Thank u for 15 yrs and thank you to everyone who used to read my poetry and squeal about fandom with me. It was a very formative time and I feel such love and gratitude for it :)
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KIROKAZE

if i look back, i am lost

Kaledo Art
One Nice Bug Per Day
Show & Tell

oozey mess
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NASA
ojovivo
RMH
macklin celebrini has autism

izzy's playlists!
we're not kids anymore.

blake kathryn
šŖ¼
dirt enthusiast
will byers stan first human second
I'd rather be in outer space šø
Today's Document

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@outland-ish
Thank u for 15 yrs and thank you to everyone who used to read my poetry and squeal about fandom with me. It was a very formative time and I feel such love and gratitude for it :)
That's his "you want to kiss me so bad" smile.
y'all ever reach the end of google
I'm starting to gain insight into why people turn into conspiracy theorists. Some topics are so totally neglected that it looks like they were intentionally and maliciously erased, instead of falling victim to arbitrary lack of interest.
I think it's a vicious cycle; when people don't know something exists, they're not curious about it. Also, people use conceptual categories to think about things, and when a topic falls between or outside of conceptual categories, it can end up totally omitted from our awareness even though it very much exists and is important.
This post is about native bamboo in the United States and the fact that miles-wide tracts of the American Southeast used to be covered in bamboo forests
@icannotgetoverbirds It already is a maddening, bizarre research hole that I have been down for the past few weeks.
Basically, I learned that we have native bamboo, that it once formed an ecosystem called the canebrake that is now critically endangered. The Southeastern USA used to be full of these bamboo thickets that could stretch for miles, but now the bamboo only exists in isolated patches
And THEN.
I realized that there is a little fragment of a canebrake literally in my neighborhood.
HI I AM NOW OBSESSED WITH THIS.
I did not realize the significance until I showed a picture to the ecologist where i work and his reaction was "Whoa! That is BIG."
Apparently extant stands of river cane are mostly just...little sparse thickety patches in forest undergrowth. This patch is about a quarter acre monotypic stand, and about ten years old.
I dive down the Research Hole(tm). Everything new I learn is wilder. Giant river cane mainly reproduces asexually. It only flowers every few decades and the entire clonal colony often dies after it flowers. Seeds often aren't viable.
It's barely been studied enough to determine its ecological significance, but there are five butterfly species and SEVEN moth species dependent on river cane. Many of these should probably be listed as endangered but there's not enough research
There's a species of CRITICALLY ENDANGERED PITCHER PLANT found in canebrakes that only still remains in TWO SPECIFIC COUNTIES IN ALABAMA
Some gardening websites list its height as "over 6 feet" "Over 10 feet" There are living stands that are 30+ feet tall, historical records of it being over 40 feet tall or taller. COLONIAL WRITINGS TALK ABOUT CANES "AS THICK AS A MAN'S THIGH."
The interval between flowering is anyone's guess, and WHY it happens when it does is also anyone's guess. Some say 40-50 years, but there are records of it blooming in as little time as 3-15 years.
It is a miracle plant for filtering pollution. It absorbs 99% of groundwater nitrate contaminants. NINETY NINE PERCENT. It is also so ridiculously useful that it was a staple of Native American material culture everywhere it grew. Baskets! Fishing poles! Beds! Flutes! Mats! Blowguns! Arrows! You name it! You can even eat the young shoots and the seeds.
I took these pictures myself. This stuff in the bottom photo is ten feet tall if it's an inch.
Arundinaria itself is not currently listed as endangered, but I'm growing more and more convinced that it should be. The reports of seeds being usually unviable could suggest very low genetic diversity. You see, it grows in clonal colonies; every cane you see in that photo is probably a clone. The Southern Illinois University research project on it identified 140 individual sites in the surrounding region where it grows.
The question is, are those sites clonal colonies? If so, that's 140 individual PLANTS.
Also, the consistent low estimates of the size Arundinaria gigantea attains (6 feet?? really??) suggests that colonies either aren't living long enough to reach mature size or aren't healthy enough to grow as big as they are supposed to. I doubt we have any clue whatsoever about how its flowers are pollinated. We need to do some research IMMEDIATELY about how much genetic diversity remains in existing populations.
@motherfucking-dragons
it's called the Alabama Canebrake Pitcher Plant and there are, in total, 11 known sites where it still grows.
in general i'm feral over the carnivorous plant variety of the Southeastern USA. we have SO many super-rare carnivorous plants!!!
Protect the wetlands. Protect the canebrakes because the canebrakes protect the wetlands.
Many years ago I did some (non-academic) research on native canes in the USA because I thought I remembered seeing a bamboo-like something in the wild that I'd been told was native, and I thought it might make a nice landscaping accent. But the sources I found said something like "unlike Asian bamboos, the American equivilant barely reaches the height of a man", and I went "nah, that is exactly the wrong height for anything." But if it gets 10 feet and up, I think there are a lot of people who would be VERY happy to use it as a sight barrier in public and private landscaping, and if it means putting in a bit of a wetland/rain garden, all the better. The lack of a good native equivelant to bamboo is something I have heard numerous people bemoan. Obviously it's very important to protect wild sites and expand those, but if it'd be helpful, I bet it wouldn't be hard to convince landscapers to start new patches too.
For instance, a lot of housing developments, malls, etc. seem to set aside a percentage of their land for semi-wild artificial wetlands (drainage maybe?) planted with natives, and then block the messy view with walls of arbovitae or clump bamboo from asia - perhaps it would be a better option there?
Good Lord. Arundinaria isn't just a better option, it's perfect.
I was in the canebrake near my house again this morning, and river cane is extraordinarily good at completely blocking the view of anything beyond it. It is bushier and leafier than Asian bamboos, and birds like to build nests in it. It would make a fantastic privacy barrier.
The cane near my house is around 10-12 feet tall. This species can reach 30 feet or more, but I think it needs ideal conditions or to be part of a large colony with a robust system of rhizomes or something.
It grows slowly compared to Asian bamboos, and seems to need some shade to establish, so it would take time to become a good barrier, but no worse than those stupid arborvitae.
plants like this were often intentionally cultivated in planter boxes as a form of water filtration and civil engineering by a bunch of indigenous nations.
There's a reason why Native Americans cultivated canebrakes.
Well, several reasons. As y'all may know, bamboo is stronger than any wood, and therefore it makes a fantastic building material.
The Cherokee used, and still use, river cane to make fishing poles, fish traps, arrows, frames for structures, musical instruments, mats, pipes, and absolutely gorgeous double-woven baskets that can even hold water.
This stuff is, no joke, a viable alternative to plastic for a lot of things. The seeds and shoots are also edible.
Uh I know this is out of left field but I work in plant cloning - it's a lot easier than you'd think to do for plants and it's honestly a really important conservation tool, and good for making a TON of seedlings in a short amount of time. I can look into this genus for like, cloning viability?
I know about reproducing plants from cuttings, rhizome cuttings have proven doable with this species.
Hi y'all, reblogging the Canebrake Post again. It's been over a year since I fell in love with the coolest plant ever. I'm trying to bring it back but I am very small so if any of y'all have a Canebrake nearby you might wanna talk to the owners and contact some local parks and nature preserves yeah?
I love that people are finally realizing that the Mobile-Tensaw Delta really is the American Amazon. After years of research and hard work, Iām glad the public is getting a semblance of itās importance. We just got a $15m donation from an anonymous person to preserve the area and it really REALLY needs it. Itās sad how little the state puts into taking care of it. My college did more than the state ever will. We even found the last slave ship, The Clotilda, when we were doing eco-cultural research. The politics might be grimey, but Alabama coast is the most beautiful place full of rare and multitudinous arrays of unique plants and animals. The manatees. The fly traps. The giant oaks. The thousands of frogs and birds that flock here. We have a sister city in Japan where we each have a garden dedicated to the other because we are the only two to have Jubilee, where tens of thousands of fish beach themselves and lose oxygen and provide a smorgasbord of food for the people of the coast. Two places in the world. Wild. I just wish the people within could appreciate it the way the few of us do. But I guess football and conservatism take priority, sadly.
The aged light of distant eons touches me as it touches you,
but your skin stays unwarmed by it.
I wish you peace and a stillness of the heart
that stretches, dreamless,
further than the endless yawning quiet of space.
Oof.
I didnāt watch that, but I suppose now is a good time to share how I always imagined Supernatural ending.
I stopped watching in season 9, when they were getting into some real Biblical stuff. That was when I thought of the ādeathā of the prophet Elijah. Inn 2 Kings, Elijah is ushered into heaven by a chariot of fire. He does not, in the physical sense, ādieā.
I saw this happening for Sam and Dean: Driving down one aā them dark roads in the Impala, having just saved the world again, and some road worker waves them down and says, āsorry, youāll have to take a detourā, and they turn onto another route. Cut to the guys waking up in the daylight, having fallen asleep in the car on the side of some rural road...except they donāt remember falling asleep. They wander around and find themselves in, idk, Lawrence, Kansas? Like the way heaven looked in that one episode way back. But anyway theyāre reunited with all their dead fam, and thatās it.
Alternatively, Sam stays behind like the prophet Elisha did, who watched Elijah head off in the chariot. So Dean goes off to heaven with Castiel, because in this version of the show they get to be gay (rip). Iād really prefer Sam not stay back, because Iād rather have him reunite with his girlfriend from episode 1.
I can see potential in one of Elishaās lines from the Bible that ends with āI will not leave youā.
I also thought itād go great with a Springsteen song, especially Atlantic City, because of the line āEverything dies, baby, thatās a fact, but maybe everything that dies someday comes back.ā
I used to use this account as a Supernatural / Sherlock stan account and tonightās news on Twitter has 2012 me LIVING lmao
Anthony Bones Johnson, Paintings.
Marvelously bizarre paintings by the recently departed Anthony Bones Johnson.
From his website:Ā āJohnson painted beauty and corruption in a skilful, vivid display of the themes of life on earth over the past 60 years. Ā His works explored the cruel contrive of human nature, to which he was so exposed as a disabled orphan born at the beginning of WWII. Ā Johnson begun to paint his way through space and time in South London as a homeless 13 year old Art student, his wit and relentless exposition of the corruption of the religious and political systems continued to push Bones further away from the grips of society. At the same time, he bowed to the eternal power of the feminine in all of her forms through the ages and equally, painted praises to the alchemical powers of nature beyond the human form, displayed in the enthralling landscapes of his beloved Ibiza.ā
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ErmsyāsĀ āTook It Easyā at Thinkspace Projects.
Currently virtually on view at Thinkspace Projects in Los Angeles, California is artist Ermsyās solo exhibition,Ā āTook It Easy.ā
Fascinated by American pop culture as a readily accessible, visual vernacular, Ermsyās take on its beloved illustrated characters is both satirical and participatory. These adult-themed bastardizations of Garfield, Loony Tunes, The Simpsons, and the like, are simultaneously elated and anarchic in their absurd display of debauchery like tendencies. Using familiar characters provides Ermsy with a set of pre-established imaginative boundaries within which to work. Like a hot-boxed descent into an alternate universe of nostalgic psychotropic Saturday morning cartoons, his world is a playful subversion of familiar, pop cultural fodder.Ā
āI love pop culture,ā Ermsy explains, āand I love exploring it.ā His graphic exploration of pop culture uses popular cartoons in the same way that graffiti writers use letters. āUsing well-known characters provides me with a base point, a frame to work within,ā he explains. āWith graffiti, the idea is to pick some letters from the alphabet, then go crazy with them or do whatever you want. Everybody starts with the same base point, and thatās graffiti. My starting point is to use characters in my artwork.ā
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Life Drawing Academy: Free Video Lessons.
A brand new video art course has been recently launched online: Life Drawing Academy and it is the perfect at home art course.
In this complete art course you will learn how to draw realistic figures and portraits from life, memory and imagination while learning the necessary knowledge of a human bodyās construction, proportions and anatomy.
Run by professional artists and art teachers who will give you unlimited personal support, including artwork critiques, answers to your art-related questions and advice on how to improve your art skills.
You can check out the free videos on Life Drawing Academy.
Iām looking through my old Supernatural posts and I forgot how during season 8 we tagged everything āseason gr8ā³ and for season 9 we just switched to tagging as āseason gr9ā³ lol
nOW IāM JUSTlooking through my archive
expecting myself to cringe at the person I was but actually I love her. I have a deep, unexpected affection for the me of 2014. Iām still her, and that makes me very happy.
Hereās my second Evangelion fanart.
Get in the fucking robot Shinji!
āIt looks like a LIONš¦ Iām a queen like a LIONš¶ā (G)IDLE has been slayinā with this new song & mvš #gidle #kpop #liongidle #lion #celinekim
āStart where you are. Use what you have. Do what you can.ā
ā Arthur Ashe
instagram: @mercurialmilkĀ
Alexis Franklin, Illustrations.
Excellent illustrations from 21 year old artist Alexis Franklin who lives and works in Dallas, Texas.
Donāt miss Supersonic Art on Instagram!
Hikari ShimodaāsĀ āThe Catastrophe of Death and Regenerationā at Asahi Art Museum.
Opening on Saturday, July 7th, 2018 at the Asahi Art Museum in Nagano, Japan is artist Hikari Shimodaās mid-career survey of her artwork entitled,Ā āThe Catastrophe of Death and Regeneration.ā
Shimoda arrived onto the international scene in 2014 with her U.S. exhibition āFantastic Planet, Goodbye Man,ā introducing her ongoing series entitled āChildren of This Planetā and āWhereabouts of God,ā which are highlighted throughout the exhibit. Themes presented in those works are cultivated and arranged into the exhibitās centerpiece, entitled āThe Catastrophe of Death and Regeneration,āĀ a highly detailed collage mural that took several months to complete.
Her striking portraits of big-eyed children with a bruised complexion and sparkling slit throats have been described as macabre, even grotesque, masked with āhappyā colors. Collages of cute stickers and glitter are added for sparkle effect. These roughed up heroes and heroines are the only hope for salvation of the dying modern landscape they inhabit, a netherworld bursting with problems as humanity struggles to cope with its imminent demise.
The exhibit is being hosted by Shimodaās hometown museum, the Asahi Art Museum in Nagano, located in Japanās beautiful countryside which has provided her with inspiration from the start. āItās a place where I can think deeply and feel a quiet loneliness,ā she explains. āI am still portraying feelings of loneliness and despair. We should put our eyes on every single piece of this world, share it and exchange opinionsā¦this might prevent us from destruction and help us to make an important step forward for humanity.ā
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