Robbinville was the kind of place Gotham forgot to finish.
Too far from BlĂźdhaven to benefit from its attempts at urban renewal, too close to the Bowery and Crime Alley to escape the grime that clung to everything. But to Dick, it was perfectâclose enough to patrol routes, far enough for plausible deniability. Plus, Robbinville finally had something other than the chemical invested waters of the harbor.Â
The circus sat on a half-paved lot between a scrapyard and an abandoned rail line, a splash of color against the soot-stained skyline. From a distance, it looked almost cheerfulâpainted tents, faded posters, a string of flickering bulbs spelling out Charlie's Circus. Up close, the gloss didnât hold. The canvas was patched in places, the banners sun-bleached and fraying at the edges. Still, there was life here. Music crackled through tinny speakers, performers practiced in the open air, and somewhere, the smell of popcorn valiantly tried to mask diesel and rust.
âMr. Grayson! A pleasure!â
Dick turned to see a short, round man waddling toward him, decked out in a plum-colored suit that looked expensive but somehow greasy at the same time. Every finger glittered with rings; his watch looked like it could pay off a mortgageâor a mob debt. His smile was wide, practiced, and nowhere near his eyes.
âCharlie Delmar,â the man said, thrusting out a hand. âRingmaster, manager, entrepreneur. Welcome to my humble enterprise.â The man certainly had a knack for flair.Â
âGlad to be here,â Dick said, shaking his hand firmly and resisting the urge to wipe his palm afterward. âYouâve got quite the operation.â
âAhh, we make do! Not quite the glory days of Halyâs, hmm?â Charlie said, laughing too loudly. âBut we keep the crowds happy, the lights bright, and the money moving.â
Dick subtly wiped his hand on his pants.Â
âThose are the big three,â Dick agreed with the tilt of his head, eyes flicking around. The place wasnât falling apart, but it carried that same patchwork energy heâd seen in small-town showsâheld together by willpower, duct tape, and underpaid labor.
Charlie led him through the lot, gesturing grandly at everything as if he owned a small empire instead of a mid-tier carnival. âWeâve got trapeze, animal acts, fire shows, acrobaticsâoh, and our little prodigy, of course. The one that caught your eye!â
âArach-Kid?â Dick asked, his tone carefully casual.
âThe one and only!â Charlieâs grin sharpened. âCrowds love him. Best draw weâve had in years. You wonât believe the fuss he put up about his stage name having a hyphen.â
âStage name pride,â Dick said mildly. âI get it.â
Charlieâs laugh boomed again, and he waved toward one of the smaller tents. âMy acrobrats are rehearsing now. Go say hello! You two will get along greatâgymnast to gymnast, legend to legacy.â Charlie smiled, but it came off more condescending than happy.Â
Dick pushed the tent flap aside.
The main tent was buzzing when Dick walked inâmusic spilling from a crackling speaker, ropes swinging overhead, performers mid-rehearsal. The four adult acrobats from the previous show moved across the rig with practiced efficiency, calling out to one another in clipped, professional bursts.
Heâd barely taken two steps before they noticed him.
âWaitâhold up, is thatââ
âHoly hell, itâs Dick Grayson!â
The reaction was instantaneous. The group practically descended on him, a flurry of handshakes, greetings, and thinly veiled awe. Dick smiled politely through the swarm, fielding questions about training techniques, his old routines, about the Halyâs days, then apologizing for bringing it up and beating the dead horse that is his dead parents.Â
He was used to the attention, but something about it felt a little⌠performative. The smiles were too wide, the enthusiasm a little too desperate.
âMonsiuer Grayson, itâs an honor,â one of them said, grasping his arm with both hands.
âPlease,â Dick said lightly. âJust Dick.âÂ
âOh, we couldnât!â another said, practically simpering. âYouâre a legend.âÂ
âTagedy what happened to your parents, our condolences.âÂ
They laughed, loud and hollow. Dick gave a practiced grin, but his instincts prickled. They were friendly enoughâbut it was the plastic kind of friendliness people didnât mean.Â
âTagedy what happened to your parents, our condolences.âÂ
Dick almost actively rolled his eyes, but played along. Thanking them, moving on, keeping the conversation going.Â
âKid! Youâre late again!â A man Charlie had been talking to called out.
A teenager ducked inside, jogging across the floor and looking like heâd been halfway through an apology before he even got there. âSorry! Sorry, Ms. Sandy asked me toâuhââ
No one was listening, still buzzing around Dick.Â
The acrobats never even paused to pay attention to the kid, who looked very familiar. On the tip of Dickâs tongue, he swears.Â
The teen slowed to an awkward stop near the rig, looking pretty unimpressed as he shed his outside layers to reveal his, decidedly, homemade unitard. It hung loose at the wrists, clearly homemade, bright in a way that reminded Dick of Superman. Red, blue with a little flair of black web pattern stitched in, the kind of detail only someone meticulous (or sentimental) would bother with.
He said something Dick couldnât hear over the sound of the other acrobats and rolled his eyes, starting to quietly prep.Â
âDonât worry about them,â Charlieâs voice rang from behind, syrupy-slick. âTheyâre just starstruck, Mr. Grayson. Happens all the time.âÂ
âIt wonât distract them from their work, right?â Charlieâs voice wasnât mean, per se, but sharp and a pretty plain way of telling them to stop causing a ruckus and get back to work.Â
âSorry Charlie, weâll get on it.â One of the men called, thankfully leading the way back to practice. The kid stood up to follow after, but they brushed right past him.Â
âExcellent. Keep it that way.â Charlieâs grin was all teeth. âI want our guest to see why Charlieâs Circus is worth every penny of his time.â
The boyâmaybe thirteen, fifteen topsâstood near the rig, chalking his hands. Now, itâs a bit of an intuitive leap, but Dick had dealt with much the same attitude from older acrobats jealous of his talent. So chances areâŚ
 âHey,â Dick called. âYou must be the famous Arach-Kid.â
The boy turned, startled. His brown eyes wide, like he didnât expect Dick to actually address him. He straightened, trying to play it cool. âThatâs what they call me,â he said. His voice cracked just a little. âBut, uhâyeah. Thatâs me. I tried for Spider-Man, but it didnât stick.â There was a lilt of humor, like an inside joke.
Dick offered a sympathetic smile. âIâm sure youâll grow into it.â the kid shrugged, clearly still bummed.Â
âGrayson, Dick Grayson,â Dick said, giving a mock bow and a grin. âAt your service,â that got a small, genuine laugh from the boyâbright and unguarded.
Then a side eye. âYou sure you ainât a scammer?â He leaned forward, eyeing Dick up and down. âLike, Flying Grayson Dick Grayson? For suresies?âÂ
Dickâs irritation eased a little, despite himself. It was hard to stay mad when faced with a wiry teenager in glasses too big, a gap in his two front teeth, and the funniest attempt at sizing Dick up heâs ever gotten. Â
âLast I checked.â He tipped his imaginary cowboy hat.Â
The teen squinted at him, staring for a couple seconds longer before he seemed to believe Dick, eyes lighting up in wonder.Â
It wasnât the first time heâd seen someone recognize his name, and certainly wonât be the last, but it was one of the few times associating the âFlying Graysonâ part didnât come without awkward condolences or whispered mentions of tragedy. Just awe. Plain earnest awe. Once he got past the skepticism, of course. Â
Peter tried to recover, rubbing the back of his neck. âWow. Uh. Yeah. Sorry. I justâyour formâs, like, legendary. Iâve seen videos. A lot of them. Probably too many, actually. That sounded creepy, didnât it?â He ducked his head, âSorry, Iâm Peter.â Peter wiped his hands, but hesitated on whether he should actually shake hands or not.Â
Dick met him half way, amused.Â
âLittle bit,â Dick said, grinning. âBut my brothersâ worse, so Iâll allow it.â
Peter laughed awkwardly, still avoiding direct eye contact. âCool. Uh. Thanks. So, are you really here toâlike, work here? Or is this one of those, uh, publicity things?â He blinked. âNo offense.â
âLittle of both,â Dick said smoothly. âI wanted to see how you do things here. Maybe learn a few tricks. Maybe teach a few.â
Peter perked up instantly, the tension fading from his shoulders. âYouâd actually teach me?â
âSure,â Dick said, crossing his arms. âThough I might have to steal that quadruple somersault back first.â
Peter flushed, flustered. âIâI didnât mean to copy it! I swear, I justâsomeone showed me a recording, and asked if l could do that, and Iââ He trailed off, realizing what heâd said.
Dickâs smile didnât fade, but his mind sharpened like a blade. Someone showed him.
Not that itâs hard to get ahold of recordings of the move, but rather the fact someone expressly asked if he could do it. Nevermind how dangerous it could be to other people, messing up the quadruple somersault can end with a couple of your bones broken, with a range of severity.Â
âRelax, kid,â he said, easy and calm. âIâm not mad.â The hell he wasnât.Â
Not at Peter, anyway.
But whoever decided to hand a teenager his familyâs signature trick like it was a party trick? That was a different story entirely.
Peter hesitated, eyes darting toward the tent flap as if half-expecting Charlie to materialize from across the tent. âGood,â he said quietly. âBecause I donât think I could pull off a quadruple somersault and survive getting yelled at in the same day.â
Dick huffed a small laugh. âYellingâs standard circus management, unfortunately. Comes with the smell of sweat and disappointment.â
âThat explains so much about Charlie,â Peter muttered under his breath, just loud enough for Dick to catch.
Dick raised a brow. âYou and he get along well, I take it?â
Peter barked a short laugh. âOh, yeah. Weâre besties. He yells, I nod, and everyoneâs happy. Itâs a real healthy work environment.â
âSounds it,â Dick said dryly.
Peter shrugged, tugging absently at one of the fraying seams of his sleeve. âHeâs⌠manageable. Mostly. I just keep my head down, do my sets, and try not to outshine the adults. Again.â He smirked.Â
Oh ho, kidâs got sass.Â
âYou that good?â Dick asked, a teasing lilt in his voice.
Peter looked up, surprised, and then grinned, some of the tension melting away. âI mean, I didnât die doing your move, so⌠probably?â
Dick snorted. âCocky, huh?â
âConfident,â Peter corrected, dusting his hands. âIf I were cocky, Iâd start charging commission.â
Before Dick could answer, one of the older acrobats called out from the rig, voice dripping with false sweetness. âHey, Arach-kid, maybe let the legend get some space, yeah? Donât want you wasting his time.â
Peter froze for half a second, then smiled too brightly. âWouldnât dream of it!â he said, voice all polite cheer. He had that customer service voice down-pat.Â
Dickâs observed. He watched their interactions, watched Peterâs reactions. The others had gone right back to ignoring him, moving through their warm-ups like the teenager wasnât even there. It was a well-practiced danceâacknowledge him only when you needed to remind him where he stood out of a sense of insecurities. Dick was all too familiar with that treatment.Â
Itâs an easy remedy, once you figure it out.Â
Peter rolled his eyes, just a flicker of motion, and leaned in slightly. âTheyâre real team players,â he muttered, then louder, âIâll, uh, start rehearsal.â
He started climbing the ladder toward the high platform, movements efficient but too carefulâlike someone whoâd learned the hard way not to make mistakes where people were watching.
Dick watched him go, that tight knot forming again in his chest. The kid was witty, skilled, and still learning his place in this circus. It's obvious that heâs being ostracized because not only is he an outsider, but heâs become the top banana* of their troupe in, give or take, three months. (From media posts and a vague timeline Tim had made last night of when Arach-Kid started appearing. Give or take a couple weeks.)Â
Charlie reappeared at his elbow, all smiles and gold chains. Maybe the kid was right to be whispering, this guy was nosey. âTalented boy, isnât he?â he said, voice oily and proud, like Peter was another shiny trophy for his shelf. âGot the reflexes of a cat, that one. And obedient, too.â
Dick kept his expression pleasant. âHeâs definitely something,â he said.
Charlie clapped him on the back, too hard to be friendly. âYouâll see what I mean during rehearsal. Maybe heâll even do that trick of yours, hmm? If heâs not too tired, of course.â
Dick hummed, caught between wanting to see it and the wrongness of someone not a Grayson performing it. âRight. Canât wait.â
As Charlie waddled back off to sit in his, frankly, ostentatious chair. It was like he wanted to simultaneously micro manage everything, without actually managing. He just stuck around to brag and order people around, while accomplishing zero work in the end.Â
Dick glanced back up at the rig.Â
And something about that made Dickâs stomach twist.
Because brilliance like that, in a place like this, under someone like Charlie Delmar?
It rarely ended well.
The acrobatsâfour adults and one kidâmoved like a machine missing a few bolts. Their timing was good, but there was a stiffness to it, a lack of trust between them that any trained eye could see. Or any eye, really, if there were no flashing lights, fog machines and expectations skewing your view.Â
Dick tilted his head, subtly checking his phone for information Tim had compiled on the other members Dick would be spending the most time with. Tim had taken it on himself to briefly look into everyone at the circus, maybe sorta illegally.Â
Jean-Luc Moreau, the ringleader of the acro team, was a wiry man in his late thirties with a permanent sneer and the kind of arrogance that comes from having just enough talent to think youâre irreplaceable. His voice carried a heavy French accent, the kind that made every insult sound like poetry if you didnât speak the language. His jet-black hair was slicked back, a little too much oil glinting under the lights. He was someone who picked on those weaker than himself, and sucked up to anyone with power. Â
Beside him, Malcolm Reeves was his opposite in every wayâtaller, broader, older. In his forties, his power came from steadiness rather than flash. His dark skin gleamed with sweat under the stage lights, and his movements were careful, efficient, and practiced. He had the whole dark and mysterious thing going for him.Â
Then there was Deborah Boone, also in her thirties, uptight and bitter. She used to be a contortionist for horror movies. She hadnât done anything very notable, acrobat wise and personal life wise.Â
The youngest, Sasha Dean, in her early twenties. Her timing was offâa half-second late on every catch, a beat too long on every release. She had the energy, but not the instincts, and it showed.
And then there was Peter.
The kid had the natural rhythm of a born aerialistâgraceful, elastic, alive in motion. Dickâs only critique was a lack of proper form; it was clear Peter was self taught. If his reflexes were any slower, some of his flips and tricks would end with a not-so-fun trip to the hospital.Â
 His red-and-blue unitard flashed like a spark as he swung from the trapeze, settling into position between Jean-Luc and Deborah. He was smaller, lighterâthe flier of the groupâand clearly used to being tossed, caught, and flung across the rig like he was weightless.
Jean-Luc barked out a series of cues, slipping between English and French as the group began their routine.
Deborah took the first swing, her legs slicing the air as she flipped forward into Malcolmâs grip. A smooth exchange. Then Jean-Luc climbed up to the next platform, balancing effortlessly before leaping outward, twisting twice before catching Deborahâs wrists.
Peter stood ready on the far platform, waiting for his mark. When he jumped, it was with the easy confidence of someone who trusted the air to hold him. His legs extended, spine straight, eyes locked on his catcher.
Jean-Luc caught him, but the moment they reconnected, Dick saw itâthe faint shift of weight, the subtle twist of wrist that turned a secure hold into a near-drop.
Peter slipped, managing to hook one leg around the bar just in time to save himself.
âMon dieu, kid, focus!â Jean-Luc barked, shaking his head as if Peter had fumbled. âYou have to stay tight! Youâre too loose!â
Peterâs face flushed red. âSorry,â he said automatically, breathless. âWonât happen again.â
Jean-Luc muttered something in French that definitely wasnât complimentary.Â
They reset. Again, Peter launchedâanother solid takeoff, another near-miss as Jean-Luc let the timing slip by a heartbeat before catching him. It was deliberate. Subtle, but deliberate.
Dickâs eyes narrowed.
Jean-Luc smiled up at him, all teeth. âYou see? He needs polish, yes? But he has potential.â
âSure looks that way,â Dick said evenly, keeping his expression neutral.
Dick narrowly missed the annoyed glare thrown his way, and the blank stare Peter directed at Jean-Luc. It was a stare Dick often saw on Jason before he decided he wanted to ruin someoneâs future.Â
On the next go, Malcolm stepped in as the base, solid and steady. Peter arced through the air, caught Malcolmâs wrists, and this time the connection held cleanly. No wobble. No âaccidentalâ slip.
Jean-Luc clapped sarcastically. âAt last! Bravo, petit araignĂŠe!â
Peter scrunched up his nose, as though the act of Jean-Luc complimenting him was worse than purposely getting sabotaged. âMerci,â he said, dry as dust.
Deborah and Sasha took their turns, running a series of simpler passesâa few layouts, a tucked double, nothing spectacular. The whole act had that safe, repetitive feel of a troupe coasting on old routines. Which isnât a bad thing! Dickâs own troupe had done the same, except they had, well, the Graysons. Kind of a different bracket here.Â
Peterâs section was the only one that made the crowdâsmall as it was nowâhold its breath.
After pulling off the quadruple somersault last show? Theyâd need a whole bleachers stand for the next show, without a doubt.Â
When Peter dropped back to the net after another flawless double, Jean-Luc called out, âWork on your form, boy, before you make a real mess of yourself!â
Peter climbed down, rolling his shoulders, muttering just loud enough for Dick to hear, âPretty sure the only mess around here is your form, Jean-Limp.â
Dick smothered a laugh behind his hand.
Peter smirked, having seen through Dick.Â
Deborah and Sasha took their turns, running a series of simpler passesâa few layouts, a tucked double, nothing spectacular. The whole act had that safe, repetitive feel of a troupe coasting on old routines.
Peterâs section was the only one that made the small crowd of onlookers hold its breath. But Dick could tell it wasnât the act that made them uneasy. It was the way Jean-Luc handled him. The calculated little slips. The digs. The whispered blame. The kind of quiet sabotage that eats away at a performerâs confidence until they start to believe itâs their fault.
âWonderful!â Charlie boomed like a one-man parade, clapping his hands so loudly that Sasha, mid-swing, missed her grip and landed flat on the net with a startled yelp. Obliviousâor maybe not caring. âBut, ah, we need more zing, more pizzazz! Youâre giving me math when I want fireworks!â
Jean-Luc blinked down from the rig, clearly irritated. âWe are rehearsing the sequence, monsieur.â
âYes, yes, and the sequence is fine,â Charlie said, waving a dismissive hand. âBut no one pays to see your âtechnical perfection.â The audience wants drama! Flips! Spins! Someââ he paused, searching for a word, ââsome falls and near catches! Legacies happening right before their eyes!â
Deborah closed her eyes briefly, like she was praying for patience. Malcolm just exhaled through his nose.
Charlie turned to Dick, beaming. âYouâd agree, wouldnât you, Mr. Grayson? Showmanship over science, yes?â
Dickâs smile didnât reach his eyes. âDepends on whether you like your performers alive.â
Charlie laughed far too hard at that. âAlive, yes, yes, of courseâsafety first!â he said, clearly not meaning it. âBut! Speaking of legaciesâŚâ His grin widened like oil spreading over water. âWhy donât we end with that little Grayson number? What do you call it again? The quadruple somersault?â
The air in the tent shifted instantly.
Peter froze on the ladder, one hand gripping the rung, knuckles white. Jean-Luc shot him a sideways smirk.
Dickâs jaw tightened, but his tone stayed mild. âI see youâve taken quite the liking to my move.â
Charlieâs eyes gleamed. âItâs quite the showstopper, Mr. Grayson. You know how the show business is.â
He clapped his hands again, loud and sharp. âCome on, Arach-Kid! Letâs see the magic! Give our guest a taste of what makes my circus worth his time.â
Peter hesitated, his eyes flicking from the rig to Dick. There was a crack in his exteriorâa sliver of uncertainty, of guilt. âIâuhâMr. Delmar, maybe we shouldââ
Charlieâs smile twitched. âCome now, Petey, arenât we pals?
Peter swallowed hard. He nodded.Â
He climbed the rest of the way up, every motion tighter than before. No jokes now, no muttered words under his breath. Nothing too nice, from what Dick lip-read. Â
Dick stood perfectly still, eyes locked on him. Every detail, every movementâhe cataloged it all.
Peter perched on the bar, breath steady. His hands flexed once, twice. Then he pushed off.
The swing started slow, controlled. His timing was sharp, but his shoulders betrayed the faintest tensionâa telltale stiffness before release. Then he let go.
The world seemed to still for a heartbeat.
One flip. Perfect tuck. Twoâtight rotation, no wasted motion. Threeâbody alignment flawless, momentum steady. Fourâclean execution, bar caught dead-center.
Seeing someone else do it, up close⌠Dick saw it in the micro-adjustments, the instinctual awareness of air and weight and speed. Not learned, not drilledâlived. Self-taught, pure reflex, and raw genius.
He landed the dismount with the precision of a veteran and the shakiness of someone who hadnât breathed the entire time.
The tent erupted into polite applause, Jean-Luc forced a grin, and Charlie laughed like heâd just witnessed a miracle he owned.
âBeautiful! Thatâs what Iâm talking about!â Charlie bellowed, spreading his arms wide. âSee? The people eat that up!â
Peter climbed down the ladder, biting his lip, avoiding eye contact. Dick didnât stop watching him for a second.
Charlie was still crowing to himself, but Dick barely heard him.
Because in all his years, heâd never seen anyone outside his family make that move look like theirs. Â
Peter dusted chalk off his hands and shot Dick a guilty look. Probably deciding if he was angry seeing his own move performed right in his face. Studying him. And, to be fair, Dick was studying him too. Just not as blatantly as Peter. Wellâblatantly to Dick, who had received formal training. Peter was actually pretty slick otherwise.Â
Now, Dick wouldâve stepped in sooner, in regards to the blatant bullying of a kid right in front of him, but⌠he wanted to see Peterâs reactions first. He wasnât here just to make friends and mess around. Heâd found out someone had shown and asked Peter to perform, and he had a pretty good theory as to who. Nothing a little snooping couldnât help with confirming or disproving.Â
No records, no files, no clear background. Just this wiry teenager whoâd pulled off a quadruple somersault like heâd been born under the same net Dick had once fallen through.Â
So, yeahâDick watched him. Closely.
He studied how Peter carried himself in the air: wary, but not afraid; confident, but never cocky. His natural instinct was insaneâhis sense of balance and awareness of his surroundings downright absurd. The kid was getting tossed, dropped, and flipped with barely any disorientation. He moved like someone born for the air, not trained for it.
When Jean-Luc barked, Peter didnât flinch. When someone missed a cue, he covered it smoothly, without calling attention to it. When he fell (read: got dropped), he didnât curse or sulkâhe just got back up.
He was tenacious. And untrained.
And thatâs what bothered Dick most.
Anyone could try to copy the Grayson's technique. Keyword: try. But it wasnât something you could just mimic. You had to understand it. You had to know how it felt. The control, the rhythm, the breath before the drop. The precision. The training it took.Â
Countless people had tried, failed, broken bones, and even paralyzed themselves trying to learn.Â
But he didnât move like someone whoâd been taught. His form wasnât perfectâit was personal. Improvised. Self-built out of observation, instinct, and sheer stubbornness. Every swing and catch was just a little too sharp, a little too fast, the kind of thing you learned by watching others and saying, I can do that, instead of being told how to.
Dickâs stomach knotted, a faint pulse of unease under his calm expression. He wasnât angry at Peter. Not really. But he itched to know.Â
So for now, heâd keep watching. Studying. Seeing how Peter moved, talked, laughed, lied.
Then heâd decide whether the kid was a prodigyâ or a problem.
âŚWas he starting to sound a little too much like Bruce?Â
I love the combaticon dynamic so much since theyâre like a bunch of dysfunctional coworkers forced together and poor onslaught has to wrangle the whole group together.
omg I like to headcanon that Swindle is always running off to do some of his side hustles and the rest of the Gestalt has to keep tracking him down. Something about one member in a gestalt refusing the bond much to the dismay of the rest of the team just itches my brain cjjwbfskwaj
Remembered seeing someone say that the procreate hb pencil sorta does all (colouring, shading, edge control) and wanted to try that for myself. The sketch is a different brush
Also wanted to try defining edges through colour and not line and add those little scratches which turned out super great
This wasnât a planned illustration so I had no clue what to do for the bg lmfao đ
Yandere TF One Sentinel Prime accidentally falling in love w/ a miner would be funny asf, especially if they didn't want to deal with any of his bullshit.
"Oh, but I can bestow upon you a T-Cog. No longer would you be one of those wretch- misfortune few."
"No."
"Excuse me-?"
"Maybe I like being cogless."
"That's absurd. Clearly you have not been educated correctly if you- Where'd you go?"
You tried walking back to the mines. Better to risk getting offlined by a collapsing tunnel than deal with a haughty Prime's bullshit.
Sentinel just refuses to let you go back to the mines and tells the public that you're his sparkmate who he was destined to be with. It was divined to him while recharging. And it looks good for the cameras. I mean- a miner of all the bots becoming a Prime's conjunx? It instills hope. It may ruffle the upper class, but it isn't as if they can do anything about it.
He offers you so many gifts, forcing you into having your frame remade before your cogging ceremony. You look like a pissed off organic pet. It's cute. And he can always threaten you into compliance.
"Why would I want new plating?"
"Why wouldn't you want a prettier frame?"
"Are you calling me ugly, Sentinel?"
He fears he's made a mistake of some kind. He kind of just stares at you and doesn't answer the question, opting to show you a bunch of color schemes that you can choose from. Obviously you're going to compliment his frame and polish.
He tries to get you all dressed up for your cogging ceremony, concoting some story about how he miraculously found a cog, your true cog, to install into you. The entertity of the upper levels of Iacon will be there. All the optics will be on you. It'll be broadcasted for all to see.
Oh. Why are you being difficult again?
"I want my friends there."
"You mean those... miners you were forced to ally with?"
Why Charlie Kirk's footage is still uncensored on tiktok
Call me a crazy conspiracy theorist, but the reason why the graphic and uncensored videos of Kirk are still up on tiktok is because the government want to use it to manipulate the left.
Now stay with me. We all know that after the tiktok ban earlier this year the app has been controlled by the government. All those false info warnings on informative videos that go against maga among other things are proof enough to that. And we also know that the shooting that took trumps ear was also a set up to make him look like a messiah or something.
So, with the government controlling tiktok, why would they let these videos still be up? Not even that, why would TIKTOK allow these videos to stay up, even though they very obviously breach their apps rules and community guidelines? In order to make the left more sympathetic towards maga and therefore not wish any kind of harm on them.
Before kirk died, whenever a tragedy that involved a rich and powerful person dying the masses celebrated. Eg Luigi Mangione's whole thing, all those dead CEO's, trump almost dying. But now that kirk died the world is split, some sympathise, others treat it like the previous killings, they celebrate.
The reason that the opinion is split is because people actually witnessed the murder now. They were left disturbed, disgusted and horrified by what they saw, even though they might have hated kirk before the act, now they sympathise with him.
Thats what the government wants, why the videos are still up, why they are the first thing you see when you search kirks name up. They want leftists to side with kirk, side with maga, to stop them from following Nepals and Indonesias footsteps and start a real revolution. Because if the people are shook by a neo nazis death (because that is what he was, among other things), they will stay quiet and compliant and won't rebel, because those tyrants 'have family' and just 'different political opinions' therefore 'dont deserve death'.