That the powerful play goes on

Kate // an elderly soul trapped in a youth's body // feminist, sewing and fashion enthusiast, english & history major, hopeless romantic, in love with a vampire

[fieropasto-deactivated20210613]

Very female trait of Jesus to die for mankind's character development

[heresylog]

Heresy.

[totopopopo]

Have you actually read Julian of Norwich’s Revelations of Divine Love because it’s hard for me to believe you can call yourself an authority on heresy if you contradict her writings by calling this post heresy

[hecth-ledger]

heartbreaking doctor who moments ♢ vincent hearing his worth

I just wondered, between you and me, in a hundred words, where do you think Van Gogh rates in the history of art?

[quasarkisses]

i d in alt text

[tlirsgender]

Theory that neurotypicals are the ones with "communication issues" actually. You're the one who can't communicate with ME, buckaroo

[tlirsgender]

Neurotypicals will play four dimensional chess about asking you to wash the dishes and I don't believe this is my problem

[soracities]

In your honest opinion, what does it mean to be human?

[spark19]

[headspace-hotel]

from observations, I feel like many people took “history books are full of propaganda” and ran with it and instead of more deeply investigating history from varying sources, they just don’t know jack shit about history

[headspace-hotel]

I need everyone that has ever talked about “overthrowing capitalism” to understand that

people have tried to create a peaceful, oppression-free society before, but it turns out that’s really hard.

The reasons it’s really hard are almost entirely practical and many of them are the boring and logistical sort of practical.

Change happens incrementally. Revolutions and revolts...they happen when people hit the breaking point. But the idea that they throw out an old society completely and create a new one from scratch is itself propaganda. They don’t always result in a better society. They always result in a deeply flawed society. Also people die. Very often the most powerful people don’t die, and sometimes they end up powerful in the new society.

[findingfeather]

God, fucking this.

the guillotine was mostly drenched in the blood of people JUST LIKE YOU.

that doesn’t mean what came before wasn’t also awful. That means IT’S REALLY FUCKING EASY TO JUST END UP WITH A NEW BOSS SAME AS THE OLD BOSS ESPECIALLY IF YOU DON’T FUCKING LEARN.

[megpie71]

As a wise man pointed out a couple of times, they’re called “revolutions” because they come around again.

The thing we need to study history for is not the names and details of who did what and when, but rather the broader social patterns, the contexts, and the recurring themes and motifs of history, so we can work not so much to tame the river, but rather to divert or possibly dam the flow such that it doesn’t come crashing down on us all at once.  The “great men” school of history basically identifies particular logs in the river, and we delude ourselves into thinking if we know enough about the logs being dragged in the current, we will know the nature of the river itself.

[nocountryforlesbians]

head not empty, many abstract uncommunicatable thoughts

[rneadowsoprano-deactivated20211]

Electra heart was such a genius concept album but nobody gives women credit for genius concept albums people thought she was being serious

[rneadowsoprano-deactivated20211]

The female archetype thing was actually genius women really are placed into neat archetypal boxes based on our age and appearance and men treat us accordingly oh wow oh wow

[spokenitalics]

my take on the books vs fanfic debate is that the written word was invented by the devil

[tiktoksthataregood-ish]

[yekkes]

As someone who worked retail for two years this is like. Extremely realistic and I hate it

[maplesleep]

my childhood ; 3 ; 🧸🪁🍯

[ecc-poetry]

“Tenochtitlan,” by Elisa Chavez.

Cortes’ men thought the Mexica’s floating city must be a dream: stone temples jutting from the water, voracious bright gardens and grand estates.

My sun-worshipping ancestors kept their gods close, heeded their rapt whispers. In their names, they built marvelous canals and walked on the waters.

It shouldn’t then surprise that artists have tried to recapture Tenochtitlan, brooding on the dream journals of Spaniards: they imagine her bright causeways, the lush gardens paving her streets like enchantments.

The Spanish, steely god-mongers that they were, knew well how to deal with enchantment: They burned Tenochtitlan to ash.

Leí que los Mexica ahogaban a mujeres de cercanos pueblos para apaciguar a la diosa de las lluvias. Su templo mayor tenía dos estantes de cráneos.

Mis antepasados que adoraban al sol mantenían a sus dioses cerca, escuchando a sus voces rapaces. En sus nombres, perpetraban maravillas y atrocidades.

No debe sorprender entonces que los pueblos a fuera de Tenochtitlan les daron la bienvenida a cualquiera que prometiera un final al sol cruel, las flores mentirosas, los aguas pavimentados con los huesos de tributas.

El dios de los Hispanos fue el oro, y él les mandó a quemar Tenochtitlan, enviándola para reunirse con las doncellas ahogadas.

Is this translation inaccurate? You bet! Miss Translated is a meditation on culture, identity, and the things that get lost in translation by Elisa Chavez. To support this project, check out my Patreon.

[queen-susans-revenge]

What you’ve read above is a lie. That is, the poems were real; but the translations don’t accurately reflect each other. This is always the case with Elisa Chavez’s “Miss Translated” poems and it’s why I believe she’s one of the most exciting modern poets working today.

Because what she does is honestly extraordinary. 

I have no idea which one comes first or what her process is. But what she shares with the world is a poem, in English, side by side with a translation in Spanish. Only the Spanish is wrong. Or, well, the Spanish is right; the English is wrong. 

It’s a real poem all right, and often a more powerful one than its English counterpart. But it doesn’t say what the English says. She does not supply a “correct” translation. For that she relies on her readers. 

Elisa Chavez says of her project that: “The main conceit behind this work is that to accurately portray my relationship with Spanish, I have to explore the pain and ambiguity of not speaking the language of my grandparents and ancestors. As a result, these poems are bilingual … sort of. Each one is translated into English incorrectly.

“The poems I produced have secrets, horrific twists, emotional rants, and confessions hiding in the Spanish. It’s my hope that people can appreciate them regardless of their level of Spanish proficiency.”

My own great-grandmother was born and raised in Mexico. My grandmother was raised bilingual and my mother is far more fluent in Spanish than she cares to admit (she says she “doesn’t speak it,” but the one time someone really tried to cheat us and retreated into “no hablo ingles,” she was a FOUNTAIN of español). I was the first on my matrilineal side to be raised monolingual, in English. I love these poems because the process I go through, of reading the English first, then the Spanish and guessing at it, and then looking up a proper translation, feels revelatory.

Anyway, all that is lead up. The payoff is, I couldn’t find an “accurate” translation of the Spanish in this poem already online, so I asked my mom friend Francisca Cázares ( you can follow her at https://www.facebook.com/francisca.cazares or https://www.instagram.com/xicana_en_oaklandia/) for the true translation, and she gave me this: I read that the Mexica drowned women from nearby towns to appease the goddess of rain. Her temple had two shelves of skulls. My ancestors who adored the sun kept their gods close listening to their rapacious voices. In their names they perpetrated miracles and atrocities. It shouldn’t then surprise that the towns outside Tenochtitlán gave welcome to anyone who promised an end to the cruel sun the lying flowers, the waters paved with bones of tributes The Spanish god was gold and ordered them to burn Tenochtitlán sending her to reunite with the drowned maids To be honest this poem is challenging to me personally. As I said to a friend, “feels like Chavez’s point with this poem is something close to ‘don’t fucking romanticize human sacrifice, asswads’…Which, yes, but there’s so many more pressing issues…? I stand by loving what she does with making the act of translation part of her poetry, though.” And then I went back and re-read some of the Chavez poem-and-translation sets that I think are raw genius incarnate, like “La sirena y pescador / The mermaid and the fisherman” or “El vampiro / ICE.” So then I thought, well, all of Elisa Chavez’s other fans deserve to be challenged by “Tenochtitlan” as I have been challenged, probably. Or maybe I just want to talk about this with people who will understand, and sharing the translation contributes to understanding? In any case I asked Francisca if I could share it with credit and she said yes, so here you are. She honestly did a beautiful job with the translation so if you go onto her social media for fuck’s sake be nice. The one thing I love about the implied criticism of the Mexica in this poem is that outsiders can’t actually read it. So I am the traitor breaching the language gates, please don’t make me regret it.

[ecc-poetry]

This is a fantastic reblog. 

In the 3-and-a-half-ish years since I started the Miss Translated series, I’ve been thrilled to see readers create translations–whether out of their own bilingualism, via translation software, or through friends and family. This is work! It’s not something I expect, and I’m always humbled when it happens.

The one rule of Miss Translation that I’ve held myself to is that I don’t provide accurate English translations of the Spanish. However, if one just so happens to crop up, I feel like I can speak on it a little bit. 

So in this reply, I’m gonna talk about the lovely work that Francisca Cázares has done with this (re-translation? de-translation?), as well as respond to some of the points raised by @worriedaboutmyfern​. ARE YOU READY for: 

Conquistadors??

The stories we tell ourselves about ourselves, or HISTORY

The Florentine Codex??!?

poems written in the 1500s

Keep reading

[tonysopranobignaturals-deactiva]

where’s that screenshot of the mean girls book where it says something about a slut. anyway I need someone to edit bernie sanders into it

[spoekelse]

dunno if anyone’s already done this

[tonysopranobignaturals-deactiva]

INCREDIBLE

[lesbianiconharrystyles]

[piipstachio]

not to sound like a boomer but i think millenials should stop giving 1 - 10 yearolds their own tablets/ipads or let them roam around the internet willy nilly 

[filmnoirsbian]

[serotoninsuggestion]

an author i love just tweeted about how “big joy and small joy are the same” and how she was just as content the other night eating chocolate and cuddling her dog as she was on her Big Trip to new york and honestly. i think that’s it. this morning i was listening to an audiobook while baking shortbread in my joggers and i realised i really didn’t care what Big Things happened in my future as long as i could keep baking and reading at the weekend and maybe that is the kind of bar we have to set to guard ourselves against disappointment. just appreciate and cherish the mundane stuff and see everything else as a bonus.

[serotoninsuggestion]

found it - she was replying to this thread that starts “unpopular opinion: i don’t think your life has to have a purpose, or you a grand ambition; i think it’s okay to just wander through life finding interesting things until you die” and i for one think that’s fucking brilliant

[sashaforthewin]

If you save happiness for only the big important moments, you won’t have a very happy life, but if you allow happiness to happen from even the smallest things, your life will be full of happiness