Neon Moon (Flashback 3)
âȘ Tim Riggins (FNL) x OC âȘ
Summary:
For fifteen years, Reaganâs life was a carefully constructed escape. She traded the suffocating heat of Dillon, Texas, for the cool anonymity of Chicago, burying the girl who loved Tim Riggins under layers of ambition and city concrete. She never planned on going back.
But when a call comes that her estranged father is being evicted, sheâs dragged back to the town she fled. The air is still thick with unspoken history, and the ghost of her past has a heartbeat. Tim Riggins is still there, his anger a mirror of her own. Their reunion is a collision of resentment and an unquenchable, dangerous desire that quickly pulls them back into each other's beds.
Warning: Story will contain situations involving alcoholism, sexual harassment, sexual content, cursing, etc.
The day Tim gets out, Dillon feels too bright.
Thatâs the first thing I think when Billyâs truck rattles over the uneven stretch of road leading out toward the prison, the Texas sun sitting high and mean in a sky that doesnât have the decency to be cloudy. Everything outside the window is dry grass and barbed wire and dust, the kind of scenery Iâve looked at my whole life and still somehow hate more when Iâm nervous. The air conditioner in Billyâs truck works when it wants to, which means it wheezes cold air for three seconds and then gives up like the rest of us, and Iâm sitting in the passenger seat with my knees angled toward the door, one hand wrapped around the strap of my purse so tight my fingers ache.
Billy keeps glancing over at me like heâs waiting for me to say something dramatic, like maybe Iâm going to burst into tears or climb out the window before we get there.
Iâm not going to do either one.
At least, Iâm pretty sure Iâm not.
âYou all right over there?â he asks, his voice a little too careful.
I donât look at him. âDo I look like Iâm all right?â
âWell, you look like you might throw up, bite somebody, or both, so I figured Iâd ask before you ruined my upholstery.â
âYour upholstery has cigarette burns and a stain that looks like something died in it, Billy. I donât think I can do any more damage.â
He lets out a nervous laugh, the kind that doesnât really belong to anything funny. âThere she is.â
I swallow and stare straight ahead at the shimmer of heat on the road. My throat feels too tight. My chest feels worse. I havenât seen Tim in months without glass between us, without guards standing too close, without him sitting there in those ugly prison clothes with his hands folded like if he moved wrong somebody would bark at him. I havenât touched him in months. I havenât smelled beer on him, or motor oil, or that soap he never admitted he liked because I bought it for him once and told him it made him smell less like a bad decision. I havenât had him lean into me in the middle of the night, all heavy and warm and impossible, stealing most of the bed and pretending he didnât need to be held.
I have missed him so much it has made me mean.
Thatâs the part nobody tells you about loving somebody who leaves, even when leaving wasnât exactly their choice. Missing them doesnât make you soft all the time. Sometimes it makes you sharp. Sometimes it makes you bitter. Sometimes you wake up before dawn to get ready for a shift at a place you never wanted to work, pulling on clothes that make men look at you like youâre on the menu, and you think about the land Tim bought before he went away, the land he talked about like it was a promise. You think about Billyâs bills and Mindyâs tired eyes and the way Becky pretends sheâs fine when sheâs not, and you keep smiling at men who donât know how to keep their hands to themselves because somebody has to keep money coming in.
And then you hate yourself for being mad at Tim because heâs the one sitting behind bars.
And then you hate him for making you love him enough to stay.
Billy drums his fingers against the steering wheel. âYou know, heâs probably gonna be weird.â
I turn my head slowly. âThat your professional opinion?â
âIâm serious, Reagan.â
âSo am I.â
He sighs, long and heavy. âI just mean prison ainât exactly summer camp. Heâs gonna be different. Might not be all hugs and tears and movie music.â
I look back out the windshield because if I look at Billy for too long, heâll see something Iâm not ready to hand over. âIâm not expecting movie music.â
âYou sure?â
âNo, Billy, I thought he was gonna run out in slow motion, sweep me off my feet, apologize for every bad decision he ever made, and then we were all gonna go home and eat casserole while the whole town clapped.â
âAll right, smartass.â
âYou asked.â
âIâm trying to prepare you.â
âIâve been preparing myself for months.â
âYeah,â he says quietly, and that one word holds too much. âI know you have.â
The truck goes quiet after that, except for the rattle in the dash and the tires humming over the road. I press my thumb into the corner of my eye before anything can collect there and embarrass me. I did my crying already. I cried the night he went in. I cried the first time I drove home from visiting him and realized I still smelled like him even though I hadnât touched him. I cried in the bathroom at the Landing Strip after a man old enough to be my father slapped a twenty on the bar and told me I had pretty legs. I cried in Timâs truck once, parked on his land, staring at nothing but dirt and sky and the skeleton of a dream heâd left me with.
Iâm tired of crying.
The prison comes into view, ugly and flat and fenced in, and my stomach drops like itâs trying to leave my body. Billy parks crooked because of course he does, and for a second neither of us moves. I stare through the windshield at the entrance, at the hard lines of the building, at the men walking in and out like this is just another Tuesday.
My hand fumbles for the door handle and stops.
Billy looks at me. âYou want me to go in first?â
âNo.â
âYou sure?â
âIf you ask me if Iâm sure one more time, Iâm going to make you walk home.â
He nods like thatâs fair. âAll right.â
I get out before I can talk myself out of it. The heat hits me in the face, thick and dusty, and I smooth my hands down the front of my dress even though there isnât a wrinkle on it. I changed clothes three times this morning. I finally landed on the one Tim used to say made me look like trouble in church, which is stupid because this is not church and Iâm not trouble, not today. Today Iâm just a girl waiting outside a prison, trying to remember how to breathe.
Billy comes around the truck and stands beside me, too close, like he thinks I might fall over.
âIâm fine,â I mutter.
âDidnât say you werenât.â
âYouâre hovering.â
âYeah, well, youâre shaking.â
I look down. My hands are shaking. I curl them into fists and shove them against my sides.
The door opens.
For a second, I donât recognize him.
Not because he looks so different. Heâs still Tim. Same broad shoulders, same slow way of moving, same hair a little too long and messy like nobody could ever make it behave. But something in him is set harder now. His face is leaner. His eyes are darker. Not the color, but whatâs sitting behind them. Heâs carrying a small bag, and he steps outside like he doesnât trust the air, like freedom might be a trick somebodyâs playing on him.
My heart climbs right up into my throat.
Billy takes a step forward. âTimmy.â
Tim looks at him first. Of course he does. His eyes flick over Billyâs face, his truck, his boots, the whole stupid world before they finally land on me.
And I hate that I notice the hesitation.
I hate that I feel it like a slap.
I wanted him to smile. I wanted him to say my name like he used to, low and lazy and certain, like nobody else in Texas had ever been worth saying. I wanted him to drop that bag and cross the space between us like heâd been waiting every second of every day to put his hands on me.
Instead, he just looks at me.
âReagan,â he says.
Not baby. Not darlinâ. Not that soft, rough little hey he always gave me when he was trying not to show too much feeling.
Just Reagan.
I lift my chin because itâs either that or break in half right there on the hot pavement. âHey, Tim.â
Billy clears his throat loudly, like heâs trying to shove emotion into the space between us by force. âWell, hell, come here, little brother.â
Timâs mouth twitches, but it doesnât become a smile. Billy wraps him up in a hug hard enough to knock most men off balance. Tim lets him. Thatâs what I notice. He lets Billy hug him, but he doesnât really hug back at first. His hand comes up after a second and lands on Billyâs back, stiff and brief, like he had to remember how.
My chest tightens so hard I almost canât stand it.
Billy pulls back and grips Timâs shoulder. âYou look like crap.â
âYou always know how to make a man feel welcome,â Tim says, and there it is, a little piece of him, dry and quiet, but even that sounds tired.
Billy laughs too loudly. âCome on, now. I cleaned the truck out for you.â
âNo, you didnât,â I say before I can stop myself.
Timâs eyes slide to me again, and this time something flickers. Itâs small, but I see it. He always did like when I couldnât keep my mouth shut.
Billy points at me. âSheâs been in a mood since six this morning.â
âIâve been in a mood since you were born.â
âSee?â Billy says to Tim. âMean as ever.â
Tim looks at me for a beat too long. âGood.â
That one word almost undoes me, because it isnât cold, not completely. It sounds like relief. Like maybe he was scared Iâd be different too.
I step forward before I lose my nerve. âAre you going to stand there all day?â
His jaw works once. He looks down at me, and heâs close enough now that I can see the faint shadow under his eyes and the tightness around his mouth. He smells clean, too clean, like cheap soap and institutional laundry, and underneath that thereâs something that is still him, something warm and familiar that punches the air right out of me.
I want to touch him.
Iâm terrified to touch him.
Tim shifts his bag in his hand. âYou look good.â
âThatâs it?â I ask, and my voice comes out more wounded than I mean it to. âMonths of prison visits, one ugly jumpsuit after another, and all I get is you look good?â
Billy makes a strangled sound behind us. âIâm gonna just⊠inspect the truck.â
âBilly,â I snap.
âWhat? Truck mightâve moved.â
Tim doesnât look away from me. âWhat do you want me to say?â
There it is again, that distance. That wall. That careful, deadened way he used on the other side of the glass when he didnât want me seeing too much.
âI donât know,â I say, and the truth of that makes me angry. âSomething that sounds like youâre happy to see me.â
His eyes drop to my mouth, then to my hands, still curled tight. âI am happy to see you.â
âYou might want to notify your face.â
The corner of his mouth pulls slightly. âStill bossy.â
âStill allergic to emotional incompetence.â
He exhales through his nose, almost a laugh, and then he reaches for me.
It isnât dramatic. He doesnât sweep me up. He doesnât say anything that fixes all the cracked parts in the middle of us. He just slides one arm around my waist and pulls me in, and my body betrays me immediately. I fold into him like Iâve been waiting in that exact shape for months. My hands grab the back of his shirt. My face presses into his chest. His heartbeat is there, steady and real under my cheek, and that does it. I squeeze my eyes shut so hard they hurt.
His chin brushes my hair.
For one second, maybe two, he holds me like he used to.
Then his body goes stiff again.
Not enough that Billy would notice. Not enough that anybody walking by would see. But I feel it because I know Tim better than I know myself some days. I feel the way his hand flattens against my back like heâs reminding himself not to grip too hard. I feel the way his breath catches and then evens out. I feel him pull something inside himself closed.
I pull back just enough to look up at him. âTim.â
His eyes avoid mine. âWe should go.â
And just like that, I understand that prison didnât just take months from us.
It followed him out.
The ride home is worse than the ride there.
Billy talks too much because silence makes him itchy. He talks about the Panthers, about somebodyâs cousin getting arrested for stealing a four-wheeler, about Mindy redecorating the living room even though the only new thing she bought was a throw pillow and a candle that smells like cinnamon and regret. I sit in the back with Tim because Billy said he wasnât driving Miss Daisy with his brother fresh out, and Tim stared at the back seat like it was a trap before climbing in beside me.
His knee brushes mine every time Billy hits a bump.
Every time, my body notices.
Every time, Tim moves his leg away.
By the time we get to Billyâs house, Iâm ready to scream.
Mindy is waiting on the porch with her arms crossed and tears already in her eyes. Becky is beside her, bouncing on her toes, trying to look casual and failing. Thereâs food inside, because in Dillon, people donât know what to do with pain unless they can put it in a casserole dish. Somebody made brisket. Somebody brought potato salad. Somebody bought a cake from the grocery store that says WELCOME HOME TIM in blue icing, and I can tell from the look on his face when he sees it that the cake hurts him in a way nobody meant.
Mindy hugs him and cries into his shirt. Becky throws herself at him and talks fast enough to fill every corner of the room. Billy claps him on the back too many times. Everybody keeps saying welcome home.
Tim keeps saying thanks.
Just thanks.
Not rude. Not ungrateful. Just flat. Like every word costs him something.
I watch him from the kitchen while I help Mindy set plates on the counter. He stands in the living room with a beer already in his hand because Billy put one there without thinking, and my eyes snag on it so hard my fingers almost crack the plate Iâm holding.
Mindy notices. Of course she notices. Mindy always notices the things nobody wants noticed.
âHe just got home,â she says softly.
âI didnât say anything.â
âYou didnât have to. Your face is doing that thing.â
âWhat thing?â
âThat thing where you look like youâre about to sharpen a knife on somebodyâs bones.â
I set the plate down harder than necessary. âHe hasnât been home ten minutes.â
âI know.â
âAnd Billy hands him a beer.â
âI know.â
âAnd Tim takes it.â
âI know that too.â
Mindyâs voice is gentle, which is somehow worse than if she snapped at me. I turn toward the sink and brace my hands on the counter. Outside the little window above it, the backyard is burned yellow from sun, and there are toys scattered near the fence. Life went on while Tim was gone. Thatâs the ugly part. It kept moving. Bills kept coming. People kept eating. Kids kept needing things. Cars broke down. Groceries got expensive. Men at the Landing Strip tipped better when I smiled like I didnât hate them.
Life went on, and now Tim is standing in the middle of it like he doesnât know where to put his hands.
Behind me, I hear Becky say, âYou gotta try the cake, Tim. I picked it out. They had one with flowers on it, but Billy said youâd throw it at him.â
âI would not throw cake,â Tim says.
I turn because thereâs a little more of him in that sentence.
Billy snorts. âYouâd throw the flowers.â
âProbably.â
Becky laughs, bright and relieved, and for one second the room loosens.
Then Tim lifts the beer to his mouth.
I look away.
Dinner is loud, but not in the right way. Everybody tries too hard. Billy keeps telling stories Tim already knows. Mindy asks if he wants more food every time his fork slows down. Becky talks about work and school and who broke up with who, and Tim nods like heâs listening even when I can tell his mind has gone somewhere else entirely.
I sit beside him because thatâs where I belong. Thatâs where Iâve always belonged. His arm doesnât rest across the back of my chair. His hand doesnât find my thigh under the table. He doesnât lean over and steal a bite off my plate just to annoy me. He eats slow. Drinks faster. Says little.
Finally, I canât take it.
I lean closer and keep my voice low. âYou want to step outside?â
His eyes flick to me. âWhy?â
That hurts more than it should.
âBecause I want to talk to you.â
âAbout what?â
I stare at him. âAre you serious?â
Billyâs voice cuts across the table before Tim can answer. âReagan, pass me them rolls, would you?â
I donât look away from Tim. âGet them yourself.â
Mindy coughs into her napkin.
Timâs mouth tightens, and he leans back in his chair. âNot right now.â
âNot right now?â I repeat, still low, still trying not to let the whole table hear the crack in me. âTim, you just got home.â
âYeah, I noticed.â
âAnd you donât want to talk to me?â
âI didnât say that.â
âYou didnât say much of anything.â
His eyes go cold so fast it almost scares me. âMaybe I ainât got much to say.â
The table quiets.
Not all at once. It happens in pieces. Becky stops talking. Billyâs fork slows. Mindy looks down at her plate like she can disappear into the potato salad if she tries hard enough.
I feel heat crawl up my neck. âWell, thatâs convenient, because Iâve got plenty.â
âReagan,â Billy warns.
I snap my eyes to him. âDo not.â
âIâm just sayingââ
âNo, youâre not just saying. Everybody in this house has been just saying for months, and Iâm tired of it.â
Tim sets his beer down, too controlled. âWhat does that mean?â
âIt means Iâve sat in this house and listened to everybody talk around you like if we said your name too loud youâd crumble. Iâve worked shifts until my feet went numb. Iâve smiled at people I wanted to spit on. Iâve helped keep things together because you werenât here, and now you are here, and youâre acting like Iâm asking too much because I want you to look me in the eye and talk to me.â
His stare sharpens. âWorked shifts where?â
The room goes so still I hear the refrigerator hum.
My stomach drops.
Mindy closes her eyes.
Billy mutters, âAw, hell.â
Tim turns his head slowly toward Billy, and something dangerous moves across his face. âWhat does she mean, worked shifts where?â
âTim,â I say.
He doesnât look at me. âBilly.â
Billy rubs a hand over his face. âDonât do this right now.â
âWhere?â
I could lie. I could say a diner. I could say the grocery store. I could say anything else and buy myself one more hour before the storm hits.
But I am so tired of lying by omission. Iâm tired of folding pieces of myself small enough for everybody else to swallow.
âThe Landing Strip,â I say.
Tim looks at me then.
Not confused. Not curious.
Furious.
The air between us changes completely. He doesnât yell right away, which is worse. His eyes travel over my face like heâs trying to decide if he heard me right, then down over my dress, then back up, and I see the exact second the image forms in his head. Me behind that bar. Me with trays in my hands. Me in the little black shorts Mindy told me brought better tips. Me laughing when men said things that made my skin crawl because rent didnât care about dignity.
âNo,â he says.
I blink. âExcuse me?â
âNo.â
A bitter laugh slips out of me. âThat is not a full sentence you get to use on me.â
âYouâre not working there.â
âFunny thing about that, Tim. I already am.â
His chair scrapes back hard enough to make Becky jump. âLike hell you are.â
I stand too because there is no universe where he gets to tower over me while Iâm sitting down. âYou donât get to come home after months gone and start handing out orders.â
His jaw flexes. âYou think Iâm playing with you?â
âI think youâre drunk on half a beer and whatever prison did to your head, and I think you better take a breath before you say something you canât unsay.â
Billy stands too. âAll right, everyone just calm down.â
Tim points at him without looking away from me. âYou knew?â
Billyâs face twists. âDonât start with me.â
âYou knew she was working there?â
âShe had to work somewhere.â
âNot there.â
âAnd who was gonna pay things, Tim?â Billy fires back, his voice rising now because Billy has never known how to leave a lit match alone. âWho was gonna help Mindy? Who was gonna help with groceries? Who was gonna help with the payments on that damn land you bought before you got yourself locked up?â
Tim flinches.
Itâs tiny, but I see it. Everybody sees it.
Billy keeps going because once heâs angry, heâs a runaway truck with no brakes. âYou think we were all just sitting around waiting for you with balloons? She stepped up. Sheâs been stepping up. She didnât ask you for a parade, but you sure as hell donât get to come in here and act like she did something wrong because she kept your life from falling apart while you were gone.â
Timâs face goes hard again, but his eyes are different now. Hurt underneath the anger. Shame underneath the hurt. Thatâs the worst combination in Tim, because shame never makes him softer. It makes him reckless.
âYou shouldâve told me,â he says to me.
I throw my hands up. âWhen, Tim? During those sweet little prison visits where you barely said a word and stared at the wall like I was some girl you used to know? Should I have pressed my hand to the glass and said, hey, babe, just so you know, Iâm serving beers to oilfield trash and trying not to punch anybody who grabs my waist?â
His nostrils flare. âWho grabbed your waist?â
âOf course thatâs the part you hear.â
âWho touched you?â
âDo not do that.â
His voice drops, low and rough. âWho put hands on you, Reagan?â
The sound of my name in his mouth like that, all rage and possession and fear, sends a shiver through me I hate myself for feeling. Because part of me wants to step closer. Part of me wants to put my hands on his chest and say, youâre home, youâre home, youâre home, and let him be furious because fury is at least alive. It is at least something.
But the bigger part of me is exhausted.
âMen touch women in bars, Tim,â I say, my voice shaking now despite everything I do to stop it. âThatâs not news. Thatâs not some grand revelation. And before you start breaking furniture, no, I didnât let anybody do anything. I handled it. Becky handled it. Mindy handled it. We all handled it because thatâs what women do while men are off making messes they expect us to clean up.â
Mindy whispers, âReagan.â
I know Iâve gone too far before Timâs face even changes.
He stares at me like I slapped him. For a second, I want to take it back. Not because it isnât true, but because truth can still be cruel.
Then he grabs his beer from the table and drains whatâs left.
I laugh, and it sounds awful. âThere it is.â
His eyes cut to mine. âWhat?â
âYou get mad, you drink. You get ashamed, you drink. You get sad, you drink. You get home from prison and the first thing you do is stand in this house with a beer in your hand like you didnât spend years watching Billy turn every bad day into a bottle.â
Billy says, âHey.â
I donât stop. âAnd you sit there acting like you want to be different, like youâre above all of this, but the second something hurts, you reach for the same thing everybody else does.â
Timâs voice goes quiet. âYou donât know what I want.â
The way he says it makes the room disappear for a second.
Because heâs right.
I donât know anymore.
I knew the boy who fell asleep with his boots on and his hand under my shirt because he said my skin was warmer than any blanket. I knew the boy who bought land with money he didnât really have because he wanted to build something that belonged to him, something nobody could take or trash or drink away. I knew the boy who used to look at me across crowded rooms like the entire world was a joke only we understood.
I donât know this man standing in Billyâs kitchen with prison still in his bones and anger burning holes through him.
And that scares me so much I can barely speak.
âYouâre right,â I say. âI donât.â
Timâs expression flickers.
Billy exhales. Mindy looks like she might cry again. Becky looks between us like sheâs watching a car wreck she canât stop.
Tim steps back from the table. âIâm going out.â
âWhere?â Billy asks.
Tim doesnât answer.
I already know.
By the time my shift starts that night, Iâm running on anger and hurt and too much coffee.
I shouldnât have gone in. Mindy told me not to. Becky told me she could cover my tables. Billy tried to stand in front of the door like his skinny ass could stop me, and I told him if he wanted to keep all his teeth, he needed to move. Tim wasnât there to tell me anything because heâd disappeared for hours after dinner and came back with whiskey on his breath and dust on his boots, looking like heâd been walking every bad road inside his own head.
He didnât ask where I was going.
He saw the black shorts. The fitted top. The boots. The way I pinned my hair up so it wouldnât stick to my neck in the heat of that place.
He looked at me like he wanted to burn the whole world down.
I looked right back and dared him to say one word.
He didnât.
That almost made it worse.
By the time my shift starts that night, I am running on anger, hurt, coffee, and the kind of stubbornness that has kept me alive in Dillon longer than good sense ever could.
I shouldnât have gone in.
Mindy tells me not to. Becky tells me she can cover my tables. Billy stands in the kitchen doorway like his skinny body is a barricade and says, âReagan, maybe tonight ainât the night,â with that careful tone men use when they are afraid a woman is one sentence away from turning feral.
I tell him if he wants to keep breathing through both nostrils, he needs to move.
He moves.
Tim doesnât stop me.
That is somehow worse than if he had.
He sits on the edge of Billyâs couch with a beer between his hands, elbows on his knees, hair hanging down a little into his face. He doesnât look like the boy who used to sprawl across that same couch with his boots up and his arm stretched out, waiting for me to tuck myself against his side because he liked acting like he didnât need it. He looks like a man dropped into the wrong house, wearing the right face but carrying something darker underneath it.
When I walk through the room in my work shorts, my fitted black top, and my boots, his eyes lift.
That is all.
Just lift.
But I feel them like hands.
They move over me slowly, from my bare legs to the curve of my waist to the name tag I hate wearing because men like saying my name too much when they drink. His jaw tightens. His fingers flex around the beer bottle. For a second, I think he might finally say something, might finally lose that dead-eyed quiet and act like a man who gives a damn where Iâm going.
He doesnât.
He looks at me like I have already done something unforgivable.
I stop in the middle of the room and stare right back at him. âYou got something you want to say?â
Billy makes a noise in the kitchen like he has just swallowed wrong.
Tim leans back against the couch, slow and lazy in a way that doesnât fool me for even half a second. âSeems like youâre gonna do what you want anyway.â
The words land flat, but the insult under them is sharp.
I laugh once, not because itâs funny, but because if I donât make a sound, Iâll scream. âThatâs rich coming from you.â
His eyes narrow. âWhatâs that supposed to mean?â
âIt means you donât get to sit there fresh out of prison with a beer in your hand, looking at me like Iâm the disappointment in this room.â
Billy says, âReagan,â under his breath, but I donât look at him.
Timâs mouth lifts at one corner, but there is nothing warm in it. âYou think thatâs what Iâm doing?â
âI know exactly what youâre doing.â
âThen I guess you donât need me to explain.â
âNo, Tim, I would actually love for you to explain something. Iâd love for you to explain how you can be gone for months, barely speak to me through a piece of glass, come home acting like everybody owes you silence and space, and then look at me like I betrayed you because I found a way to keep money coming in.â
His face hardens.
Billy steps into the doorway, wiping his hands on a dish towel even though he has not washed a dish in his life. âMaybe we all need to take a breath before this turns into something nobody can walk back.â
Tim doesnât take his eyes off me. âYou should listen to Billy.â
That does it.
The laugh that leaves me is ugly. âI have listened to Billy. I have listened to Billy worry about money. I have listened to Billy tell Mindy itâll be fine when it clearly is not fine. I have listened to Billy tell me you were doing the best you could when you wouldnât even look me in the eye during visits. So forgive me if I am done listening to every Riggins man in this house tell me how to survive the messes they helped make.â
Billy looks down, and for a second I feel bad.
Only for a second.
Tim stands. Not fast. Not explosive. He takes his time, like he wants every inch of height to count when he gets there. âYou done?â
I step closer to him before I can stop myself. âNot even close.â
His gaze drops to my mouth and then comes back up meaner. âYou going in there dressed like that just to make a point?â
I feel the words hit, and they burn. They burn because he knows me. He knows where to aim. He knows I used to dress for him without even admitting it to myself, knows I used to like the way his attention could make me feel like the only woman in the whole damn state. And now he is using that knowledge to make me feel cheap.
My voice goes quiet. âCareful.â
He blinks, just once, and I know he hears the warning.
But Tim is in that kind of mood where a warning only makes him lean closer to the fire.
âIâm asking you a question,â he says. âYou going in there dressed like that because itâs your job, or because you want me to see what I couldnât stop while I was locked up?â
Billy says, âTim, shut the hell up.â
I donât even look at Billy. My eyes stay on Timâs. âI am going to work because somebody has to act like an adult.â
His face changes so quickly that it almost scares me. âDonât do that.â
âDo what?â
âDonât stand there and act like I wanted you doing this.â
âI am not doing anything for your approval.â
âNo, youâre doing it for my land, right?â he snaps. âThat what Iâm supposed to say? Thank you, Reagan, for letting half of Dillon look at your ass so I can keep a piece of dirt?â
The room goes still.
Billyâs face drains.
My chest goes so tight I can barely breathe.
For a second, I hear nothing but my own heartbeat.
Then I walk right up to Tim and slap the beer bottle out of his hand.
It hits the floor and rolls, spilling across the hardwood.
Billy curses.
Tim doesnât move. He looks down at the bottle, then slowly back at me.
âIf you ever talk to me like that again,â I say, my voice shaking so badly I hate it, âI will make prison look like a vacation.â
His jaw works. Something like regret flashes in his eyes, but it is buried so quickly under anger that I almost wonder if I imagined it.
I grab my purse off the chair and head for the door.
Billy calls, âReagan, wait.â
I donât.
Behind me, Tim says nothing.
Nothing at all.
And that nothing follows me all the way to the Landing Strip.
The place is loud when I get there, loud enough to swallow shame if you let it. Music thumps through the floorboards. Men crowd around tables with bottles sweating onto paper napkins. Neon washes the room in red and purple, making everybody look a little meaner, a little hungrier, a little less human. The air smells like beer, fryer grease, cheap cologne, and money that has been handled by too many dirty hands.
I clock in without speaking.
Mindy gives me one look and says, âOh, honey.â
âDonât,â I warn.
She lifts both hands. âWasnât gonna.â
âYou were absolutely going to.â
âI was going to ask if you wanted me to put you behind the bar all night instead of on the floor because you look like youâre about six seconds from stabbing a customer with a cocktail straw.â
âThat depends on the customer.â
Becky comes up beside me, tying her apron around her waist, her eyes already narrowed with suspicion. âHe say something?â
I tuck my purse under the counter and grab a rag. âTim? Saying something would imply he knows how to have a productive conversation.â
Mindyâs mouth tightens. âThat bad?â
I lean over the bar and wipe a circle that is already clean. âHe asked if I dressed like this to prove a point, then said something about half of Dillon looking at my ass so he could keep his dirt.â
Beckyâs mouth falls open. âOh, absolutely not.â
Mindyâs expression turns deadly. âI love that boy, but I will put him in the ground.â
âGet in line,â I mutter.
Becky plants both hands on the bar. âHeâs gonna show up.â
âNo, heâs not.â
âReagan.â
âHe barely looked at me when I left.â
âThat does not mean anything. Men like Tim donât have to look like theyâre chasing you to chase you. They just sit there and stew until their tiny little caveman brains say, go retrieve woman from place with other men.â
Despite myself, a laugh almost escapes, but it dies before it becomes anything worth hearing. âIâm serious, Becky. I donât want to deal with him tonight.â
âThen you better pray hard, because heâs had that look since he came home.â
I busy myself with bottles and glasses and fruit trays because moving is easier than thinking. The Landing Strip doesnât care that my life is cracking down the middle. Men still want beers. Mindy still needs change for the register. Becky still has to squeeze past me in the narrow space behind the bar and complain about a man at table six who thinks ordering wings makes him charming.
Work has rhythm. That is the ugly comfort of it.
Smile, pour, dodge a hand, laugh without meaning it, take the money, wipe the bar, start again.
The first hour passes without Tim.
Then half of the second.
I tell myself that means he stayed home.
I tell myself he drank, sulked, got bored, and passed out on Billyâs couch like every other Riggins man eventually does when the world expects too much from him.
I tell myself I am relieved.
Then the door opens.
I feel him before I see him.
It is ridiculous, really, the way my body still knows his presence when my mind wants to reject every part of him. The air changes. My spine stiffens. Becky, who is in the middle of pouring a pitcher, stops with beer foam spilling over her hand.
âOh, hell,â she says softly.
I look up.
Tim is standing just inside the entrance.
He has changed shirts, or maybe I am only noticing this one because it clings to him differently under the club lights. Dark. Worn thin from too many washes. His jeans sit low on his hips. His hair is messy like he has been dragging his hands through it. His mouth is set in a hard line, and his eyes are already scanning the room like he walked in looking for a reason to destroy something.
Billy is right behind him.
That tells me everything.
Billy did not bring him here to have a drink. Billy followed him here because he knew Tim was coming and could not stop him.
My stomach turns.
Mindy, seeing them, mutters, âLord help every fool in this building.â
Timâs eyes find me.
They move over the bar, over the men sitting in front of me, over the way one of them has his elbow too close to where my hand rests. Then he looks at my face.
There is no softness there.
No relief.
No I missed you.
No please come home.
Only anger, and something worse than anger. Disgust, maybe, but not at me exactly. At the room. At himself. At the whole picture of me standing there under neon lights with a name tag on my chest and a fake smile I havenât even put on for him.
He starts toward me.
Billy grabs his arm. âTim, do not make me regret following you in here instead of tackling you in the parking lot.â
Tim shakes him off. âThen donât follow so close.â
I step out from behind the bar before he reaches it because if he corners me behind that counter, I will lose my mind in front of God and every drunk man in Dillon. I meet him near the side of the bar, where the music is still too loud and the lights are still moving and people are already pretending not to watch while watching with their whole faces.
âWhat are you doing here?â I ask.
Tim looks past me toward a table of men whose eyes have been on me half the night. âGetting you.â
I laugh in disbelief. âGetting me?â
âThatâs what I said.â
âI am not a purse you forgot at a gas station.â
His eyes cut to mine. âYouâre done here.â
âNo, Iâm not.â
âYes, you are.â
Billy catches up, breathing hard, and steps between us halfway, though he clearly knows better than to fully put himself in the middle. âTim, come on, man. Sheâs at work. You saw her, sheâs fine, now letâs go before this turns into something ugly.â
Timâs gaze never leaves mine. âItâs already ugly.â
âYou donât get to walk in here and talk to me like this,â I say, keeping my voice low because I refuse to give the entire room the satisfaction of hearing me shake.
His expression darkens. âI already told you I donât want you in here.â
âAnd I already told you that your wants stopped being my instructions a long time ago.â
That hits him. His mouth tightens. âThat right?â
âYes, Tim, that is exactly right. You do not get to disappear behind a wall for months, come home colder than a jail cell floor, and then act shocked that I learned how to move without asking your permission.â
His eyes flicker, but the cold returns before it can become anything human. âYou look real proud of yourself.â
I step closer, my anger sharpening around the hurt. âYou think Iâm proud? You think I wake up thrilled to put this on and come here? You think I dreamed as a little girl about old men tipping me better if I laughed at their jokes and pretended not to notice their eyes on my legs?â
His face changes. âWho?â
âOf course. Of course thatâs the only word that gets through.â
âWhoâs been looking at you?â
I throw my hands out, gesturing at the whole room. âEverybody, Tim. That is literally the point of this place.â
His jaw flexes.
Billy says, âSheâs trying to tell you something, and youâre hearing all the wrong parts.â
Tim turns on him fast. âYou knew she was here.â
Billyâs eyes harden. âWe are not doing this again.â
âYou knew.â
âYes, I knew. Mindy knew. Becky knew. Hell, half of Dillon knew because she works in a public building with a giant neon sign. Youâre the only one who didnât know because every time she visited, you sat there acting like conversation was a punishment.â
Tim steps closer to Billy, and the air changes.
I step with him. âDo not.â
Tim doesnât even look at me. âStay out of it.â
My mouth drops open. âExcuse me?â
Billy laughs without humor. âThere you go. Keep digging.â
Timâs shoulder bumps Billyâs. âYou let her do this.â
Billyâs face flushes. âI let her? What the hell was I supposed to do, chain her to the porch? She did what she had to do because none of us had enough money and because you bought land before you went inside like dreams donât come with bills.â
Tim shoves Billy.
Not hard enough to drop him, but hard enough that Billy stumbles back into a chair, which scrapes loudly against the floor. The men nearby go quiet. The music keeps playing, absurd and loud, while everyone watches the Riggins brothers start to crack open in the middle of my workplace.
I step between them fully now. âTim, if you put your hands on him again, I swear I willââ
âYouâll what?â Tim snaps, finally looking at me. âYouâll make a scene? Little late for that, Reagan.â
I stare at him, stunned by the cruelty of it.
Billy straightens, pointing at Timâs chest. âDonât talk to her like that.â
Tim laughs, but it is humorless and ugly. âNow youâre defending her?â
âIâve been defending her while you were too busy feeling sorry for yourself behind bars.â
Tim moves so fast I barely have time to grab his shirt.
âStop it!â I snap, yanking him back with both hands. âYou are not doing this here.â
He looks down at my fists twisted in his shirt. âThen get your stuff.â
âNo.â
âReagan.â
âNo. I am not leaving because you came in here acting like a jealous drunk with a hero complex.â
âI ainât drunk.â
âYou smell like whiskey and bad decisions.â
His eyes flash. âAnd you smell like beer and cheap cologne that ainât mine.â
The words hit low.
I jerk back like he touched a bruise.
For half a second, I see regret in him. Itâs quick, almost nothing, but itâs there.
Then a voice from the bar cuts through it.
âHey, sweetheart,â the customer from earlier calls, leaning back on his stool with a grin that has gotten uglier with every drink. âYou gonna finish fighting with your boyfriend, or do I gotta come over there and order from him?â
My eyes close.
âNo,â I whisper, because I can feel Tim go still beside me.
The customer laughs, enjoying the attention. âIâm just saying, she was a lot friendlier before you showed up.â
Tim turns his head slowly.
Billy mutters, âDo not.â
The customer lifts his beer. âWhat? Man gets locked up and comes home thinking he still owns what he left behind?â
The room sucks in a breath.
I donât know how he knows. Maybe everyone knows. Maybe Billy said something at a table months ago. Maybe itâs just Dillon, where every piece of shame has legs and runs faster than you can catch it.
Tim smiles.
That smile terrifies me more than yelling ever could.
He walks toward the man.
I grab his arm. âTim, donât you dare.â
He doesnât shake me off right away. He looks down at my hand on his arm, then at me. âLet go.â
âNo.â
âReagan, let go of me.â
âYou are not going back to prison over some drunk idiot in a bar.â
The customer snorts. âListen to your girl, convict.â
Tim rips his arm free.
Everything happens too fast after that.
He crosses the space in three strides, grabs the customer by the front of his shirt, and hauls him off the stool so hard the beer bottle tips over and rolls off the bar. It shatters against the floor. Somebody screams. Chairs scrape back. Becky yells my name. Mindy shouts for Doug, but Doug is already moving slow because Doug has the survival instincts of a decorative plant.
Tim slams the man against the bar, forearm across his chest, face close enough that the customerâs grin disappears instantly.
âYou got something else you want to say?â Tim asks.
His voice is low.
Too low.
The customerâs hands come up. âI was joking.â
âNo, you werenât.â
âTim!â Billy grabs him from behind. âLet him go.â
Tim jerks his shoulder back, almost catching Billy in the face. âGet off me.â
I push through the gathering crowd. âTim, enough.â
The customer, who apparently has a death wish, mutters, âCrazy son of aââ
Tim hits him.
The sound cracks through the room.
Not a bar-fight movie punch. Not something clean and heroic. It is ugly and heavy and real. The man folds sideways into the bar, knocking over a basket of napkins and a tray of limes. Becky swears. Mindy screams at Tim like she is about to climb over the bar herself.
Billy grabs Tim again, harder this time, locking both arms around him from behind. âAre you out of your damn mind?â
Tim fights against him. âHe was talking about her.â
âHeâs drunk!â
âHe was talking about her.â
âAnd you think beating him half to death makes you noble?â Billy shouts, straining to keep hold of him. âYou think this makes you different from everybody youâre trying not to be?â
That lands.
I see it.
Tim freezes for maybe one second.
Then he turns that fury on Billy.
He shoves Billy off and swings around, chest heaving. âDonât you talk to me about what Iâm trying to be.â
Billy steps right up to him, just as angry now. âSomebody has to, because you sure as hell ainât listening to her.â
âYou knew she was working here.â
âWe already covered that.â
âYou shouldâve stopped it.â
Billy laughs in his face. âThere he is. Thereâs Tim Riggins, making everybody else responsible for what hurts him.â
Tim shoves him again, harder. Billy stumbles into a table, and drinks spill everywhere. I jump between them, palms hitting Timâs chest.
âStop!â I yell, louder than I mean to, loud enough that even the music seems to shrink around it. âStop it right now.â
Tim looks down at me like he barely recognizes me through the red in his head.
I shove him again. âLook at me. You came in here angry at me, angry at Billy, angry at yourself, and now youâre bleeding it all over everybody because you donât know what to do with it.â
His voice is rough. âIâm getting you out of here.â
âNo, you are humiliating me.â
His face twitches.
Good.
I want it to hurt.
âI asked you not to come in here and make this worse,â I continue, my voice shaking because I am so mad I can taste metal. âAnd you did it anyway because what you feel always has to take up the whole room. You donât ask. You donât listen. You just decide and expect everybody to move.â
Timâs chest rises and falls under my hands.
Billy wipes blood from his lip with the back of his hand. I donât even know when that happened, if Timâs elbow caught him or if somebody else did. His eyes are wild and glassy with anger.
âReagan,â Billy says. âCome on. Letâs just get you home.â
Timâs head snaps toward him. âShe ainât going with you.â
I turn slowly back to Tim. âWhat did you just say?â
His eyes stay on Billy. âShe ainât going with you.â
Billy barks out a laugh. âYou donât get a vote right now.â
Tim steps around me, but I grab his arm again. âTim.â
He looks at me.
There is nothing gentle in him.
âGet your purse.â
âNo.â
âGet. Your. Purse.â
âI am not going anywhere with you while youâre like this.â
His jaw locks.
For a second, nobody moves.
Then Tim bends, throws me over his shoulder, and starts walking.
The entire room erupts.
I scream his name so loud my throat burns. My fists hit his back. My boots kick uselessly against his chest and thigh because he has me locked over him with one arm hooked tight around my legs and the other bracing my waist. It is not playful. It is not cute. It is not one of those old nights where he carried me out laughing because I drank too much or got into it with some girl from East Dillon.
This is Tim out of his mind.
This is Tim deciding that if I will not move, he will move me.
âPut me down!â I yell, twisting as much as I can without falling. âTim, I swear to God, you put me down right now!â
He keeps walking. âYou can yell in the truck.â
âI hate you!â
The second I say it, his body jerks like I struck him.
But he does not stop.
Billy comes after us, furious. âTim, put her down before I put you down.â
Tim reaches the door and shoves it open with his shoulder. âTry it.â
The hot night air hits me hard. The parking lot is full of people already spilling out behind us, because of course they are. Nobody in Dillon can resist blood or heartbreak when it comes with free admission.
Tim carries me straight to Billyâs truck, yanks the passenger door open, and drops me inside.
Not gently.
Not cruelly enough to hurt me, but hard enough that my shoulder hits the seat and my pride hits worse.
I scramble upright immediately. âYou son of a bitch.â
He leans in, one hand braced on the roof, the other on the door, caging me without touching me. âScoot over.â
âNo.â
His eyes burn into mine. âReagan.â
âYou do not get to throw me into a truck and say my name like Iâm the problem.â
Billy reaches us and grabs Tim by the back of his shirt. âGet away from her.â
Tim comes out of the truck so fast the door bounces. Billy swings first.
I donât even know if he means to.
One second he is grabbing Tim, and the next his fist clips Timâs jaw, snapping his head to the side.
For a heartbeat, the whole parking lot freezes.
Then Tim tackles him.
They hit the side of the truck hard enough to make the metal groan.
I scramble out, screaming at them. âStop! Both of you, stop!â
They donât hear me.
Billy gets a hand in Timâs shirt and shoves him back. Tim swings, and Billy ducks enough that the punch catches his shoulder instead of his face. Billy rams him backward. Tim slams into the truck again, then surges forward with a sound that is half growl, half grief.
âYou knew,â Tim spits, grabbing Billy by the collar. âYou knew where she was every night.â
Billy shoves at his chest. âYeah, and I watched her come home tired while you sat in prison acting like silence made you a martyr.â
Tim hits him again, this time in the ribs. Billy grunts but doesnât back down.
âYou think I donât know what I did?â Tim shouts. âYou think I donât know I left her with all of it?â
âThen stop making it worse!â Billy yells back, his voice cracking. âStop hurting her because you hate yourself!â
Tim freezes for just long enough that Billy shoves him away.
I step between them, shaking from head to toe. âEnough.â
Tim is breathing hard, blood at the corner of his mouth now, his hair falling into his eyes. Billy looks wrecked, one hand pressed to his ribs, his face red with anger and guilt.
âYouâre both pathetic,â I say, my voice low and furious. âDo you know that? You are grown men beating each other in a parking lot because neither one of you can stand looking at the truth without swinging at it.â
Billy swallows. âReaganââ
âNo. Do not Reagan me. You want to protect me now? Where was all this energy when I was picking up shifts because nobody had money? Where was this big brother speech when I came home smelling like beer and menâs hands and cried in Mindyâs bathroom where no one could hear me?â
Billy looks like I slapped him.
Tim goes still.
Good.
I want them both to bleed a little.
âAnd you,â I say, turning to Tim. âYou do not get to come home and punish me because I survived you being gone.â
His mouth opens, but nothing comes out.
I climb back into the truck because if I stand there one more second, I might fall apart in front of everybody, and I will not give Dillon that.
Tim wipes his mouth with the back of his hand and walks to the driverâs side.
Billy grabs his arm. âYou ainât driving.â
Tim looks down at his hand, then up at him. âLet go.â
âYou are not driving her anywhere like this.â
Timâs voice goes quiet. âLet go before I make you.â
Billy holds on for one more second.
Then he looks at me through the open passenger door. âReagan, get out. Iâll take you.â
I should.
Everything in me knows I should.
But Tim is already sliding into the driverâs seat, and the keys are already in his hand, and my anger is so tangled up with fear and love and months of wanting him that I cannot make sense of myself.
I slam the passenger door shut.
Billy pounds a fist against the window. âReagan!â
Tim starts the truck.
I stare straight ahead. âDrive.â
Tim looks at me.
âDrive,â I repeat, my voice shaking with rage. âBefore I change my mind and let your brother drag you into the dirt where you apparently want to be.â
Tim throws the truck into reverse.
Billy jumps back, cursing.
We peel out of the parking lot with gravel spitting behind us and the Landing Strip shrinking in the side mirror like a bad decision neither of us can outrun.
For the first few minutes, neither of us speaks.
The silence is not peaceful.
It is violent.
The truck rattles down the road, headlights cutting through the dark, and I sit rigid against the passenger door with my arms wrapped around myself because if I loosen them, I might start hitting him. Tim drives too fast. Not reckless enough to scare me, but fast enough that I know his anger is in his foot, in his hands, in the hard line of his shoulders.
I turn my head toward him. âYou threw me into a truck.â
His jaw flexes. âI didnât hurt you.â
âThat is not the defense you think it is.â
He says nothing.
âYou embarrassed me in front of my coworkers, my customers, and half of Dillon.â
Still nothing.
âYou hit a customer.â
âHe had it coming.â
I laugh, sharp and disbelieving. âThere it is. The grand philosophy of Tim Riggins. If somebody has it coming, you get to be stupid.â
His hands tighten around the wheel. âDonât.â
âNo, Iâm going to, because apparently everyone else has spent the day walking around you like youâre a loaded gun and Iâm tired of pretending I donât hear the ticking.â
âYou think I wanted to walk in and see you there?â
âI do not care what you wanted.â
His eyes cut to me briefly. âThatâs clear.â
âYou gave up the right to make tonight about what hurts you the second you put your hands on me and carried me out like I belonged to you.â
His face hardens. âYou do belong to me.â
The words hit the inside of the truck like a match tossed on gasoline.
I turn fully toward him. âPull over.â
âNo.â
âPull over right now.â
âNo.â
âTim, pull over before I open this door.â
His eyes flash toward me. âDonât you dare.â
I grab the handle.
He swerves toward the shoulder so fast the tires growl against gravel, then jerks the truck to a stop. For one second, the whole world lurches forward and settles. Dust rolls past the headlights. The engine idles loud in the dark.
Tim turns on me, furious. âAre you insane?â
I shove the door open and climb out.
He is out after me almost immediately. âReagan!â
I walk down the shoulder, boots crunching on gravel, heart hammering so hard it hurts.
He catches up and grabs my arm, not rough, but enough to stop me.
I spin on him. âDo not touch me.â
He lets go like my skin burned him.
Good.
Let it.
âYou do not get to say I belong to you,â I say, stepping into him now because I am done backing up. âNot after today. Not after prison. Not after months of making me feel like I was loving somebody through a locked door while you stared at the floor.â
His eyes are wild in the headlights. âYou think I donât know that?â
âThen why are you making me say it?â
âBecause I donât know what the hell Iâm doing!â he shouts, and the words rip out of him so violently that I stop. âI donât know how to stand next to you without thinking about every night I wasnât there. I donât know how to look at you in that place without wanting to rip every man in there apart. I donât know how to come home and watch Billy act like everything is normal when I spent months thinking about how I went down for him and left you behind. I donât know how to touch you without wondering if you hate me for needing it.â
The last part lands hard.
My chest rises and falls.
The night is wide around us, dark fields stretching on both sides of the road, no house lights close enough to save us from each other.
âI do hate you a little,â I say.
His face tightens.
I force myself to keep going because the truth is already bleeding, and there is no point pressing a napkin to it now. âI hate you for going away. I hate you for coming back different. I hate you for looking at me tonight like I was dirty because I did what I had to do. I hate you for making me want you even while I am standing here wondering if I should walk all the way back to Dillon just to prove you donât get to decide where I go.â
He looks at me like I have gutted him.
Then he nods once, sharp and bitter. âThen walk.â
I blink.
He steps back, face closing again. âYou want to walk, walk.â
I stare at him.
A laugh leaves me, but it breaks halfway through. âYou really are a bastard tonight.â
âYeah,â he says, voice low. âI am.â
For one second, I think he might leave me there.
For one second, I think I might let him.
Instead, I shove past him and climb back into the truck, slamming the door hard enough to rattle the window.
Tim stands on the roadside for a moment, head tipped back, hands on his hips, breathing like he has just run miles. Then he gets in, shuts his door, and pulls back onto the road.
He does not turn around.
That is when I realize we are not going back to Billyâs.
We pass the turn.
I sit up straighter. âWhere are you going?â
He keeps his eyes on the road. âDriving.â
âThat is not an answer.â
âItâs the one I got.â
âTurn around.â
âNo.â
âTim.â
âNo.â
My laugh is breathless with disbelief. âSo now youâre kidnapping me?â
His jaw flexes. âYou got a phone.â
âI should call the sheriff just to see your face.â
âGo ahead.â
âYou think I wonât?â
âI think you want to fight more than you want help.â
That shuts me up for about half a second because I hate that he isnât entirely wrong.
The highway opens ahead of us, Dillon falling behind like something we both spit out. The dark gets thicker beyond town. Gas stations blur past. A closed feed store. A church sign with half the letters missing. The kind of roadside Texas nothing that feels endless when youâre angry and trapped in a truck with a man who used to feel like home.
I stare at the side of his face. âYouâre bleeding.â
âI know.â
âGood.â
His mouth twitches, but it isnât a smile. âYou always this sweet after midnight?â
âOnly when Iâve been publicly hauled out of my job by an emotionally damaged ex-con who thinks fists count as communication.â
He glances at me then. âThat what I am now?â
âWhat part confused you?â
His eyes go back to the road. âEx-con or emotionally damaged?â
âBoth seem accurate.â
âBoyfriend still on the list?â
The question is quieter than the rest.
I hate him for asking it when I am too angry to answer cleanly.
âI donât know what you are right now,â I say.
His fingers tighten on the steering wheel.
The truck goes quiet again, but this silence is different. The first one was violent. This one is wounded. I watch the road signs flash by. We are out past the edges of everything familiar now, headed toward some little stretch of nothing where motels sit beside gas stations and nobody asks questions unless they are paid to.
When Tim finally pulls into a roadside motel, I think he is stopping for gas at first.
Then he parks near the office.
I look at him. âAbsolutely not.â
He turns the truck off. âYou wanted me to stop.â
âI wanted you to stop driving like a man in a country song with a pending felony.â
âI stopped.â
âAt a motel?â
His face is unreadable in the yellow glow from the office sign. âYou want to go back to Billyâs right now and give him another round?â
âI want you to stop making decisions like Iâm luggage.â
He gets out.
I sit there for three seconds, stunned by the audacity of him, then yank the door open and follow him because there is no universe where I let him walk into that office and rent a room like this is settled.
The clerk is an older man with gray hair, a plaid shirt, and the exhausted face of someone who has seen every kind of bad choice come through his lobby at two in the morning. A little television plays behind the counter with the volume low. The air smells like stale coffee and lemon cleaner.
Tim walks up to the desk.
I come in right behind him. âDo not hand that man your card.â
The clerk looks from Tim to me.
Tim pulls his wallet out. âOne room.â
âNo room,â I snap.
The clerk blinks. âYâall need a minute?â
âNo,â Tim says.
âYes,â I say at the same time.
The clerk sighs like this is not even close to the strangest thing that has happened tonight. âI got smoking or non-smoking.â
âNon-smoking,â Tim says.
âDo not encourage him,â I tell the clerk.
The clerk looks at me over his glasses. âMaâam, I do not get paid enough to discourage anybody after midnight.â
Tim slides his card across the counter.
I slap my hand down on top of it. âWe are not staying here.â
Tim looks at my hand. âMove.â
âNo.â
His eyes lift to mine. âReagan.â
I lean closer, voice low and shaking. âYou carried me out of my job, fought a customer, fought your brother, drove me out of town, and now you think youâre going to rent a room like this is some rough little romantic adventure?â
His face hardens. âYou think anything about tonight feels romantic to me?â
âI donât know what tonight feels like to you because you do not speak like a normal human being. You grunt, glare, drink, swing, and then expect me to interpret the emotional footnotes.â
The clerk makes a small sound like he is trying not to laugh.
Timâs eyes flick toward him. âSomething funny?â
The clerk immediately looks at the computer. âNot a thing.â
I point at Tim. âDo not threaten the motel man.â
âI didnât threaten him.â
âYou looked at him in Tim Riggins.â
The clerk nods slightly. âSheâs not wrong.â
Tim stares at him.
The clerk clears his throat. âNon-smoking. Ground floor. Ice machineâs broke. If yâall are gonna argue all night, try not to break the lamps. Theyâre ugly, but theyâre mine.â
I look at him, incredulous. âYou are still giving him a room?â
He holds up the key card. âHoney, this is Texas. If I refused rooms to every couple fighting in my lobby, Iâd be out of business by Sunday.â
âWe are not a couple,â I say.
Tim takes the key card. âYes, we are.â
I turn on him. âDo not.â
He looks at me, eyes dark and tired and furious. âYou want to say we ainât, say it to me without looking like it kills you.â
I hate him.
I hate him so much in that moment that my eyes burn.
The clerk suddenly becomes fascinated with a stack of brochures for a local cavern tour.
I step closer to Tim, close enough that he has to look down at me. âYou do not get to use the fact that I love you as a weapon.â
His face shifts.
Not soft.
Never soft tonight.
But struck.
âIâm not,â he says.
âYes, you are.â
He swallows. âI donât know how to use it as anything else right now.â
That shuts me up.
For one second, just one, all I can hear is the hum of the fluorescent light overhead and the muffled television behind the counter.
Then I take the key card from his hand and walk out.
Tim follows.
The room is exactly what I expect. Ugly comforter. Brown carpet. Two lamps bolted to the tables like even they might make a run for it. A painting of a desert road hanging crooked above the bed. The air conditioner rattles under the window. The whole place smells like old soap and the kind of cleaner that tries too hard.
I walk in first and toss my purse onto the chair.
Tim shuts the door behind us.
The sound of the lock sliding into place makes my skin prickle.
I turn around fast. âDo not lock me in a room with you.â
His brows pull together. âIâm not locking you in.â
âYou just locked the door.â
âSo nobody walks in.â
I point at it. âUnlock it.â
He stares at me for a long second, then reaches back and flips the deadbolt open.
The small act should not matter.
It does.
Not enough to calm me. Not enough to fix anything. But enough that I can breathe a little deeper.
Tim stands by the door, arms at his sides, looking suddenly less like the man who dragged me out of the Landing Strip and more like someone who doesnât know what to do with himself now that there is no one left to fight.
I pace once, then turn on him. âWhat now?â
He looks exhausted. âI donât know.â
âYou donât know.â
âNo.â
âThat is your answer after all of this?â
âWhat do you want me to say?â
âI want you to say something that proves you understand how badly you scared me tonight.â
His eyes lift. âI scared you?â
The disbelief in his voice almost makes me throw something. âYes, Tim. You scared me. Not because I thought you would hurt me on purpose. I know you. I know that. But because you were so angry you stopped listening to me, and there is nothing more terrifying than watching the person you love decide your voice does not matter.â
His face goes pale under the motel light.
I keep going because now that I have started, I cannot stop. âYou have been home less than a day, and already I feel like I am fighting prison for you. I am fighting Billy for you. I am fighting the bottle for you. I am fighting the version of you that looks at me like my life kept moving while yours stopped and somehow that means I betrayed you.â
His mouth tightens. âSeeing you there killed me.â
âThen maybe you should have died quietly instead of making a scene.â
His head snaps back slightly.
I regret it as soon as I say it, but I am too angry to apologize.
Tim looks away, jaw working. âI deserved that.â
âNo, you didnât. But I meant it anyway.â
He laughs under his breath, bitter and broken. âThat sounds about right.â
I rub both hands over my face. My whole body feels wrung out, but underneath the exhaustion is a live wire. He is too close. This room is too small. The bed is too obvious. The months between us are standing in every corner, breathing down my neck.
Tim moves toward the sink and wets a washcloth, then presses it to his mouth.
I watch him in the mirror.
Blood stains the white cloth.
A memory hits me so hard I nearly sway. Tim at seventeen, sitting on the edge of my dadâs porch with a split lip from a fight he swore he didnât start. Me standing between his knees with a wet paper towel, telling him he was stupid. Him smiling up at me like stupid was worth it if I was the one fussing over him.
This is not that.
We are not kids.
And still, my hands ache to take the cloth from him.
I hate that most of all.
He catches me watching in the mirror. âWhat?â
âNothing.â
âYou got that look.â
âWhat look?â
âThe one where you want to take care of me but youâre mad that you want to.â
I glare at him through the reflection. âYou have always given yourself too much credit.â
He turns around slowly, washcloth in hand. âHave I?â
âYes.â
His eyes move over me, and the room shifts.
I feel it before I can stop it.
The anger does not leave. It changes temperature. It burns lower, hotter, tangled with everything we have not touched for months. His gaze lingers on my face, my throat, the bare skin where my jacket has slipped off one shoulder. Not like the men at the bar. Never like them. Tim looks at me like he is starving and furious with himself for being hungry.
I fold my arms. âDo not look at me like that.â
His voice drops. âLike what?â
âLike you want to kiss me and start another fight at the same time.â
He tosses the washcloth into the sink. âMaybe I do.â
My pulse jumps. âThat is not charming.â
âI ainât trying to be charming.â
âNo, you are trying to be impossible.â
He steps closer. âIâve missed you.â
The words hit me wrong because they should be soft, but they are not. They come out rough, almost accusing, like missing me is one more thing he resents.
I laugh, but it shakes. âYou have a funny way of showing it.â
His eyes flash. âYou think I donât know that?â
âI think you know it and you do it anyway.â
âYou think I wanted to come home like this?â
âI donât know what you wanted, Tim. You wonât tell me. You just show up, burn everything down, and then stand in the ashes like Iâm supposed to understand the architecture.â
He stops close enough that I have to tilt my head back.
âPrison was easy compared to this,â he says.
My breath catches.
His eyes stay on mine. âIn there, I knew what I was. I knew where I stood. I knew I had screwed up, and I knew every morning was gonna feel the same. I could hate it, but at least I understood it. Then I come home, and youâre right there, and Billyâs right there, and the land is still there, and everybodyâs acting like Iâm supposed to step back into a life that kept moving without me. But I donât fit right. I donât fit in my own damn skin.â
My anger wavers.
I donât want it to.
I cling to it because if I let go, I will reach for him.
âThat does not give you the right to hurt people,â I say.
âI know.â
âYou say that, but tonight says different.â
âI know.â
The repetition should annoy me.
It does.
It also feels like the only truth he has.
He reaches for me, then stops before his fingers touch my arm. The restraint is visible. Painful, almost. âTell me to back up.â
I swallow.
He watches my face. âTell me to back up, Reagan.â
I should.
Instead, I say, âWhy did you bring me here?â
His hand drops. âBecause if I took you back to Billyâs, I was gonna hit him again.â
âThatâs not enough.â
His jaw flexes. âBecause I wanted one damn minute where the whole town wasnât watching us bleed.â
âThatâs closer.â
âBecause I didnât want you walking away from me tonight.â
I stare at him.
There it is.
Ugly. Honest. Not noble.
Not okay.
But real.
âYou cannot keep me by force,â I whisper.
His eyes close briefly, and when they open, something in them is stripped raw. âI know.â
âDo you?â
âI know,â he says again, harsher, like he hates himself. âI knew it when I picked you up. I knew it when I put you in the truck. I knew it while I was doing it, and I still did it because the thought of leaving you in that place made me feel like I was back inside with no doors I could open.â
I look away because that one gets too close to pity, and I cannot afford pity right now.
He reaches up slowly, giving me every chance to move, and brushes two fingers against the edge of my jaw.
I should slap his hand away.
I donât.
The touch is barely there, but my whole body reacts. Months of prison glass and empty beds and angry phone calls and swallowed needs rise in me so fast I have to close my eyes. Timâs breath changes. He notices. Of course he notices. He has always known my body better than was fair.
âDonât,â I say, but it comes out weak.
His hand stills. âDonât what?â
âDonât make me want you right now.â
His voice lowers. âI canât make you want anything.â
I open my eyes. âYou have been making me want things that are bad for me since I was fifteen.â
That hurts him. I see it.
Good.
Maybe I want it to.
Maybe I want him to know that loving him has never been simple and has never been painless and has never been something I could tuck neatly into the part of my life labeled good decisions.
He steps back.
The loss of his touch makes me furious.
âNow youâre backing up?â I demand.
âYou told me not to make you want me.â
âI told you not to make this easy for yourself.â
His eyes snap back to mine. âThere is nothing easy about wanting you right now.â
The room goes quiet except for the air conditioner rattling beneath the window.
My heart pounds.
Tim looks at me like he is done pretending not to be wrecked.
âI have thought about you every night,â he says, the words slow and rough. âEvery single night in that place. I thought about your hair on my pillow. I thought about your mouth when youâre mad. I thought about the way you used to curl into me even when you swore you werenât cold. I thought about your voice. I thought about your hands. I thought about the last time I touched you before everything went bad, and I hated myself because I couldnât remember if I knew to be grateful for it while I had it.â
My throat tightens until speaking hurts.
He continues, and his voice nearly breaks. âThen I come home, and youâre standing there in that room full of men, looking like every dream I had in prison got turned into something I wasnât there to protect. And I know that ainât fair. I know it ainât on you. But I saw you, and something in me went wrong.â
I wrap my arms tighter around myself. âSomething in you has been wrong since before prison, Tim.â
He nods. âYeah.â
That simple agreement takes some of the fight out of me.
I hate that too.
I step closer this time. âI thought about you too.â
His eyes sharpen.
âI thought about you when I hated you,â I say. âI thought about you when I was too tired to stand up after work. I thought about you when men looked at me and I wished you were there to scare them, and then I hated myself for wishing that because I am not some helpless little girl who needs Tim Riggins to save her.â
His mouth tightens.
âI thought about you when I drove past your land,â I continue, voice shaking now. âI thought about the house you wanted. I thought about how you talked about it like it could fix everything. Like if there were walls and a porch and a roof, we wouldnât turn into Billy and Mindy, we wouldnât fight about money, we wouldnât become two people who loved each other and resented the hell out of what that love cost.â
Timâs eyes are wet, but his face is hard, like crying would be another kind of defeat.
âI thought about leaving,â I whisper.
He goes still.
âI thought about it a lot.â
His voice is barely there. âBefore tonight?â
âYes.â
He looks away.
I let that hurt him because it is the truth.
Then I add, âBut I didnât.â
His eyes come back to me.
âI stayed,â I say. âAnd tonight you made me feel stupid for it.â
The words break something in him.
He crosses the space between us, not fast, not rough, but with an intensity that makes the air leave my lungs. His hands come up to my face, framing it like he is afraid I will vanish if he does not hold me still.
âIâm sorry,â he says.
I close my eyes. âI donât want sorry right now.â
âWhat do you want?â
That is the dangerous question.
Because the answer is messy. The answer is not noble. The answer is not the kind of thing that makes sense after a night like this. I want him to take back every cruel word. I want him to suffer for them. I want him to touch me until I stop feeling like a wound. I want to punish him and be held by him. I want to shove him away and drag him closer. I want months of loneliness to have somewhere to go besides my own chest.
I open my eyes.
âI want you to stop acting like youâre the only one who came out of prison changed.â
His face twists.
Then I kiss him.
It is not sweet.
There is nothing soft in the way my mouth hits his. It is anger first. Anger and need and every word we cannot say without cutting each other open. Tim makes a sound against my mouth, low and broken, and his hands tighten in my hair as he kisses me back like he has been starving too long to be careful with the first bite.
I shove at his chest even while I kiss him.
He stumbles back a step, then catches me by the waist and pulls me with him. My back hits the wall near the bathroom door, not hard enough to hurt, but hard enough to make the air between us snap. His mouth leaves mine and moves to my jaw, my throat, the place just under my ear that he knows makes me forget my own name when I am not actively trying to stay furious.
I grab his hair and pull his head back.
His eyes meet mine, dark and wrecked.
âI am still mad at you,â I whisper.
His hands flex at my waist. âI know.â
âI might be mad at you tomorrow.â
âI know.â
âI might be mad at you for a long time.â
His forehead presses to mine. âThen be mad at me.â
That answer hits me somewhere deep, somewhere bruised.
I kiss him again.
This time he lifts me, but it is different than before. This time his hands wait at my hips until my legs lock around him by choice. This time his grip is still desperate, still rough around the edges, but he is listening to the way my body answers him, paying attention when my fingers dig into his shoulders, when my breath catches, when I turn my face for more or pull back for air.
He carries me to the bed, and the cheap motel mattress dips under us.
For a second, the absurdity of it nearly breaks through. The ugly comforter. The rattling air conditioner. The fight still sitting hot in my blood. Tim above me with a split lip and prison in his eyes, looking at me like he wants to fall apart but does not know if he has permission.
âTell me to stop,â he says, his voice rough.
I stare up at him, breathing hard. âI donât want you to stop.â
His eyes close for half a second.
When he kisses me again, it is slower, but not gentler exactly. It is full of restraint, and that restraint is somehow more devastating than the hunger. His hands move like he is relearning me and remembering me at the same time. My jacket slides away. His fingers trace the edge of my waist, the line of my ribs, the places he used to know without looking. Every touch feels like an apology he is too damaged to say correctly. Every kiss feels like a fight neither of us is ready to lose.
I pull at his shirt because I need less between us. He helps me, dragging it over his head and tossing it somewhere near the chair. The sight of him steals my breath in a way that has nothing to do with romance and everything to do with absence. He is leaner than he was before. Harder in places that used to be softer. There are marks I do not know. Shadows that prison left behind. My hands go to him before I can stop them, palms spreading over warm skin, over muscle and bone and the sharp rise of his breath.
His eyes drop to my hands.
âDonât look at me like that,â I say.
âLike what?â
âLike youâre surprised I still want to touch you.â
He swallows hard. âI am.â
That hurts.
I sit up enough to press my mouth to his chest, not tenderly, not exactly. More like proof. More like accusation. His hand slides into my hair, and his head tips back, his breath leaving him in a sound that makes my whole body ache.
The rest unfolds like something neither of us can control and both of us choose anyway.
It is not pretty.
It is not the kind of intimacy that fixes a fight or makes forgiveness bloom in the corner of the room. It is too desperate for that. Too full of teeth and trembling hands and sharp breaths. We argue between kisses. I tell him he is impossible. He tells me I never learned when to stop pushing. I tell him he always mistakes being pushed for being loved. That one lands hard enough that he stills above me, and then he kisses me like he cannot stand that I am right.
He says my name over and over, not like a warning now, not like an order, but like it is the only word he trusts himself to hold.
I hate him a little.
I love him more.
That is the awful truth of it.
There are moments where the anger slips and the hurt shows bare underneath. His hand shaking against my cheek. My fingers pressing into his back like I am trying to hold him in this room and this life and this version of himself that wants to be better but keeps reaching for every old weapon first. His mouth at my shoulder. My eyes burning. His breath against my skin when he whispers, âI thought I lost you,â and my answer, bitter and broken, âYou keep trying.â
That one makes him stop.
He lifts his head and looks at me.
For a second, all the heat thins out, and what is left is unbearable.
âI donât want to,â he says.
My chest aches.
âThen stop,â I whisper.
He nods, but his face says he has no idea how.
And still, when he touches me again, he is careful. Not soft in the happy sense. Not healed. But careful in a way that makes my throat close, because even in the middle of all this anger, he is trying to prove that my voice matters. That my choice matters. That what happened at the Landing Strip does not get to follow us into this bed unless I let it.
So I make him listen.
I guide his hands when I want them somewhere else. I push him back when I need space. I pull him closer when the loneliness gets too loud. I do not let him hide behind force, and I do not let myself hide behind rage. We meet each other in the wreckage, and it is messy, and it hurts, and it feels too much like coming home to something half-burned but still standing.
Later, the room is dark except for the motel sign blinking red through the curtains.
Tim lies on his back beside me, one arm bent behind his head, the other resting across his stomach. He is not touching me. Not because he does not want to. I can feel that want in the inches between us. He is not touching me because he is waiting.
I stare at the ceiling.
My body feels heavy and alive and sore in more ways than one. My throat aches from yelling. My heart aches worse.
Tim turns his head slightly. âYou okay?â
I laugh softly, but there is no humor in it. âThat is a stupid question.â
âI know.â
âI donât know what I am.â
He nods, eyes on the ceiling again. âThat makes two of us.â
The quiet sits between us.
For once, he does not try to fill it with a joke or a drink or a fight.
I turn my head and look at him. The motel light cuts across his face, catching the bruise starting near his jaw, the dried blood at his lip, the exhaustion carved into him. He looks young for half a second. Not innocent. Tim has never been innocent. But young in the way men look when all their bad choices finally catch up and sit on their chest.
âI meant what I said,â I tell him.
He doesnât look at me. âAbout hating me?â
âYes.â
His mouth tightens.
âAnd about loving you.â
His eyes close.
I continue, because if I stop, Iâll lose my nerve. âBoth are true tonight.â
He breathes out slowly. âYeah.â
âI donât know what we do with that.â
He turns his head toward me. âMe neither.â
âThatâs not comforting.â
âI ainât got a lot of comforting in me right now.â
âNo,â I say, staring at him. âYou really donât.â
The corner of his mouth lifts faintly, then falls. âIâm sorry about the truck.â
âYou should be sorry about a lot more than the truck.â
âI am.â
âGood.â
He studies me. âYou gonna leave?â
The question is quiet, but it fills the whole room.
I look away.
There was a time when Tim asking that would have made me crawl into him just to prove I would never go. There was a time when I thought love meant answering fear with promises so big they could crush you.
I am older now.
Tired.
Angrier.
âI donât know,â I say honestly.
He flinches like he expected it and still was not ready.
I force myself not to comfort him too quickly.
After a while, he nods. âOkay.â
The word is not okay.
Nothing is okay.
But it is the first time tonight he does not try to grab, force, fight, or decide.
So I let my hand move across the space between us.
I do not crawl into his arms. I do not forgive him. I do not pretend the Landing Strip didnât happen or that Billyâs blood isnât probably drying on his shirt somewhere in the truck. I simply lay my hand palm-up on the mattress between us.
Tim looks at it for a long time.
Then he places his hand over mine.
His fingers are warm. Rough. Familiar.
He does not squeeze too tight.
He just holds on.
Outside, trucks pass on the highway, their headlights sliding across the curtains and disappearing again. Dillon is somewhere behind us, full of gossip and neon and family and damage waiting to be dealt with in the morning.
But for now, we are in a roadside motel outside of town, angry and hurt and too tired to pretend love has made either of us better yet.
Timâs thumb moves once over my knuckles.
âI donât want to be like him,â he says into the dark.
I do not ask who he means.
Billy. His father. Every man who ever taught him that love came with fists, bottles, silence, and shame.
I stare at the ceiling and let the weight of his hand settle over mine.
âThen donât be,â I say.
He turns his head toward me, and I feel his eyes in the dark.
âIâm trying,â he says.
For once, I believe that he might be.
I just donât know if trying will be enough.












