Pagan & Sharp

Pagan & Sharp Inc. // Typefaces & Lettering designed in Brooklyn

[aaroncabral-deactivated20150912]

some beaut lucas sharp typography

[fuckyeahtypefacedesign]

via

[desmondwong]

[v-o-i-d]

[v-o-i-d]

[moji]

data 70

　　

[v-o-i-d]

U – Haven In A Heartfelt World EP

12” vinyl with spot deboss

[paganandsharp-blog]

"Trying To Impress Strangers"  by Lucas Sharp

[paganandsharp-blog]

E is for Everything #lettering #typography #dropcap

[magazinewall]

Smak (Varsovie / Warsaw, Pologne / Poland)

[u0047]

hera in use

[desmondwong]

ONE POSSIBLE FUTURE

[e-r-h]

Another test of an upcoming typeface from Pagan and Sharp

[e-r-h]

Testing out an upcoming typeface from Pagan & Sharp

[e-r-h]

a sketch

[paganandsharp-blog]

http://paganandsharp.com/typefaces/ogg/

[e-r-h]

They were trying to teach graphics as epitomised by the recognised practitioners of the time – a Milton Glaser or a Pentagram. But they’d lost grasp of the moment. The agenda was how to find witty visual puns to summarise a situation: a logo for a restaurant could be a bite out of a plate. Well, to a young person growing up on Roxy Music, that was utterly banal. I won’t spend five minutes thinking down that line. It’s stupid. It tells me nothing about the restaurant… What I learned from style culture was if you dress a particular way, you communicate with like-minded people. I just employed exactly the same technique with graphics. So forget the bite out of the plate. The choice of type alone will tell you what kind of restaurant this is. Get the typeface, size, position, spacing and mood right, and it will tell you. Is it Le Gavroche or is it McDonald’s? It’s the language of semiotics, not of puns.

Peter Saville. (via e-r-h)

[whybray]

Titles for Infinity Shred’s ‘Mapper’ by Erik Carter

[mattreuter]

[paganandsharp-blog]

Really nice one dude! great colors