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Król Olch (Erlkönig by Johann Wolfgang von Goethe) by Kazimierz Olpiński (Polish, 1875--1936)
Perspective view of the dome area within the home and museum of John Soane at 13 Lincoln’s Inn Fields, c.1813 by Joseph Michael Gandy (English, 1771--1843)
The Andalusian Fates, c.1910-13 by José Villegas y Cordero (Spanish, 1848–1921)
Dancers, 1921 by Frank Street (American, 1893-1944)
Torvmyr, 1895 by Kitty Lange Kielland (Norwegian, 1843–1914)
National Geographic, Flatiron Building, New York. W.W. Rock. 1918
Fanny Churberg (Finnish, 1845--1892)
Stella Simon. 6th Avenue. 1930s
Alone (The Stroll), 1946 by Gertrude Abercrombie (American, 1909--1977)
Samuel H Gottscho. Times Square at dusk, looking south from 47th Street. 1932
“Wedding Cake” Pavilion, Waddesdon Manor, Aylesbury, Buckinghamshire, United Kingdom,
Commissioned by the Rothschild Foundation, the three-layered cake is clad entirely in ornate ceramic tiles, a craft tradition rooted in Joana Vasconcelos’ home in Lisbon.
Pâtisserie-worthy adornments like fish diving into shell bowls and corniced platforms complement lacy ironwork and pastel hues.
Part sculpture and part building, the immersive installation invites visitors to walk up winding inner stairwells and traipse around the tiers.
Courtesy: Joana Vasconcelos
Villa Emo Capodilista, Padova, Italy
Chateau De La Caze St Enimie, Languedoc-Roussilon, France
Gustavo Millozzi. Colombi e neve, 1960
Castle of Loarre,
Huesca Province, Aragon autonomous region of Spain,
Credit: Navid Fatehpour
Lawrence Daily Journal, Kansas, March 18, 1898