ANYA TAYLOR-JOY as EMMA WOODHOUSE & MIA GOTH as HARRIET SMITH
in EMMA.(2020) dir. Autumn de Wilde

Andulka
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Today's Document
official daine visual archive
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
2025 on Tumblr: Trends That Defined the Year
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The Stonewall Inn
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YOU ARE THE REASON
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@paristexaz
ANYA TAYLOR-JOY as EMMA WOODHOUSE & MIA GOTH as HARRIET SMITH
in EMMA.(2020) dir. Autumn de Wilde
House Of The Dragon Season 3x05: "Unbowed and Unbent"
"We played with this idea of, is she fully seeing through her own eyes what's happening and doesn't feel in control, or if it's kind of like teleportation where every time that she pops back in, it's from the moment that she popped back in before, which is why whenever she's in the house, she comes out and she's like, 'Wait, where am I?’ So we played with both of them, and now that I've watched the film back, I think that she does both. I think that in the very beginning, whenever she doesn't understand what's going on, she's teleporting, and once she realizes what's going on, Nikki’s a fighter, and so her urge to fight the wish just gets bigger and bigger and bigger, and that’s why she has the grief at the end, because she's watched it happen. She's felt it. She has to deal with it. It wasn't her fault. Her life has completely changed. And she just lets it all go." — Inde Navarrette (x)
Kataang angstt
Kataang angstt
under the sign of winx ✧˖° I love everything about the original winx club series, the first seasons are just so good ♡
The Silence of the Lambs 1991 | Jonathan Demme
Inde Navarrette recreating Nikki's iconic moments OBSESSION (2026) Dir. Curry Barker
PROJECT HAIL MARY HEADERS - PETROVA LINE
feel free to use! credit & like/reblog appreciated :)
more phm headers here
"The boys who clung to me, who hid their little faces in my skirts... dead, so that I may sit upon a throne of swords?"
House Of The Dragon Emma D'arcy as Queen Rhaenyra Targaryen
WAKE UP DEAD MAN | 2025 dir. Rian Johnson
TITANIC (1997) directed by James Cameron.
fic name: somewhere along the lines, there’s the truth
chapter 2: validation of harm and protection from accusation
summary: After a brawl between the children, something heavier ensues between two protective parents.
As the adults try to resolve the conflict, an argument between a mother and father escalates to personal conflict until another parent reframes it, showing they’re actually speaking about two different needs: Bumi’s pain and Izumi’s presumption of guilt. Another parent ultimately stops the fight and imposes a calmer, structured approach where each child will be heard separately, leading to a tense but temporary ceasefire. But will it be enough?
and the house learns to laugh again
#be more like mai
Jacob Anderson as LOUIS DE POINTE DU LAC
THE VAMPIRE LESTAT | 3.03 "TORONTO"
somewhere along the lines, there’s the truth
chapter 1: the accusation
words: 1,500
summary:a child's play gone wrong.
Two children at the scene but who is telling the truth? Bumi accuses Izumi of causing him injury but Izumi is adamant she didn't do anything wrong. Will the adults handle this correctly, or will the children be the only ones acting their age?
Somewhat canon-compliant