— CATHERYNNE M. VALENTE, A Monstrous Manifesto.
he wasn't even looking at me and he found me

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@passionsofthelonely
— CATHERYNNE M. VALENTE, A Monstrous Manifesto.
the boys i mean are not refined - e e cummings
he boys i mean are not refined they go with girls who buck and bite they do not give a fuck for luck they hump them thirteen times a night
one hangs a hat upon her tit one carves a cross on her behind they do not give a shit for wit the boys i mean are not refined
they come with girls who bite and buck who cannot read and cannot write who laugh like they would fall apart and masturbate with dynamite
the boys i mean are not refined they cannot chat of that and this they do not give a fart for art they kill like you would take a piss
they speak whatever’s on their mind they do whatever’s in their pants the boys i mean are not refined they shake the mountains when they dance
For I have known them all already, known them all: Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume?
T.S. Eliot, from The Love Song of J. Alfred Prufrock
The desert is coming to England
The desert is coming to England. The daisies are pushing up dust. The henges are looming through ashes. Our sunsets are ochre and rust. And plaster Elizabeth peers from the sand, And plaster Victoria’s one outstretched hand Is silently crumbling back into the land Where the desert is coming to England.
We don’t know how long it was coming, The route that it wove through the wars. Our safety for years has been sealing Our ears and our minds and our doors. We thought we’d stay safe from the sorrows of what The wider world whispered by keeping them shut But the borders are closed and the cables are cut And the desert’s still coming to England
So sing of Britannia’s twilight, A lullaby to it’s last gleaming: Under the shadows, the satellite-fires To usher the end of her dreaming. We thought it would come with the beat of a drum, With the fire of our bows burning bright like the sun, But silently, slowly and softly it’s come: The desert is coming to England.
somewhere i have never travelled,gladly beyond any experience,your eyes have their silence: in your most frail gesture are things which enclose me, or which i cannot touch because they are too near your slightest look easily will unclose me though i have closed myself as fingers, you open always petal by petal myself as Spring opens (touching skilfully,mysteriously)her first rose or if your wish be to close me,i and my life will shut very beautifully,suddenly, as when the heart of this flower imagines the snow carefully everywhere descending; nothing which we are to perceive in this world equals the power of your intense fragility:whose texture compels me with the colour of its countries, rendering death and forever with each breathing (i do not know what it is about you that closes and opens;only something in me understands the voice of your eyes is deeper than all roses) nobody,not even the rain,has such small hands
e.e. cummings
From The Old Astronomer (To His Pupil) by Sarah Williams
The full poem:
Reach me down my Tycho Brahé, – I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, ‘tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men’s fellowship and wiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant’s fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You “have none but me,” you murmur, and I “leave you quite alone”? Well then, kiss me, – since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, – that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I “have never failed in kindness”? No, we lived too high for strife,– Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, “Patience, Patience,” is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahé, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,– God will mercifully guide me on my way amongst the stars.
Roger McGough.
send me links to mlm poetry please i don’t see them nearly as much as sapphic poetry
https://www.poetryfoundation.org/poems-and-poets/poems/detail/53219 (Frank O’Hara - “Mayakovsky”)
https://www.poetryfoundation.org/poems-and-poets/poems/detail/49210 (Carl Phillips - “Domestic”)
https://www.poetryfoundation.org/poems-and-poets/poems/detail/51144 (D.A. Powell - “continental divide”)
But also check out: https://www.brainpickings.org/2013/12/12/love-letters-allen-ginsberg-peter-orlovsky/
also, funnily enough, the first 126 of Shakespeare’s sonnets were written to a man! (it was probably about William Herbert, Earl of Pembroke, but he only wrote “W.H.” as the dedication so we can’t be sure) a great many of them are love poems, the first seventeen are essentially him telling this man that he needs to get married and have children in order to pass down his incredible beauty, but there are a lot of sonnets that just praise his beauty. this includes sonnet 18, by the way–“shall I compare thee to a summers day?” yeah, it was written by a guy about his love for a guy. a couple of my favorites are sonnets 19 and 21–he does actually use male pronouns while talking about his lover, by the way, it’s honestly very obvious and it’s unfortunate that it’s not widely known that Shakespeare loved men. anyways, hope this helped??
Your mind and you are our Sargasso Sea, London has swept about you this score years And bright ships left you this or that in fee: Ideas, old gossip, oddments of all things, Strange spars of knowledge and dimmed wares of price. Great minds have sought you — lacking someone else. You have been second always. Tragical? No. You preferred it to the usual thing: One dull man, dulling and uxorious, One average mind — with one thought less, each year. Oh, you are patient, I have seen you sit Hours, where something might have floated up. And now you pay one. Yes, you richly pay. You are a person of some interest, one comes to you And takes strange gain away: Trophies fished up; some curious suggestion; Fact that leads nowhere; and a tale for two, Pregnant with mandrakes, or with something else That might prove useful and yet never proves, That never fits a corner or shows use, Or finds its hour upon the loom of days: The tarnished, gaudy, wonderful old work; Idols and ambergris and rare inlays, These are your riches, your great store; and yet For all this sea-hoard of deciduous things, Strange woods half sodden, and new brighter stuff: In the slow float of differing light and deep, No! there is nothing! In the whole and all, Nothing that's quite your own. Yet this is you.
Portrait d'une Femme, Ezra Pound
No, no, go not to Lethe, neither twist Wolf's-bane, tight-rooted, for its poisonous wine; Nor suffer thy pale forehead to be kiss'd By nightshade, ruby grape of Proserpine; Make not your rosary of yew-berries, Nor let the beetle, nor the death-moth be Your mournful Psyche, nor the downy owl A partner in your sorrow's mysteries; For shade to shade will come too drowsily, And drown the wakeful anguish of the soul. But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies; Or if thy mistress some rich anger shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes. She dwells with Beauty—Beauty that must die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh, Turning to poison while the bee-mouth sips: Ay, in the very temple of Delight Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strenuous tongue Can burst Joy's grape against his palate fine; His soul shalt taste the sadness of her might, And be among her cloudy trophies hung.
Ode on Melancholy, John Keats
The fountains mingle with the river And the rivers with the ocean, The winds of heaven mix for ever With a sweet emotion; Nothing in the world is single; All things by a law divine In one spirit meet and mingle. Why not I with thine?— See the mountains kiss high heaven And the waves clasp one another; No sister-flower would be forgiven If it disdained its brother; And the sunlight clasps the earth And the moonbeams kiss the sea: What is all this sweet work worth If thou kiss not me?
Love’s Philosophy, Percy Shelley
Where the seagulls congregate for symphonies a stone's throw away from Mandela's profile Where a living parrot once graced a gallery but backed her feathers to the avant style and even caused controversy Where many elderly meet for warmth and tea and cake and skateboarders were delinquent swans on a concrete lake Where foyer music is free to all whether your ear be chamber-tuned, orchestral, jazzy Where a little walk across a hall leads you to visual arts and living crafts for does not driftwood sculpture come from a breathing sea? Where at summer's freeing heights a blitz of dance transforms a floor to tap ballet kathak and more Where a poetry library awaits you with diverse verse from epic to haiku Gone the days when winding walkways formed an up and down maze As a new piazza invites a river view And ground-level entrances embrace a complex venue. Walk in and be entranced. Do.
The South Bank, John Agard
e.e. cummings
Lang Leav
Ah me! I cannot sleep at night; And when I shut my eyes, forsooth, I cannot banish from my sight The vision of her slender youth. She stands before me lover-wise, Her naked beauty fair and slim, She smiles upon me, and her eyes With over fierce desire grow dim. Slowly she leans to me. I meet The passion of her gaze anew, And then her laughter, clear and sweet, Thrills all the hollow silence through. O, siren, with the mocking tongue! O beauty, lily-sweet and white! I see her, slim and fair and young. And ah! I cannot sleep tonight.
Foiled Sleep, Marie-Madeleine Gunther
When I go away from you The world beats dead Like a slackened drum. I call out for you against the jutted stars And shout into the ridges of the wind. Streets coming fast, One after the other, Wedge you away from me, And the lamps of the city prick my eyes So that I can no longer see your face. Why should I leave you, To wound myself upon the sharp edges of the night?
Taxi, Amy Lowell
Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no; it is an ever-fixed mark, That looks on tempests, and is never shaken; It is the star to every wandering bark, Whose worth’s unknown, although his height be taken. Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Shakespeare, Sonnet 116 (via orchidhaze)