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noise dept.
PUT YOUR BEARD IN MY MOUTH
d e v o n

Kiana Khansmith
will byers stan first human second
i don't do bad sauce passes
Mike Driver

No title available
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
DEAR READER

oozey mess
No title available
Aqua Utopia|海の底で記憶を紡ぐ
NASA

blake kathryn
styofa doing anything
No title available
Claire Keane

@theartofmadeline

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@panda-mononoke
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This is what info dumping oc lore feels like
Grave offerings and burying the dead with tools and goods is actually such a deeply human thing to do. It's not really even necessarily about how much you believe in a literal afterlife or them taking the tools with them. It's also just going Wait, I'm Not Done Taking Care Of You, let me make you one more pair of socks so your feet won't be cold when you go wherever it is where I can't follow.
I'm so happy Ryan Coogler hired Yvonne Chireau as his Hoodoo consultant for "Sinners'. That man really respects our roots. Yvonne don't play about Black American culture and our connections to spirit and Africa. Her books and lectures are always on point
background actors in sinners, photographed by eli joshua adé, smpsp.
Music in Film: Sinners (2025) dir. Ryan Coogler
Wunmi Mosaku
For Schön! Magazine by camraface (May 2025)
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
SINNERS 2025, dir. Ryan Coogler
I love being connected to my history 🤍
the choctaw vampire hunters in sinners, photographed by eli joshua adé, smpsp.
‘you put that cig out, you can hold her’
grey wagtail
character from The Wildercourt, the graphic novel I'm very slowly but very persistently working on
A businessman’s Sunday
Gurllll
A Witch's Life in Mongol (Tenmaku no Jaadugar) is one of my favorite current manga and now it's getting an anime adaptation and official English translation, so I'm using that as an excuse to recommend it to everyone.
It's a historical drama set in 13th Century based on the life of Fatima, Iranian girl who ended up captive in the Mongol Empire and who became the empire's only female minister, and about her relationship with Töregene Khatun, eventual regent and one of the wifes of Genghis Khan's son Ögedei Khan.
Great manga if you like historical fiction focusing on women. You can read fan translations here.