Marta Piekarz by Mary Fix for Taking the Wet Look to the Wetlands L'Officiel USA September 2018
Lint Roller? I Barely Know Her

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document

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🪼
occasionally subtle

izzy's playlists!

Kiana Khansmith
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we're not kids anymore.

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bliss lane

ellievsbear
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todays bird
🩵 avery cochrane 🩵
𓃗
One Nice Bug Per Day
seen from United States

seen from Malaysia
seen from United States

seen from Spain
seen from Mexico
seen from United States
seen from United States

seen from Vietnam

seen from Mexico
seen from Mexico
seen from United States
seen from Mexico

seen from Mexico
seen from Mexico

seen from United Kingdom

seen from United States
seen from Türkiye
seen from United States
seen from Jordan

seen from Belgium
@opusenim
Marta Piekarz by Mary Fix for Taking the Wet Look to the Wetlands L'Officiel USA September 2018
Kati Nescher by Richard Phibbs for Harper’s Bazaar UK
Iglesia de Nuestra Señora de Guadalupe, San José, Costa Rica
Hans Hartung
T1963-E7, 1963
acrylic on canvas
105 x 65 cm. | 41 5/16 x 25 5/8 in.
Barbican Estate, 1975 - David Hoffman.
Wolfgang Lettl — The Trial (oil on fibreboard, 1981)
Yohji Yamamoto Fall/Winter 1999
Komaro Hoshino, from International Photography Exposed, Vol. 2 (1985)
The Flowers of St. Francis (Roberto Rossellini, 1950)
Frank (1998 June) by::Solve Sundsbo
i’ve just realized something, as a kid ive consistently had an obsession with spaces like these ^. id never before been able to describe them but always insistently searched for them in the biggest mosaics to inbetween the folds my clothes. I was looking for a sanctuary. confined and away, and WARM and SAFE. I was never too easily disturbed as a kid but spaces like these gave a silver electricity to my heart and i buried my soul into them
Malgosia Bela | Jil Sander S/S 2000 ph. Mario Sorrenti
Jil Sander