𝔰𝔞𝔳𝔞𝔫𝔫𝔞𝔥

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Peaky Blinders: The Immortal man

Peaky Blinders: The Immortal Man | 2026 | R | 1H 52M

Director - Tom Harper

This film absolutely wrecked me - in the best possible way.

!!!!SPOILER WARNING!!!

I went into the film knowing the story of Thomas Shelby had to come to an end, but I never truly believed they would go that far. When he died, I was completely devastated. I usually pride myself on keeping my composure while watching films, but this time, I couldn't hold it in. That moment hit hard. Too hard.

Surprisingly, I was just as emotional during Ada Shelby's death scene. I didn't expect that reaction, but it speaks to how deeply connected I've become to these characters over the years.

Spoilers aside, the film did not disappoint. Seeing Peaky Blinders transition from television to the big screen was something special. There's different weight to the story in a theater setting, and I genuinely hope fans showed up to support it that way rather than waiting for it to land on Netflix.

I'll admit - I'm completely biased. Peaky Blinders is my favorite series of all time. But even stepping back, it's hard to deny the craftsmanship here. The cinematography, costumes, set design, music, and casting are all exceptional. Every element works together to create something immersive, unforgettable, and special.

At its core, this film is heartbreaking - especially for longtime fans who have followed the Shelby family from the beginning. It's a beautiful, painful farewell.

And then there is Cillian Murphy. In my opinion, he's the greatest actor of all time - no debate. Every role he takes on feels completely lived in. It's impossible to not believe him as the character. He's an incredibly talented actor and not mention extremely handsome.

I'm sad it's over. Truly. But there's comfort in knowing I can revisit this world anytime I want.

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Hereditary

Hereditary | 2018 | R | 2h 7m

Director - Ari Aster

I know this might be late to the Hereditary train, but I only recently watched it - and now I find myself thinking about this film two or three times a week. I truly loved it. I'm usually pretty good at predicting what will happen next in a movie, but this one left me so unsettled that I couldn't focus on anything except what was unfolding on screen. That alone makes it stand out from so many others I've seen (in my opinion).  There were several details I picked up on while watching, but I didn't have the mental spact to fully process them until longer after the credits rolled. I was completely captivated the entire time. The film never loosened it's grip on me, largely because the performances were so extraordinary. The casting felt intentional and seamless, the cinematography was hauntingly beautiful, and the score amplified every ounce of tension. Every element worked together so effortlessly.  As a mother, the dymanic between the mom and her children was especially gut-wrenching for me. It added a layer ofo emotional horror that lingered long after the film ended. I cannot recommend this movie enough - it's unsettling, brilliant, and impossible to shake.

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Bugonia

Bugonia | 2025 | R | 1h 58m

Director - Yorgos Lanthimos

Last night, I watched Bugonia, and I'm still sitting with a tangle of mixed feelings about it. As a longtime admirer of Emma Stone, I find it almost impossible to dismiss a film in which she delivers such a committed and compelling performance. Her presence alone elevates the material; she brings nuance and magnetism to every scene she inhabits.

That said, I found myself anticipating several of the film's narrative turns well before they unfolded. While this didn't diminish my appreciation for the craftsmanship on display, it did lessen the sense of intrigue and discovery that I value so highly in a first viewing. I prefer to feel unsettled or surprised - to be carried somewhere unexpected - and at times the story felt more foreseeable than I would have liked.

The cinematography initially captivated me. There was a deliberate visual language at work, one that drew me in and sustained my attention for much of the runtime. However, by the film's conclusion, the visual cohesion seemed to waver, and I was left wishing the final moments had maintained the same aesthetic intensity established earlier.

The costume design, particularly for Emma Stone and supporting cast at the finality of the film was interesting, I couldn't help but feel that it might have pushed further into the unsettling. There was an opportunity to heighten the audience's discomfort - to leave us more profoundly disturbed, or at least more deeply reflective, about what we had just witnessed.

Ultimately, I tend to measure my affection for a film by simple question: will I watch it again? With Bugonia, I remain uncertain. And perhaps that ambiguity is meaningful in itself. Despite my reservations, I would still encourage others to see it and form their own conclusions. It is, at the very least, a film that invites conversations - and sometimes that is reason enough.

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Normal People

TV Mini Series | 2020

Written by - Sally Rooney

Normal People is about two people who keep circling back to each other over the years. They start out in high school where Connell is well-liked and Marianne is a bit misunderstood. They have a secret relationship that ends badly, mostly because Connell is too worried about how he looks to other people.

When they both end up in college, everything flips. Marianne suddenly fits in and thrives, while Connell feels out of place and struggles with his mental health. Even though they keep breaking up and getting back together, there's always this strong connection between them that never really goes away.

The story is a tale of miscommunication, feelings, and how hard it is to say what you actually mean to someone you care about. It's about love, timing, and how two people can matter so much to each other and still not get it right.

A beautifully written story.

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If I'm not careful this could quickly turn into a Cillian Murphy / Thomas Shelby fan account! 🫠

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The urge to print this photo, put it in a locket and wear it around like ... this is my husband whose away at war!

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baby

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Missing New York!

The Lucille Lortel Theatre in the West Village!

The show was Danny and the Deep Blue Sea with Christopher Abbott and Aubrey Plaza. Incredible performance by both! Due to a combination of the showing being over and the profound sadness the characters carried made me weep at the end. Danny and the Deep Blue Sea is a one-act play by John Patrick Shanley about two lonely, troubled strangers, Danny and Roberta, who meet in a Bronx bar and find an unexpected, raw connection through their shared pain and vulnerability, leading to a night of emotional honesty and the possibility of love.

Christopher Abbott is also in Arthur Miller's classic Death of a Salesman, at the Winter Garden Theatre. Opening night is on April 9, 2026! A must see!!