Hecho con papel

Papel maché, cartapesta, papercut, origami y más

[jeremiu]

moschino fall 2024 paper boat hat

[fillielitsa]

Tania Lissova

[cocoandduckie]

Blue Sardine Earrings at Coco and Duckie

[fhuzee]

Oranda no Kazaguruma, Windmill Shape

[toupeiraamarela]

Rooms for Reading . Frank Halmans

Even more rooms for reading 01 02 04 05 . 2014

Rooms for reading 01 . 2019

Ten Rooms for Reading 00 03 06 07 . 2016

www.frankhalmans.nl

[worldsandemanations]

A paper armadillo, nose to the ground. Its armor rendered in careful folds 1959.

[lstnrr]

Yuko Nishikawa

[k00323476]

Movement project Artist Research - Yuko Nishikawa’s piece named ‘Nap’ is made from ceramic sculptures,steel cables and lights components. It was showcased at the Sculpture Space NYC in Long Island City , New York in 2019. I love this piece because of all the dangling pieces ,it reminds me of my photos i took of my jewellery. I was drawn to all the colours in this sculpture and how the ceramic pieces almost look like they are floating in mid air

[itscolossal]

Yuko Nishikawa’s Sprawling Mobiles Mimic the Rambling Growth of Moss and Plants

[itscolossal]

Colorful Pods and Rings Made from Recycled Paper Dangle from Yuko Nishikawa’s Whimsical Mobiles

[sheltiechicago]

Sprawling Paper-Pulp Mobiles by Yuko Nishikawa Suspend Whimsically Colored Pods in the Air

Hanging from the ceiling like candy-colored droplets, the paper-pulp mobiles by Yuko Nishikawa turn a stark gallery into a whimsical dreamscape. The Brooklyn-based artist fashions wide, sloping vessels and punctured rings from recycled packages, old diaries, sketches, and other waste materials, forming individual pods that attach to sprawling metal armature. Ephemeral in material and design, each piece is created with the intention that it will be unassembled and reverted back to its muddled form for resculpting.

[nevver]

Unknown worlds, Yuko Nishikawa

[shaddad]

instalação de yuko nishikawa

[jamiemclellan]

Yuko Nishikawa

[itscolossal]

Sprawling Paper-Pulp Mobiles by Yuko Nishikawa Suspend Whimsically Colored Pods in the Air

[shaddad]

instalação de yuko nishikawa

[suzylwade]

Piku-Piku “I started doing ceramic for my own fun, a fun project. In the beginning, I just wanted to throw, to be able to throw. I was making functional pieces, some mugs and things like that. Then I became more interested in lighting. Why don’t I combine this?” - Yuko Nishikawa, Ceramicist. Yuko Nishikawa wants to makes you feel “piku-piku”. “Piku-piku” is a Japanese onomatopoeia word that refers to involuntary movements caused by accidental contact and Nishikawa’s ceramic work wants to “piku-piku” you. Japan-born Nishikawa’s industrial Brooklyn, New York studio is aptly named ‘Forest’. Inside ‘Forest’ are hundreds of ceramic pieces in varying stages. Pieces that are nearly complete rest on a long wooden table made from scrap materials from other studios within the building. Others, which are set to be fired, painted, tossed or archived, sit on shelves and hang (out). Nishikawa moved to the US as a teenager - first to Philadelphia and then to New York when she was 18 years old. After studying ‘Design’ at New York’s ‘Fashion Institute of Technology’ (‘FIT’) Nishikawa found positions at a few of the interior design industry’s most recognised studios: ‘Clodagh’, ‘Billhuber’, ‘Alexandra Champalimaud’ an then ‘Donghia’ - ultimately winning two ‘Interior Design Magazine’ “Best of” Awards during her decade-long stint at the latter. It was while designing furniture and lighting for the company, that she picked up ceramics as a hobby. These pieces were a stark contrast from the style she’d concentrated on previously and she enjoyed the escape. (at New York City, N.Y.) https://www.instagram.com/p/Cd7ukAWs4qi/?igshid=NGJjMDIxMWI=