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official daine visual archive
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YOU ARE THE REASON
Lint Roller? I Barely Know Her
cherry valley forever
todays bird

oozey mess
EXPECTATIONS
Mike Driver
Game of Thrones Daily

roma★
Color Me Curious

ellievsbear
RMH

Game Changer & Make Some Noise
macklin celebrini has autism
ojovivo
The Stonewall Inn
NASA

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@once-upon-a-mushroom
Every piece of dogshit art makes the world a better place to live. Better to create poorly than not at all.
THOUGHT GAINED: INFERNAL ENGINES
PROBLEM
The world is ending. You know it, your neighbor knows it, the dealer knows it, the jailer knows it, the king and all his men know it. All one has to do is look around to see it— the future is curdling into something pale and incorporeal. The infernal machine that is this stupid world is going to blow, sooner rather than later. So what are you doing? Why are you still here? Why is anyone still here?
SOLUTION
You are doing the only thing worth doing. You are living. *Why,* you ask? Try and remember now. Remember your mother’s hand on your shoulder. Remember the taste of a fresh catch. Remember the times when you were kind to the dogs in the valley and they did not bare their teeth. Remember the weight of a child on your shoulders. Remember the stars throwing their light against the wall of sodium and smog. Remember singing until your throat was raw. Remember crying just as loudly and publicly, and the gentleness with which someone opened your curled fist and pressed a handkerchief into your palm. Crying, laughing, running, eating, screaming, haunting, loving, fighting, fighting, fighting. The fight fuels you, and you fuel the fight. You run yourself ragged just for a chance to keep running. You never stop. You cannot stop. The world depends on it. *You* are the infernal engine. You are the world. And, simply put: you want to live.
The way so many "feminist" retellings actually give their women less agency makes me want to bite someone
So there’s actually a very good explanation for this!
Many pieces of classic literature were written before any form of unified feminist movement, such as Pride and Prejudice, Little Women, etc. They express feminist values and a lot of social commentary that’s cutting edge even today. But their best qualities lay in the lack of precedent. They weren’t writing according to qualifications of some political ideal, they wrote about real life.
The best part about Pride and Prejudice is Charlotte Lucas marrying a man she doesn’t like because it’s her safest option. Because she’s afraid. Or Lydia being abandoned by her parents and consequently being groomed by an older man. Or Elizabeth being her father’s favorite because she dislikes her mother and laughs at society with him.
Or in Little Women, when Amy burns Jo’s book in selfish rage. Or when Meg happily marries and lives a very traditional life. Jo selling her hair and crying about it later. Jo marrying her professor over Laurie because she knows he truly loves her, not just an idealized fantasy.
These are well-written wonderful plot points that exceed a lot of feminist modern retellings because they’re accurate rather than ideal to a certain image of what women should be in a story. There’s no power ballad playing as they reconsider these options, no faux tender moment as they change their minds and make the politically informed choice.
Modern pseudo feminist lit treats women as vehicles for their opinions. Classical feminist culture treats women as women.
i hope jkr dies soon
like charge reblog cast
From Chuck Tingle, author of the USA Today bestselling Camp Damascus, comes a new heart-pounding story about what it takes to succeed in a world that wants you dead. Misha is a jaded scriptwriter who has been working in Hollywood for years, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale―"for the algorithm"―Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right―before it's too late.
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BURY YOUR GAYS cover has been released today and theres something TRULY INCREDIBLE about it, something that bends timelines and melts away the edges of the void and brings tears to my eyes. can you see it? let me explain in a thread as you PREORDER NOW...
for nearly ten years i have been publishing my stories despite pushback that they are too odd. us buckaroos are the outsiders, but this community has kicked open the door for art that is sincere and strange and beautifully unique. that is my trot and that is OUR trot as buds
we came out of nowhere and made CAMP DAMASCUS a usa today bestseller. every step of the way that book overperformed. buds were CONFUSED that a book from ‘silly meme erotica author’ could take flight. but us buckaroos knew it was inevitable because we know the power of love
i still recall the question ‘are you SURE you do not want a new horror pen name?’ HECK NO i am proud of the tingleverse. i am not ashamed of these queer erotic stories i drag up from bottom of my heart and spill with raw sincerity across irony poisoned timelines
i have been mocked my whole life as author that is ‘ridiculous no-content meme’ by those who have never read it. that my work is ‘not real’. i have been mocked for my autism and queerness and told THIS WOULD NEVER WORK. which brings me back to cover of my new book BURY YOUR GAYS
looks like the name chuck tingle is NOT a liability for the mainstream. all devils who doubted can gaze upon this cover and see bold CHUCK TINGLE staring back at them PROUDLY from the shelf in all its queer autistic glory... HOVERING ABOVE THE TITLE AND JUST AS BIG AND PROUD
thank you nightfire and chucks manager and chucks agent for believing in me. these buds have always had my back. thanks to BUCKAROO COMMUNITY who have always supported my way, this next step in our trot is not just about me IT IS ABOUT US. we kick open these doors together
so heres to making this world a little more unique and strange for those of us who are, ourselves, unique and strange. heres to bending timelines to us, instead of us bending to them. heres to name CHUCK TINGLE big and bold ABOVE the title on a big five traditional published book
and remember the best way to support an author, especially someone on outside pushing their way in, is to PREORDER THEIR BOOK. because of publishing business model it is SO IMPORTANT so if you would like to support chuck then PREORDER BURY YOUR GAYS NOW
contrary to popular belief i don’t hate popular booktok books because i hate women or because i hate smut. in fact, i hate popular booktok books because i believe women deserve GOOD smut. in this essay i will–
AND THEY’RE FUCKING CORRECT
More things I hate about modern literature because today is a bad day and I need to be a dick online to feel better:
How much sex there is in everything
And again I am not a prude, erotica has existed for decades and it's okay but every popular YA or adventure book nowadays is a bad erotica with some low stakes adventure in the background
And somehow they are able to be both bad porn and bad adventure
And also people will promote those books as " yes the plot kinda sucks but there's good sex scenes"
The word Mary sue
The misuse of the word Mary sue
Any attempt to make a "LOTR inspired" book made by a man
Because usually the things that made LOTR good go just over the authors head and we end with basically a vin diesel movie set in the middle ages
This is not just about modern literature but books about or set in horrible moments for a oppressed minority(like holocaust or slavery) written by people who aren't part of said minority
Coleen hoover
She did for feminist literature what Seth MacFarlane did for adult animation
The harry Potter/Percy Jacksonification of children's literature
The magical choose one trope being taken to a magical world did irremediable damage to children's literature
The mean girl trope
Books set in fictional middle ages but the protagonist go to balls in fashion show modern runaway style dresses
You know the tacky Pinterest glittery showing shoulders back and leg
Those official arts of the same exactly white women and the same white guy in slightly different clothes with the same 2016 style eyebrows and the sharp jawline and the nothing expression
Characters being described as "golden skin" so depending if the author needs some representation points they can be interpreted as people of color but if no one says nothing they stay as just tan white
Comparing dark skin color to any food
How many authors try to make at the same time "this is brainless wish fulfilment fantasy about being desired by a hot dominating guy" and " this is a profound take about the horrors of abuse"
Usually by having the second love interest to abuse the protag
In the end the message that stays is any abuse is forgivable if the abuser is hot enough
The "I'm skinny but not hot super model skinny I am ugly skinny my bones show because of malnourishment"
"yet I don't feel any other effect of starvation like being weak and I can carry five times my body weight in whatever animal the author needs me to hunt in the beginning of the book because making me a farmer wouldn't be cool"
"I am ugly" cried the skinny girl with locks of auburn hair porcelain white skin and eyes of emerald green.
The jk Rowling stupid name school (she named the werewolf Wolfy mcwolf in Latin and people though it was smart now we have a girl who fights on a island named island and the archer who marries a fae named fae archer )
And again faes because fuck faes
Worst things that happened to modern literature in my opinion:
Rowling taking over the concept of magic schools then spiraling on being a terf and now flirting with neo Nazis and the alt right.
Twilight popularizing the concept of magical love corner between creepy childhood friend and creepier immortal being ever fighting over the human embodiment of a sandwich made from two slices of white bread and a thin layer of saltless butter
Ready player one
Ready player two
Everything about jay kristoff
literally everything about him sucks
Sarah j Maas
The word fae
Hades and Persephone
Straight enemies to lovers
Straight omegaverse
Being honest I'm coming out as heterophobic here straight people should be banished from writing until you dumbfucks learn the difference between banter and abuse and the word consent also the age of consent laws
Fucking ugly minimalist covers
Did I said already fae because I fucking hate the fae
The 100+ yo dark aesthetic male love interest whose whole personality it's abs and toxic and being a pedophile
Sex (my problem it's not with sex itself as I am a horny mf myself my problem it's the worst books with the most cringeworthy sex scenes being sold as the best thing ever)
I'm talking about blowjob on a warzone bad sex scenes
Seriously why so many people like the concept of Faes
Any book booktok decides it's good
Booktok itself
People who have a whole ass bookshelf of different harry Potter variants
Like it's not even like interesting faes it's just those conventionally attractive european people with mutant powers
To be honest most problems with modern literature could be traced back to fucking harry Potter
Gay and black characters that only exist to be killed and further the white straight girl narrative
Fanfics being publicized as books
Correction the worst fanfics becoming books
And lastly FUCKING FAES WHY EVERYONE WANTS TO FUCK A BOY TINKERBELL FOR FUCK SAKE WHY? AND THEY ARENT EVEN FUCKING ACCURATE FAES EVEN THEY ARE EDGY EARLY 2000 DEMONS WITH LIKE THE TWILIGHT SUPER POWERS AND CRINGE ASS BAT WINGS, AND SOME OF THEM LOOK LIKE IF LEGOLAS WAS A TOKTOKER
quick reminder that it’s ok to say that you love reading and that reading is your passion without reading 30+ books in a year. if you connect with books and love the power of the written word, you’re bookish. you don’t need to justify your love of reading.
Good stuff.
Guys, I edit professionally. This list is legit. Incorporating these suggestions before you hire an editor will save you A LOT of money. Even if you did these and nothing else, you’d see significant overall improvement in your work.
That said, you don’t have to overthink these things when you’re writing a first draft. If you write, “she said angrily” in a first draft, you can always revisit the phrasing in a second draft. I mention this because overthinking style can lead to a loss of momentum, and losing momentum is why so many people never finish a draft. Give yourself permission to write fast, write messy or ugly, and edit your draft into beauty later.
ok fine maybe i DID come back wrong. what are you going to do about it. kill me? put me back in the ground? after all this effort? all this pain and suffering only to find out bringing me back wasn't worth it after all? you worked so hard. are you going to waste all of that just because im not what you wanted? just because i belong only to myself? are you going to let me pick out my own coffin
Recent thoughts.
you know what?
we have enough dragons with short snouts. Enough dragons with moderate snouts.
we have ONE super snoot guy and it’s only one pose.
I was a dragon breed that has a super long snout! A super tall snout! Maybe a trunk! Maybe a snorkel nose!
make them CHONKY too!
make them look like they have seen the gods and were not impressed!
You understand!
I am hoping for somewhere between these three animals
a dragon with a trunk is really funny and good, so i wanted to play with that lol. especially trying to put a trunk at the end of an already long snout? the mix of very fleshy mammalian trunk and rigid reptile jaws? idk the proportions are so funny to think of. here's some silly guys
anyway i agree, make the dragons weirder
couldnt get this out of my head from when i saw this post earlier
we dont really have a fully feather-y modern dragon yet (in the way a tundra is furry), so i thought why not take advantage of that idea and the fact that i can do what i want with a fan dragon and make it so the primary/secondary colour placements...... well, take advantage of the fact that feathers are so layered. FR seems to be heading towards unique expressions of genes in different breeds, so
i like to think theyre an earth breed that stays far underground in tall caves so they have a burrowing snout + slightly short feathered wings more suitable to gliding than flying, and much more suited to staying warm than any sort of mobility since they're very fluffy and layered
anyway. even longer snout:
So, You Wanna Study Irish Mythology?
One of the questions I get hit with a lot is “If I’m getting into Irish Mythology, what sources do you recommend?” It’s a sad, sad truth about the field that a lot of really valuable info is kept locked away in books and journals that the lay person wouldn’t know about (and then we wonder why information about the field is so bad.) So, I decided to compile a list of sources that I’ve personally used and found helpful in my time. It’s not a complete bibliography because, frankly, that would take up a TREMENDOUS amount of space and you’d be scrolling forever to find what you wanted, and I don’t AGREE with every single thing they say, and it’s by no means exhaustive (keep in mind: scholars from all over the field use mythological texts to study things as diverse as law, geography, tribal names, material culture, etc. and here I’m mainly focusing on sources that are JUST mythological-focused) but they’re a good starting point to forming your own opinions. The journal articles are, tragically, generally kept confined to academia, but….perhaps….if you were to ask around, someone might be able to provide you with a copy. As a whole, Celticists tend to be quite generous when it comes to sharing articles.
List subject to change, check back as time goes on to see if I’ve added anything. Also, as always, feel free to either drop me an ask or a pm if you’re curious about digging further into a given text/figure. I can’t act as a consultant on a religious question; I’m a very firm atheist with all the spirituality of a dull spoon, except with the existence of ghosts. My interest in the Tuatha Dé is purely scholarly; all that I can say is what I know about these topics from the perspective of the medieval sources, but I can definitely do my best on that one front, and I won’t reject anyone who has a different interest in the Tuatha Dé from contacting me.
This list only deals with the Mythological Cycle, not the other strands of the literary tradition that is generally if not uncontroversially referred to as “Irish Mythology”. For Fenian Cycle traditions, a similar bibliography has been compiled by Dr. Natasha Sumner of Harvard, here.
Editions/Translations of Texts (many of these are available at UCC’s CELT archive or on Irish Sagas Online):
Tochmarc Étaíne, Osborn Bergin and Richard Best
Cath Maige Tuired, Elizabeth Gray (If you can and you’re serious about the field, I highly recommend getting the actual Irish Text Society Edition, which includes a wonderful index of every time a given figure shows up in other sources. An absolute must for a mythographer.)
Lebor Gabála Érenn, J.R.S Macalister, 5 vols. (The entirety of this is available on archive.org. Personally…while the rest of it is obviously important and worthy of study, if you’re interested in just the mythological stuff, I recommend Volume IV, which includes both the Fir Bolg and the Tuatha Dé. Unless you really, really want to read five volumes of medieval Irish pseudohistory, the last volume of which was finished posthumously.) i ii iii iv v
The Metrical Dinshenchas, Edward Gwynn. (5 vols.) (These are difficult, with many scholars outright ignoring them except when absolutely necessary. These are in a later form of Irish, which means that, while some of the contents in them could very well be Pre-Christian in nature, they very much do reflect a later medieval world. Some of them are just as much about contemporary politics as they are about mythology, and many of them also bring in content from the Ulster Cycle and the Fenian Cycle. My personal favorites to look up are Tailtiu, Carn Hui Néit, Duirgen, and Carmun, though there are MANY others.) i ii iii iv v
“The First Battle of Moytura”, John Fraser (Note: It’s a VERY late text, with the question of the Fir Bolg/Tuatha Dé battle and how far the tradition really goes back being one that’s very important to keep in mind. It’s a personal favorite of mine. But it’s very late.)
Baile in Scáil, Kevin Murray (Thurneyson also did an older edition that’s more readily accessible, hence why I linked it here, but Murray is the most recent and up to date.)
“How the Dagda got his magic staff”, Osborn Bergin
Oidheadh Chloinne Tuireann, Richard Duffy (This is an Early Modern Irish text, so it was written down comparatively late. That doesn’t mean that there’s NO mythological content here, it’s a personal favorite of mine, but it means that it very much reflects the cultural context of around….the 15th-17th century or thereabouts. It’s very chaotic, very violent, and the heroic figures are….not….heroic.)
Scél Tuáin Meic Chairill, John Carey
Echtra Nerai, it’s available in a fairly recent translation by John Carey in Celtic Heroic Age (pub. 2003) , listed below, though Kuno Meyer also did an edition/translation for it that I’ve linked to here.
Books:
Proinsias Mac Cana, Celtic Mythology (Personally, I’d recommend this one first - It’s designed for someone who isn’t a specialist and, while a lot of what he’s saying has been disputed back and forth, it’s still a handy primer and will get you into the myths.)
John Koch and John Carey, The Celtic Heroic Age (Once you have an idea of what you’re looking at, I recommend this one, since it’s a sourcebook. A TON of material from across the Celtic world, featuring classical sources, medieval Irish sources, and Welsh, all of it in one place.)
Mark Williams, Ireland’s Immortals (I personally recommend you read this one after you read CHA, giving you a bit of context for what Williams is saying here.)
O’Rahilly, Early Irish History and Mythology (note: A lot of what he says here is no longer considered recent in the field, but his knowledge of his own sources is, frankly, without any other peer. Use with a grain of salt)
John Carey, The Mythological Cycle of Medieval Irish Literature
Kim McCone, Pagan Past, Christian Present
Koch, Celtic Culture: A Historical Encyclopedia
Articles:
John Carey, “Myth and Mythography in ‘Cath Magh Tuired’”
John Carey, “Donn, Amairgen, Ith and the Prehistory of Irish Pseudohistory”
Proinsias Mac Cana, “Aspects of the theme of King and Goddess in Irish Literature”
Máire Herbert, “Goddess and king: the sacred marriage in early Ireland.”
Gregory Toner, “Macha and the invention of myth”
Elizabeth A. Gray, “Cath Maige Tuired: myth and structure“
Thomas Charles-Edwards, “Tochmarc Étaíne: a literal interpretation”
Tómas O’Cathasaigh, “Cath Maige Tuired as Exemplary Myth”
Joseph Nagy, “Close encounters of the traditional kind in medieval Irish literature”
Mark Scowcroft, “Leabhar Gabhála. Part I: the growth of the text”
Mark Scowcroft, “Leabhar Gabhála. Part II: the growth of the tradition”
Joseph Nagy, “‘Talking myth’ in medieval Irish literature.”
John Carey, “The Location of the Otherworld in Irish Tradition”
Máire Bhreathnach, “The sovereignty goddess as goddess of death?“
John Carey, “Notes on the Irish war-goddess.”
Veronica Philipps, “Exile and authority in Lebor gabála Érenn”
Kevin Murray, “Sources of Irish mythology. The significance of the dinnṡenchas”
I just wrote 8 pages when I haven't written in months and was beginning to think I'd never be able to again. Idk what it is, but I am sharing and manifesting this energy for every writer who sees this. May you write 8 quality pages effortlessly and find joy writing once more