Slightly late but marking the anniversary of George and Olivia 's marriage (and this Tumblr!)

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@oliviasflapjacks
Slightly late but marking the anniversary of George and Olivia 's marriage (and this Tumblr!)
Photo (from November 1976) © Mirrorpix.
George and Olivia were wed September 2, 1978. “‘You came and helped me through/When I’d let go/You came from out the blue/Never have known what I’d done without you.’ That sums it up.” - George Harrison, Rolling Stone (April 19, 1979) “I told Olivia, ‘Oh, God, girl, you’ve meant so much to his life, you’ve just totaled him out, and it’s just wonderful.’ They’re beautiful people.” - Carl Perkins, Goldmine (1998) “I got an e-mail from Liv the other day saying she thought George performing ‘The Pirate Song’ on Rutland Weekend Television was the bravest thing he ever did and that she wanted to be a pirate, too. Well, his dark sweet lady was the love of his life, and I know how much he loved her; a braver, finer, lovelier companion no man could ever find.” - Eric Idle, The Greedy Bastard Diary (2005) “[Olivia] is a beautiful person. […] Dhani, is a beautiful kid, man. […] Olivia had the hardest job in the world, because she loved George more than all of us, and she really took care of him and cleared the path in front of him, behind him, and inherited that crazy life, you know.” - Tom Petty, Rolling Stone (January 17, 2002) Q: “You have put forth some very intimate moments [in Came The Lightening], like in ‘Without Hummingbirds,’ where you say, ‘My hair like a vine curled around your finger as we lay face to face.’” Olivia Harrison: “George would always say something completely off the wall in all those little sweet little moments. I wanted to share those moments in that poem. I was very guarded all my life, and guarded in my life with George, very guarded. Now, I’m liberated from that. He’s not here, and it’s like humanizing him and humanizing us. I want to show people how treasured George was by me.” - SPIN (June 2022)
Olivia posted this on Instagram yesterday
George and Olivia Harrison, Australia, 1982, screenshot from The Australian Women’s Weekly; and Olivia at A Night of Broadway Stars Benefiting Covenant House, New York City, 12 June 2012, photo: Stephen Lovekin.
“Thirty years ago today, former Beatle George Harrison and his wife Olivia gave us a gift to open our first safe house for trafficked children in Guatemala. That house birthed a movement known as Casa Alianza, which now protects street children in Mexico, Nicaragua, Honduras and Guatemala. Tens of thousands of children have been saved from trafficking rings, and our work has won the Olaf Palme Peace Prize, the Hilton Humanitarian Award, the State Department Hero Award and the Path to Peace Prize. Covenant House President is remembering George and Olivia today with gratitude, listening to his beautiful Here Comes the Sun.” - Covenant House International, Facebook, 14 January 2012
On 12 June 2012, Olivia received the Casa Alianza Hands of Peace Award on behalf of herself and George: “Olivia Harrison, wife of the great Beatle and philanthropist George Harrison, received the Casa Alianza Hands of Peace Award for her support of Casa Alianza (Covenant House) Guatemala. Her work has provided love, hope and practical help to homeless youth in Latin America, helping to save thousands of lives.” - CovenantHouse.org (x)
From Eric Idle's Bluesky: "Fifty years since I met the lovely couple on my right. A life changing encounter. Thanks Liv for your love and friendship and not minding when George mortgaged your house and stuck it on a bleedin Python movie!"
“Terry Gilliam (another and inexplicable love at first sight) was with me the night in May 1975 when we attended the first screening of Monty Python and the Holy Grail at the old Directors Guild building on Sunset. I think I knew George was supposed to be coming, and was slightly anxious and even unsure about meeting him, as I had heard what a raving fan he was, but I was blown away when he appeared at the end in the darkened cinema, and hugged me and launched straight into the first of many intense conversations, which began as monologues and then, as I grew confident and emboldened to interrupt and share my thoughts, became long and deep conversations about everything in our universe: life, death, love, the nature of religion; hours of sharing and ‘catching up’ as he called it, as if he too felt he’d known me before, and his apothegms and memories and jives and rants enlivened my life for almost thirty years. We had retired to the projection room to smoke a jay and were finally kicked out of there and went off to A&M Studios […]. We then went on to the Beverly Wilshire Hotel, where I was staying, and talked and talked and talked, oh my God how he could talk. This was the quiet one! He never shut up. Thank God.” - Eric Idle, The Greedy Bastard Diary
Olivia's tribute to Brian Wilson on Instagram, for anyone who isn't on that platform. (More about the hometown connection.)
Just posting a link to Olivia 's lovely tribute to Brian Wilson where she discusses they both came from Hawthorne
Photo (at Chasen’s in Los Angeles, November 1976) by Mirrorpix.
“It was a warm fall evening in 1997 and on the patio of the Wilshire Ebell Theatre, mariachi trumpets were blasting. The occasion was a family reunion, and it was in all ways a typical Mexican fiesta — except for the presence of a handful of guests who stood out among the Old World elders and Mexican American kids. Huddled together at a table were George Harrison and some of his friends, including Indian sitar legend Ravi Shankar, Tom Petty, Jeff Lynne of Electric Light Orchestra and session drummer extraordinaire Jim Keltner. But the rock ‘n’ roll royalty was not the center of attention that evening. Harrison’s in-laws, Maria Louise and Esiquiel Arias, as matriarch and patriarch, had the spotlight. Harrison was there because of their daughter, Olivia Arias, whom he’d married in 1978, thereby gaining a huge Mexican American extended family in Los Angeles. […] On the night I met George and Olivia at the Wilshire Ebell, the live music was performed by one of the world’s great mariachi bands, Los Camperos de Nati Cano. Later, Harrison talked to me with great enthusiasm about Jorge Negrete, one of the great crooners from the golden era of mariachi music.” - Ruben Martinez, Los Angeles Times (December 9, 2001) “It was only after moving to England, where being Mexican was considered ‘exotic,’ that [Olivia] became fully aware of the discrimination she had encountered in Los Angeles. ‘I always knew I wasn’t going to be one of those cheerleaders in a little skirt, and I had a feeling it was because I was brown,’ she says. ‘Now I see the role that Mexicans have been put into in Los Angeles, which is basically doing the jobs the whites don’t want. If you took all the gardeners, waiters and nannies away from Beverly Hills, the place would screech to a halt.’” - The Daily Telegraph (December 20, 1995) “I was born in Los Angeles but my grandparents were born in Guanajuato. […] When my husband married me, he married into a Mexican family. George loved Mexican music, he watched some of these films with me, he even had Jorge Negrete on the jukebox. My father used to sing with his brothers, around 1938, and like every musician he used to go around with his guitar. So George actually took my dad into the studio and recorded him. And my dad and my mother sang like four full songs, that probably your mother and your father, or your grandparents know. We used to have to call him Jorge. Sometimes if he wanted to use another name, he would use Jorge Arias, because that is my maiden name.” - Olivia Harrison, Morelia Film Fest interview (2016) “My mother’s father, Esquiel Arias, was a singer, and dad recorded him singing these great Mexican songs. My mother’s mother was related to Jorge Negrete, who was a film star and singer, I guess at the same level as Elvis or Bing Crosby in Mexico. Dad was a huge fan and had him on the jukebox at home. There’s a long line of musicians on both sides.” - Dhani Harrison, MOJO (November 2017)
Photo by Lindsey Byrnes.
Wishing Olivia a very happy birthday! Q: “What’s the secret to endurance in a relationship?” Olivia Harrison: “I think in life, first of all, you have to have — respect is really important, but also I think you have to know where you’re going in your own soul and in your own life, and in your own — who you are; who do you want to be in life? And you need a partner to help you be that best person you can be. And sometimes you’re not that best person, but I think that’s the goal. I think when you have a goal like that? You know, George always wanted to be… a light-hearted person, and he was a very intense person, and I think you need a higher goal to stay together. I think that’s the real reason. Because then your own problems don’t seem like such big deals.” […] Q: “So how are we supposed to find which is our path?” OH: “Oh, that’s a good question. Especially now in this day and age, when everything is a big diversion. I think nature — I think the answer is in nature, I think the answer is in silence, and not being afraid of nothingness, not being afraid of the abyss, the void, the silence. I think that’s where man can be saved from where we are now. I really do. I think you need to go sit somewhere in silence and be overwhelmed by nature. That seems to be a way to reset our lives.” - Cultura Pop, October 19, 2017 “[Olivia] is a beautiful person. […] Dhani, is a beautiful kid, man. […] Olivia had the hardest job in the world, because she loved George more than all of us, and she really took care of him and cleared the path in front of him, behind him, and inherited that crazy life, you know.” - Tom Petty, Rolling Stone, January 17, 2002 “I’ve never considered myself a poet. I’m not. I can’t say I am. I found this form, or it found me, and through it I was able to really tell the most personal feelings and my personal observations of myself as well as George. I found myself on these pages too. As much as I found George, I really found myself on these pages.” - Olivia Harrison (on Came The Lightening), The Bookseller, May 20, 2022
Happy birthday Olivia! What lovely words from Dhani
Photo by Tom Wargacki.
“Will I see George again? I take heart from something Michael Palin once said, which is that the idea of seeing George again, on the other side, makes the idea of death a whole lot more interesting. All I know is that George dedicated a lot of his life to obtain a good ending, and I don’t doubt he was successful. The whole point of meditation is to have the experience you’re going to have when you take leave of your body, so that when it actually happens, you’re familiar with that transition and go, ‘Oh yes, I know this place.’ So yes, I must say that I like the thought, indeed the possibility, that one day he and I might once more be floating down the stream of time.” - Olivia Harrison, Radio Times, May 2008
Maybe you won’t know but you’re like the only person I see on here that consistently even acknowledges Olivia Harrison’s existence so I thought I’d ask:
Do you have any knowledge/idea as to why she (apparently) cut off George’s sister Louise after George’s death? To my understanding (which could be wrong it’s been a while and a lot of what I’ve seen has been on gossip sites so I’m prepared to be wrong), he was giving her some sort of “allowance” (which from what I read was admittedly rather small compared to his wealth but also was probably more money back then maybe even up to 2001) after she divorced an abusive husband that he continued until he died, and then Olivia apparently stopped the allowance. I’ve seen some people say it’s because Louise was somehow connected to a Beatles fan/tribute band (i don’t remember whether she was managing it or what), and maybe there was something about a Beatles restaurant?? But never seen Olivia comment on it herself so much of that seems to be hearsay
I ask because a) from what I’ve seen it seems George hired his brothers or at least had them interacting with Friar Park in some way, which Louise living in the US obviously couldn’t have done but it still shows to me that he had strong familial ties and b) every interview I’ve seen of Louise she seemed in pretty good spirits to the day she died, very little if any resentment towards being cut off.
Its just an all around fascinating situation to me! George and his family’s relationship to money has always fascinated me because of the weird space he occupied of being in one of the most successful bands in the world, a multi multi millionaire, reportedly generous with his money not just to family and friends but also projects he liked, while also consistently being fucked over by things like Northern Songs and Lennon-McCartney in general, and also maybe not having the best understanding of money considering his issues with tax fraud and taking out huge mortgages to fund projects he liked
I'm not that well informed in all the drama there is, maybe @oliviasflapjacks can help us with this?
Louise Harrison is a complicated topic. Obviously she and George used to be close but it seems like she enjoyed the attention from Beatles fans a bit too much for George's taste and they ended up distanced because of that (she called herself "the unofficial Mum to the family of Beatle People). I know she managed a tribute band but their most known disagreement was when she promoted the creation of a "Beatles Bed&Breakfast" in the place where George stayed during his first visit to America.
George and Louise reconciled before George's death but things remained tense with Olivia and Dhani. We know that they are very protective of George's legacy so things like the tribute band probably weren't well received by them. Louise published her own book in 2014 where she expressed her displeasure with the Harrison state and even made a weird comment about how there weren't biological Harrisons managing it.
George's relationship with his brothers was better as they worked in Friar Park and they appeared in George's documentary.
Thank you for kind shout out!
I did write a blog on this topic a few years back which I hope is useful .
I do feel certain parts of Louise' s story were inconsistent. I feel compassion for the difficult life she had but also compassion for Olivia and Dhani
https://www.tumblr.com/oliviasflapjacks/142239714502/olivia-louise-harrisonmy-thoughts-for-what?source=share
On December 9, 1974, George’s album Dark Horse was released.
“'He was a terribly sweet person and I thought he needed a pal,' says [Olivia Harrison]. 'He had a lot going on and there were a lot of demands on him. 'We quickly became good friends and a team. 'He was very open and had a way of bypassing all your hang-ups, inhibitions and concerns. He made people feel very loved and comfortable. 'You visit some people and go away thinking, "Oh, that was nice," (but) with George, no matter how long, five minutes or five years, every time he left the room you felt something had happened to you. 'I’ve never met anybody who said they had a bad time working with him or being with him. That’s how I look back on him and it’s the truth.' Thirteen years after his death from cancer at 58, this is a loving and touching tribute from Olivia. She knew their relationship was growing fast when a blue-tinted picture of her eyes appeared on the label artwork for the Dark Horse album. 'That was so sweet of him. He just said, "Someone’s coming over here to take a picture." I’d only known him for a couple of weeks so it was like, "Oh, I think we’re getting somewhere here."'" - The Sun, September 2014 “The cover shot was my high school class photo from Liverpool Institute, with lots of gray students who all look the same, and this big gray building in the background. I positioned the blown-up photo so that I’d be in the middle, put an album cover over the length of it and cropped it off. I moved the headmaster, who never liked me anyway, from where he was in the photo and I put him in the middle with a bull’s eye Capitol logo on his chest. I got the art guy [Tom Wilkes] to paint the Himalayas in the background with a few yogis in the sky, and put exotic T-shirts on everybody.” - George Harrison, Musician, November 1987
On December 9, 1974, George’s album Dark Horse was released.
“'He was a terribly sweet person and I thought he needed a pal,' says [Olivia Harrison]. 'He had a lot going on and there were a lot of demands on him. 'We quickly became good friends and a team. 'He was very open and had a way of bypassing all your hang-ups, inhibitions and concerns. He made people feel very loved and comfortable. 'You visit some people and go away thinking, "Oh, that was nice," (but) with George, no matter how long, five minutes or five years, every time he left the room you felt something had happened to you. 'I’ve never met anybody who said they had a bad time working with him or being with him. That’s how I look back on him and it’s the truth.' Thirteen years after his death from cancer at 58, this is a loving and touching tribute from Olivia. She knew their relationship was growing fast when a blue-tinted picture of her eyes appeared on the label artwork for the Dark Horse album. 'That was so sweet of him. He just said, "Someone’s coming over here to take a picture." I’d only known him for a couple of weeks so it was like, "Oh, I think we’re getting somewhere here."'" - The Sun, September 2014 “The cover shot was my high school class photo from Liverpool Institute, with lots of gray students who all look the same, and this big gray building in the background. I positioned the blown-up photo so that I’d be in the middle, put an album cover over the length of it and cropped it off. I moved the headmaster, who never liked me anyway, from where he was in the photo and I put him in the middle with a bull’s eye Capitol logo on his chest. I got the art guy [Tom Wilkes] to paint the Himalayas in the background with a few yogis in the sky, and put exotic T-shirts on everybody.” - George Harrison, Musician, November 1987
Olivia and George Harrison, 2001, photo © PA; Olivia, (with the limited edition Concert for George book, turned to a page with a photo by Harry Goodwin), 2005, photo by Vince Bucci/Getty Images.
“When the time for George came, that momentarily open door to the infinite caught my sleeve then slammed shut, leaving behind the fabric of my being in jagged shreds. Tragedy is much more of an adventure than joy. I am not saying joy is over-rated. But happiness is fleeting; it exists in the present. Tragedy casts a long and persistent shadow with the power to dim even the most perfect moment. It also has the potential to follow us to the end. We don’t stop to analyze happiness but when grief and strife occur we recount the events leading up to it over and over. It wakes us from our sleep as we try to figure out how and where it all went wrong. Of course, with death, the question is more of a ‘why’? But for me, the question was, ‘what is it I am meant to do now?’ The script was changed, as George said when John Lennon was killed: ‘That’s not how the script goes. It was like someone tore out that page and stuck a new one in.’ My movie changed too. […] There were traces of him everywhere; chord sequences and tablatures written out, notes and silly drawings but also deeper reminders, one written on a scrap from the Bel-Air Hotel, ‘When you strip it all away, there is only God.’ And I have been stripping it away, from the past, as well as streamlining the present. […] Through work and the process of producing this film [Living In The Material World] I have discovered new skills, broader perspectives, new interests and above all, I cemented old friendships while nurturing new ones. I worked hard at it all and the results pulled me out from under the cool shadow of sadness. I admit I have had a pretty amazing 10 years. It goes without saying, but I’ll say it anyway, that not in a million years would I have made that trade. I have to thank George for my life with him and oddly enough, for […] my life without him.” - Olivia Harrison, Huffington Post, 3 October 2011 (x & x)
George Harrison's widow Olivia Harrison remembers the close friendship between her late husband and Billy Preston in the documentary 'Billy
Nice article
George Harrison's wife Olivia sheds light on rare photos of the late Beatle as part of a celebration of the 50th anniversary of his album 'L