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@onefervidwhirl
The Bird with the Crystal Plumage / L'uccello dalle piume di cristallo (1970)
Maestro Dario Argento makes his (incredibly self-assured) debut with this stylish giallo classic, an art world-based thriller starring the dishy Tony Musante, turtlenecked Scream King.
Director: Dario Argento
Cinematographer: Vittorio Storaro
Starring: Tony Musante, Suzy Kendall, Enrico Maria Salerno, Eva Renzi
Smile Before Death (1972) dir. Silvio Amadio
Marisa Mell in 'Una sull'altra' (1969)
A White Dress for Marialé (1972)
Five Dolls for an August Moon (1970)
I started the new year visiting the Warner Brotherâs lot which brought me face to face with costumes from some of my favorite movies, one of which being Rebel Without a Cause. And while Jimâs outfit was a recreation of what James Dean originally wore for the film, the dress for Judy was actually worn by Natalie Wood! It was especially nice to see this dress because it really doesnât get much screen time. In the film, Judy wears this in the opening scene at the police station, but with a matching red coat that ends up covering most of the dress! Red is a very emotionally intense color. In a 2015 post from Birth. Movies. Death, Kolleen Carney-Hoepfner gave a beautifully detailed analysis of how this color represents Judyâs character. âWhen we first meet Natalie Woodâs Judy in Rebel Without a Cause, she is dressed head to toe in the always symbolic color red, weeping in a police station, having been picked up for breaking curfew. She is concerned about her father hating her⊠Wood is wonderful in this scene, hitching her breath and trembling her lip as she hyperventilates through her lamentations. Itâs a bit overwrought (ok, maybe more than a bit), but as a former teen girl, itâs relatable. The pain of being stuck between the need of a fatherâs love and the desire to grow up is a real, tangible thingâŠWood is beautifully representing every teen girl whose dad was unequipped to handle their coming of ageâŠJudy is a fascinating character because she is pinging off opposite poles; tough girl, ingĂ©nue. She is who she has to be as the situation calls for it, and she is forever finding her footing.â . . Rebel Without a Cause (1955). Costume design by Moss Mabry. (at Warner Bros. Studios) https://www.instagram.com/p/BsJGW8VAxbP/?utm_source=ig_tumblr_share&igshid=iov7vk0hl8g8
1970s Fleer Halloween Count Von Bubbles and Pumpkin-Face bubblegum
I started the new year visiting the Warner Brotherâs lot which brought me face to face with costumes from some of my favorite movies, one of which being Rebel Without a Cause. And while Jimâs outfit was a recreation of what James Dean originally wore for the film, the dress for Judy was actually worn by Natalie Wood! It was especially nice to see this dress because it really doesnât get much screen time. In the film, Judy wears this in the opening scene at the police station, but with a matching red coat that ends up covering most of the dress! Red is a very emotionally intense color. In a 2015 post from Birth. Movies. Death, Kolleen Carney-Hoepfner gave a beautifully detailed analysis of how this color represents Judyâs character. âWhen we first meet Natalie Woodâs Judy in Rebel Without a Cause, she is dressed head to toe in the always symbolic color red, weeping in a police station, having been picked up for breaking curfew. She is concerned about her father hating her⊠Wood is wonderful in this scene, hitching her breath and trembling her lip as she hyperventilates through her lamentations. Itâs a bit overwrought (ok, maybe more than a bit), but as a former teen girl, itâs relatable. The pain of being stuck between the need of a fatherâs love and the desire to grow up is a real, tangible thingâŠWood is beautifully representing every teen girl whose dad was unequipped to handle their coming of ageâŠJudy is a fascinating character because she is pinging off opposite poles; tough girl, ingĂ©nue. She is who she has to be as the situation calls for it, and she is forever finding her footing.â . . Rebel Without a Cause (1955). Costume design by Moss Mabry. (at Warner Bros. Studios) https://www.instagram.com/p/BsJGW8VAxbP/?utm_source=ig_tumblr_share&igshid=iov7vk0hl8g8
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âKolleen Carney Hoepfnerâs voice in these spare, elegant poems warns us that âA part of her insisted/that there was a darker truth.â Her words are alive with this darkness, guiding the reader in and out of shadows, looking for escape, and then daring us to explore even darker recesses. Hoepfner writes that 'people // wonât want to look/ at the horror of you,â but A Live Thing, Clinging with Many Teeth, asks us to look, again and again.â
â Sarah Nichols, author of
This is Not a Redemption Story
and
Dreamland for Keeps
*
âKolleen Carney Hoepfnerâs A Live Thing, Clinging With Many Teeth dutifully lives up to its name. It brims with softness and the sharp things that protect it. It flirts and fights. A truly beautiful collection of poetry.â
â Arielle Tipa, Founding Editor of
Occulum
and author of
daughter - seed
         If youâre going to live through this
                I would suggest you stop
                 and learn that no matter
       how hard the most obvious solution
             would be to start screaming.
â Kolleen Carney Hoepfner, from A Live Thing, Clinging with Many Teeth