Japanese Girls at the Harbor (1933) dir. Hiroshi Shimizu
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Japanese Girls at the Harbor (1933) dir. Hiroshi Shimizu
“In that daily effort in which intelligence and passion mingle and delight each other, the absurd man discovers a discipline that will make up the greatest of his strengths.”
— Albert Camus, The Myth of Sisyphus
“We cannot think any true thought unless we want the true. Thinking is itself an aspect of practice.”
— Theodor W. Adorno, Lectures on Negative Dialectics
“Very early, I knew that the only object in life was to grow.”
— Margaret Fuller, Memoirs of Margaret Fuller Ossoli
“We are having a hard time living because we are so bent on outwitting death.”
— Simone de Beauvoir, The Ethics of Ambiguity
عبدالعظيم فنجان | الأعمال الشعرية
" على المرء أن يكون حنونًا على نفسه حتى وإن كانت خطواته مبعثرة وجُهده أقل ."
Elsa Lanchester
" لن أنسى ما غيّرته في روحي تلك الليالي الصعبة، لن أنسى كيف جعلت مني شخصًا لا يثق، و نزعت من قلبي التصديق لكل شيء حولي ."
" في مُنتصف الأحاديث شعرتُ بأني غريب وأنَّ فِكري يفوق تِلك الأفواه، وهذهِ المخالطة لا أنتمي إليها ولا تنتمي إليَّ ."
“No abundance of material goods can compensate for the death of individuality and personal creativity.”
— Coretta Scott King, Harvard Alumni Bulletin (July 1, 1968)
“It is one of the superstitions of the human mind to have imagined that virginity could be a virtue.”
— Voltaire, Notebooks
Eduard Gübelin. Ethiopia, Lalibela, 1960-1970.
Ph. Eduardo Soteras
Ph. Bete Giyorgis
Ph. Sean Gallup
The small town of Lalibela in Ethiopia is home to one of the most extraordinary sacred sites in the world. Its eleven churches were carved directly out of solid volcanic rock. This dusty, rural town only gained access to electricity relatively recently, and it still has no paved roads. Originally called Roha, the town was later named after King Lalibela of the Zagwe dynasty, who ruled the Ethiopian Empire from 1181 to 1221. During his reign, this remarkable complex of eleven churches was created. What you see in these photographs is not a group of buildings made from stone blocks. Each church was carved from a single mass of rock, with no joints, bricks, or mortar. The builders first cut a deep trench around the future church, separating it from the surrounding bedrock. They then worked from the top down, carving the exterior before gradually hollowing out the interior. Once the doors and windows had been opened, workers entered the rock itself and carved out rooms, columns, passages, and sanctuaries from within. That is why these churches are described as monolithic: each one was shaped from a single piece of stone rather than assembled from separate materials.
This method required extraordinary technical knowledge, precision, patience and skill. Even more remarkable was the vision and courage behind the idea itself. The overall concept, the architectural design, and the artistic details and ornamentation are achievements in their own right.
As archaeologists have described it:
"As one approaches, the first feeling is often confusion and disbelief, followed by a deep sense of awe before such an extraordinary achievement. It is a monument to determination, strength, perseverance, and profound faith: first in human ability, and then in something ancient, sublime, and still unknown."
“We reason deeply, when we forcibly feel.”
— Mary Wollstonecraft, Letters Written in Sweden
"أنا أكره من يسرق مني وحدتي، دون أن يقدم لي في المقابل رفقة حقيقية .."
- نيتشه