Secret Forest

The Theatre of Courage

[omytracy]

Live light!

Arterritory.com - Baltic, Russian and Scandinavian Art Territory

[omytracy]

罗中立

[omytracy]

画家之

曾梵志

[npr]

Before last week, the Brooklyn-based punk band PWR BTTM was widely regarded as a promising, emerging rock act. Its two members, Ben Hopkins and Liv Bruce, both of whom identify as gender non-binary, had made a name with catchy songs that, in part, celebrate those identities, bolstered by actions such as requesting gender-neutral bathrooms be provided by venues where the band was booked to play. Last Wednesday, May 10, accusations of sexual assault against Hopkins began to circulate on social media. On Thursday, the band posted a response that read, in part, “These allegations are shocking to us and we take them very seriously.” (You can read the complete statement from the band below.) By Friday, the same day the band released its second album, Pageant, the focus had shifted and the band has since been enveloped in the resulting controversy.

Dramatic Fallout For PWR BTTM After Accusations Of Sexual Misconduct

Photo: Scott Dudelson/WireImage/Getty Images

[thedaysofdisorder]

Wilted Woman - Mirror  Album: Various - Material Eléctrico Vol.1 (B.F.E. Records, 2016)  

[omytracy]

make glitch art

[omytracy]

The Periphery is a monthly magazine featuring prose, poetry, essays, interviews, arts commentary, and visual arts. We hope to open conversations outside dominant narratives. Feedback is encouraged, as our opinions and understanding of the world are fluid.

[neon-cacotopia]

[omytracy]

pixel

[omytracy]

Tasmania, Resolution, Revolution, Reality, Glitch, CHaos, dirt HTML KEYWORDS ARE A DREAM ---- KEEP ON DREAMING &&FIGHT ILLUSIONs CALLED REALITY

glitch art

[omytracy]

Join Second Life, a free 3D virtual world where users can socialize, connect and create using free voice and text chat.

second life game

[omytracy]

Are We Addicted to the Internet?

Artist Maurice Mbikayi explores the effects of technology on identity and history, as well as how it has impacted Africa both positively and negatively. His art combines recycled materials such as old keyboard parts to telephone cords. Artwork and photos © Maurice Mbikayi Link via \\\

[omytracy]

Petra Cortright: Post-Internet Art in the Social Media Age

Petra Cortright was raised in Santa Barbara, but she grew up on the Internet. The artist's work is often typified as "post-Internet art" -- art that uses the Web as its medium, source, context and place where it is performed, all at once.

Female bodies and a post-internet age.

[nikitael-khalifipa]

Physical theatre

In the physical theatre lesson on 24/01/12 we watched part of a physical theatre performance called Justitia by Jasmin Vardimon and learned what the main devices for dance are.

Canon- When the dancers do a movement one at a time, usually taking turns to do the same movement.

Contrast- A movement to be completely different or in an opposite form to show the variation to another.

Highlights- A part of a dance the really stands out.

Climax- A build up of intense actions and movements. 

Transition- Automatically switching from one dance to another.

Motif Development and Variation- Developing a routine and using a variety and movements.

In the next lesson of the day we had to choreograph a dance with five counts of eights steps that had to include six dance actions of locomotor, elevation, turning, gesture, stillness, and falling. We found the task difficult as none of us were experienced with dancing and we found it hard to think of movements, and we were not able to include all the dance actions in our routine.

[theartofthecover]

Flinch #11

Flinch: Book Two TPB

Art by: Phil Hale

[omytracy]

grotesque

[gifovea]

[omytracy]

dizziness

[mariatallchief]

 Ballet du Grand Théâtre de Genève: Pontus Lidburg’s Giselle (x)

[omytracy]

Ballet and it's costume

[whitneymuseum]

On select Friday nights: Explore immigration, ethnicity, race, and the complexity of American identity in Human Interest: Portraits from the Whitney’s Collection. 

John Sonsini (b. 1950), BYRON & RAMIRO, 2008. Acrylic on canvas, 80 1/8 × 84 1/8 × 2 9/16 in. (203.5 × 213.7 × 6.5 cm). Whitney Museum of American Art, New York; gift of Jean Crutchfield and Robert Hobbs 2010.70 © John Sonsini