amc's interview with the vampire x "masterclass" by gatlin aka, an ode to everyone's favorite toxic throuple

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amc's interview with the vampire x "masterclass" by gatlin aka, an ode to everyone's favorite toxic throuple
♪ Only the Big Boss Gets to decide Who dies and who stays alive ♪
"Big Boss" | THE VAMPIRE LESTAT
I, personally, am a fan of the highly subjective storytelling of Interview with the Vampire and The Vampire Lestat...especially how the narrator change between the two throws everyone's characterization into question.
'Which version of events is more truthful?' - boring question. Sorry but after episode 3 especially, I don't care.
'What does each version of events tell you about both the characters involved, and the narrator telling the story?' - YES PLEASE!
Does Louis fly? I don't know! But I find it fascinating that Lestat believes he can while Louis said he can't.
Did Louis actually read those pages from Claudia's diary before he killed Bruce? I don't know! But I find it unsettling and heartbeaking that Lestat thinks he did...and that Lestat's own narration of his ptsd flashback to Magnus assaulting him, included drawing direct parallels to Bruce sexually assaulting Claudia.
I am so engaged by seeing this all framed as the stories characters are willing to tell as they careen toward the mortifying ordeal of being Known.
the details.
Jacob Anderson as Louis de Pointe du Lac The Vampire Lestat 3.02
“Graves unearthed in the quiet cemeteries of the heart. Dead tragedies, vampiric exhumations…finalities, leave-taking, endless grief. And in the darkness, a last tomb opened to reveal the only impossible thing: our blood-soaked love—so bright it flung outward like copper constellations—a conflagration that burned forever, leaving empty universes in its wake.”
going to start saying "it's ok i have the blood of akasha in me" when faced with any kind of problem at all
An aloof poetry behind the eyes. Uncanny beauty. An elusiveness. Come, go, yes, no.
thinking about how lestat’s trauma flashbacks are interspersed with scenes happening in real time, as if the past and the present are happening all at once… and on that same vein, lestat keeps getting “ahead of himself”, the future, too, indistinguishable from the present, because time is unstable, his memories fragmented… thinking about how lestat is like a child when he sees his mother again and how the stutter he has comes back and how he uses the phrase “come to me” in his text messages which he always used with louis … thinking about how no matter how far lestat runs his past catches up to him on that stage, flashes and images of memory finally unleashing and making him crumble… armand’s line a century or so ago? yesterday? referring to meeting lestat is so apt in this case because it feels as if lestat is so immersed in trauma that the past is happening now and the future is happening now and the present is crushing in too and he cannot escape any of it
louis: racing ahead again, mr. molloy. let the tale seduce you.
lestat: [absolutely wrecked out of his gourd] you wanna fuck the tale. i know you wanna fuck the tale dan. you wanna fuck the tale so bad it makes you look stupid. the tale wants to fuck you.
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