some beaut lucas sharp typography

Love Begins
Alisa U Zemlji Chuda
ojovivo
$LAYYYTER
h
I'd rather be in outer space đ¸
todays bird
Claire Keane
KIROKAZE

JVL
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almost home
wallacepolsom
YOU ARE THE REASON
hello vonnie

#extradirty

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Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

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seen from Portugal

seen from United Kingdom

seen from Switzerland
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seen from Brazil

seen from Brazil
seen from United States
seen from Russia

seen from United States

seen from Germany
seen from United States
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seen from United Kingdom
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seen from Uzbekistan
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@paganandsharp-blog
some beaut lucas sharp typography
data 70
ăă
U â Haven In A Heartfelt World EP
12â vinyl with spot deboss
"Trying To Impress Strangers"  by Lucas Sharp
E is for Everything #lettering #typography #dropcap
Smak (Varsovie / Warsaw, Pologne / Poland)
hera in use
ONE POSSIBLE FUTURE
Another test of an upcoming typeface from Pagan and Sharp
Testing out an upcoming typeface from Pagan & Sharp
a sketch
http://paganandsharp.com/typefaces/ogg/
They were trying to teach graphics as epitomised by the recognised practitioners of the time â a Milton Glaser or a Pentagram. But theyâd lost grasp of the moment. The agenda was how to find witty visual puns to summarise a situation: a logo for a restaurant could be a bite out of a plate. Well, to a young person growing up on Roxy Music, that was utterly banal. I wonât spend five minutes thinking down that line. Itâs stupid. It tells me nothing about the restaurant⌠What I learned from style culture was if you dress a particular way, you communicate with like-minded people. I just employed exactly the same technique with graphics. So forget the bite out of the plate. The choice of type alone will tell you what kind of restaurant this is. Get the typeface, size, position, spacing and mood right, and it will tell you. Is it Le Gavroche or is it McDonaldâs? Itâs the language of semiotics, not of puns.
Peter Saville. (via e-r-h)
Titles for Infinity Shredâs âMapperâ by Erik Carter
Really nice one dude! great colors