$LAYYYTER

titsay
Mike Driver
almost home
Xuebing Du

❣ Chile in a Photography ❣
Keni
Cosmic Funnies
sheepfilms

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art blog(derogatory)

Discoholic 🪩
todays bird
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The Stonewall Inn
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KIROKAZE
I'd rather be in outer space 🛸

pixel skylines

seen from Malaysia
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seen from United States
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@oonlyangel
no one appreciates that i could be a million times worse
btw it's so fucking stupid you can be anxious physically in your body even after you've decided mentally you don't care. I'm supposed to be in charge here
being a kid and hearing adults say stuff like "woah 2011 was 4 years ago haha" didn't really convey the fucking horror of a youtube video crossing my recommended labelled "9 years ago" and it's from 2017. that's not true. 9 years ago is 2010 or something. don't lie.
Me this weekend
my love language is the same as a crow. if you’re nice to me i’ll bring you useless little trinkets from my travels that made me think of you
learning not to return to places where I miss the past but see no future
ZENDAYA & ROBERT PATTINSON by Sean Thomas for 'The Drama' press (2026)
was blown away by the pure HUMANITY of The Drama. the at times painfully awkward interactions, dialogue that actually feels like real life, down to the awkward and ill-timed laughs, charlie's crash-out when he kissed misha, while obviously in the wrong it's a realistic depiction of a breakdown, the fear of marrying someone you don't actually know pushed to the extreme, not to mention the realism of what being forced into a small bubble on the internet can do to a child, forcing them into the belief that this is who they are, then the quick turnaround when emma finds a group that pops that bubble.
"the imaginary or hypothetical harm that we believe a black person to be capable of enacting will always be less socially acceptable than the harm we know for a fact white people materially cause" the movie.
My favorite thing about The Drama is Rachel's character because she reminds me of the kind of young person online who thinks the mere act of performing disgust or outrage at the morally wrong actions of someone else is somehow politically productive at all, or that it makes them a "good person."
Whenever I see someone disregard or disparage ideas of rehabilitation for people who have done (or in this movie's case, almost did) unforgivable things, I want to grab them and ask "what should be done, then?" Because, people like that do exist, in spades, and short of executing or imprisoning or Black Mirror White Bearing every person who's done or thought of doing something immoral, rehabilitation is probably the best bet for minimizing harm, right? (And if your answer to immorality IS execution or isolation... i do not think youre really the more moral one here...) But even taking out any potential empathy for the humans who do or think of doing immoral acts, sometimes, giving them the tools to lead a happy and fulfilling life are the exact thing that leads them AWAY from the potential acts of like, shooting up a school, regardless of how undeserving you think they are of that.
Its especially interesting because, in the movie, Emma had arguably done way more activism against gun violence than Rachel ever did, despite her cousin, but this means nothing. Emma's primary motivation for her planned shooting was bullying and the isolation she felt (and TCC tumblr), but it was when she found friends and real community and something else to invest her energy into, she was able to pull herself out of those dark thoughts and, like, rejoin society. And what does Rachel do when she finds out? Spreads rumors, and tries to isolate her. And, I say this not to victim blame, but to acknowledge that no one makes those big decisions in a vacuum and that understanding these things better is a NECESSITY for preventing them, which should be the fucking goal; that is exactly the kind of behavior that made her want to do that when she was 15.
women in GLAM (Galleries, Libraries, Archives and Museums)
Robert Pattinson as Bruce Wayne
THE BATMAN ( 2022) — dir. Matt Reeves
ROBERT PATTINSON as BRUCE WAYNE THE BATMAN (2022) dir. Matt Reeves