgrounds.
𝞋𝞎 ˖ ⊹ 𝗶𝘁 𝘀𝗺𝗲𝗹𝗹𝗲𝗱 𝗹𝗶𝗸𝗲 𝗮𝘂𝘁𝘂𝗺𝗻 — 𝗿𝗲𝗮𝗹 𝗮𝘂𝘁𝘂𝗺𝗻 , not the shit you bought in a can. the air had that sticky sweet burn of cinnamon brooms and cheap cider, jack-o’-lanterns drooling wax down porches while some boombox a few houses over blasted “thriller.” vincent price’s voice rolled through the neighborhood like fake fog. chet hated it. all of it. the store-bought masks, the plastic cobwebs, the parents pretending they weren’t miserable. halloween, to him , was just another excuse for people to act like fools and eat too much sugar. the cup in his hand smelled like cider, but the way he swirled it — lazy, careful, a little too practiced — said there was something else mixed in. he wasn’t hammered, though. not yet. shockingly alert, even. his words only slurred at the edges, the way old records hiss when they’re worn down.
“tired?” he repeated, the word rolling off his tongue like it offended him. the teenager next to the cider table had said it with a yawn when he’d asked how the night was going. chet squinted at him. "from what?” he shot back before the kid could answer. the boy blinked, then fidgeted with his fake vampire cape. chet grunted, muttering mostly to himself. “kids these days. christ.”
he took another sip and turned his gaze back to the street, where ruby mae darted from porch to porch with her little plastic pumpkin bucket swinging. twelve years old, all elbows and determination, dressed as some japanese cartoon girl — sailor mercury, or space angel, or whatever the hell her name was. her mama had sewn her costume: a bright blue sailor getup she’d begged for after seeing a vhs at blockbuster. the pleated skirt bounced with every step, the silver boots a half-size too big. dorky, adorable, and way too much like her mama for his peace of mind.
he spotted her laughing at something, and his shoulders eased — just a little — until he noticed someone stepping a bit too close. some older kid, tall enough to have stubble, standing near the candy bowl and saying something ruby mae didn’t seem to like. chet’s body moved before his brain caught up. the cup was gone — left somewhere on a fence post — and his boots hit the pavement with that heavy, deliberate rhythm that meant trouble was coming. “problem here?” he asked, voice low and even, stepping between ruby mae and the stranger like a wall made of denim. his eyes cut sharp beneath the streetlight.
ruby tugged at his sleeve, voice small beneath the din of monster mash and laughing kids. “daddy, it’s fine.” maybe it was. but “fine” didn’t mean safe, not to chet. his jaw locked up tight enough to ache, that muscle near his temple ticking steady as a metronome. he didn’t blink, didn’t move — not until he’d sized up the stranger and found something he didn’t like. he jerked his chin toward the nearest adult— “ hey. you,” he said, rough as gravel. then his finger swung toward the kid beside them, his voice low but sharp enough to cut through the noise. “you know this one? he yours?”
halloween is a holiday he never quite understood — an american indulgence. it struck him as the sort of thing invented by people who needed to be frightened in order to feel alive. where he came from, fear had no costume. it wasn't seasonal like a holiday mask or trick. it was grounded, as enduring as land itself, shaped by tradition, tempered by the understanding that respect was earned, rooted in the authority of fathers and men whose word carried weight. still, he came. not for ghosts. not for ghouls. not even for show. but because absence in a place as small as red creek was its own loud rumor, and berkay preferred to dictate the terms of his own mythology. he stood through the sheriff's speech, watched his brother stand beside the man, nodding like a good retriever, tail curled invisibly between his legs. they were iron poured from the same crucible, cooled to different tempers: one tempered for law, the other for patience sharpened as thin as a blade. berkay’s gaze slid past him, uninterested in reflections that flattered no one, and found ayla instead, framed beneath the spill of carousal light. the twins orbited her like wayward moons, sugar-drunk, bright-eyed. he traced their small constellation with the vigilant tenderness of a wolf shadowing its own: quiet, close, fangs folded out of sight. his real costume was the one they never saw: patience pressed into his slacks like a crease, violence folded, stored, remembered. that calm that wasn't calm at all, living one breath away from anger, and choosing — deliberately, daily — not to. no one asked what he came as, but if they had, berkay would've held up the boogeyman mask by one eyehole, let it dangle like a carcass from butcher's twine. the hour passed away like that — guarding what he desired, until the word problem snapped through the dusk like flint against stone, small sparks leaping into the dry brush of instinct he kept tamped down. he knew that tone, had heard it in locker rooms, on sidelines, and in bars where men tested the air with their pride. a question curled at the edge of a threat. berkay's attention tore from family and locked on chet and his little daughter, the scene catching in his sightline before thought could follow. everyone was guarding someone tonight. “ not one of mine, ” berkay answers, giving the teenager a brief, assessing look before turning back to chet. “ if the kid was on my roster, he'd be three steps back, spine straight, mouth shut. before someone had to remind him. ”
Freedom or loneliness?
i. Left Alone, Fiona Apple / ii., iv. Perfectly Lonely, John Mayer / iii. Charles Bukowski / v. I Don't Belong, Fontaines D.C.