Dudipatsar lake, Valley of Kaghan (Pakistan)

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Dudipatsar lake, Valley of Kaghan (Pakistan)
So many "I was born too late" takes are actually "I was born poor" like I'm sure you WOULD have loved whatever historical quirk you're talking about, but sadly you would not have been allowed to do that. You would have died in a coal mine aged 13.
Being afab will not protect you from dying young in a coal mine. They put wee lassies down there all the time and sometimes they died, just as the boys did. Your understanding of historical gender roles is filtered through the gender roles of the mid 20th century. Yes you would also have faced other gender based violence on top of this probably, but that doesn't make you exempt from death via coal mine.
Also thank you to every single person of colour in the notes pointing out how white the take I'm critiquing is. You are 100% right.
Repost, now do your honors.
Trans people just existing is no more sexual than when cis people just exist.
[ Begin ID: The Trans Pride flag with black text overtop that reads "I Am Not "Sensitive Content"" / End ID ]
Roof of the Library of Celsus, Ephesus, Turkey
'Prancing Horses'. Pierre Dunand. Panel. Lacquered and gilt wood. 1914-1996.
レトロ横丁。
Wim T Schippers "Peanut Butter Platform" / museum visitors
In 2011, an iteration of this 1969 floor-bound installation was damaged on several occasions while on view at the Boijmans van Beuningen Museum in Rotterdam.
The work itself is true to its name: 1,100 liters of creamy peanut butter spread over a 14x4m expanse on the ground. Unfortunately, this iteration of the piece was installed without guardrails, which led to four separate visitors accidentally stepping onto the artwork.
In the wake of these events, museum officials refused to cordon off the piece, explaining that such an intervention would not be aesthetically pleasing. They did, however, send each of the museum visitors a bill for the restoration of the piece, which involved museum staff applying new layers of peanut butter to even out the surface.
A look inside the enchanting gardens of one of Oxford’s smallest colleges – Corpus Christi🌻. Bounded by the medieval city wall, with intriguing paths, ancient trees, wildflowers, and glorious views, this is one of my favorite gardens in Oxford 🌿!
All the frogs.
And they’re all gay.
Happy pride 🐸 🌈
so women are supposed to grin and bear the books, the comics, the movies, the plays, the tv shows, the stories, the sci-fi, the translated ancient poems, the fucking millennia of men writing about their self inserts torturing women and it being declared as High Art by other men, we’re supposed to read it in our free time, study it in classrooms, include their styles in our own writing, accept their cultural influence as natural, watch it in the cinema, write about it, talk about it, accept it, aspire it, but men can’t tolerate three seconds of female wish fulfilment of a woman snapping the wrist of a creep without feeling personally kicked in the balls.
This reminds me of something I observed in college while I was doing my honors thesis on women in modern horror films. I watched a LOT of horror during that time as part of my research, and sometimes that was done with my family around.
And my dad and brothers? Were deeply disturbed by the movie Jennifer’s Body. I was flabbergasted. It’s not scary! It’s not even that gory. But they were horrified by it. These men who grew up on 70s slashers were legitimately shook by 90 minutes of Megan Fox eating a few teenage boys, mostly off-screen.
Similarly, my all-male reading panel for my thesis? Were so disturbed by my synopsis of the film Teeth that they couldn’t even talk about it. One of them said he couldn’t look at his wife for a week after reading it.
Again, grown-ass men who study and teach media for a living. Who definitely watch and enjoy horror movies. One of whom was a huge Tarantino buff. We watched and read worse in his intro to mass media class! But one movie about a girl whose vag could bite was enough to haunt him.
Then of course you have things like the Gone Girl backlash–men yelling that Amy Dunne is evil and women clamoring to assure everyone that they know she is not someone to emulate–the backlash against Carol Danvers, and, more recently, the griping from MRAs against the upcoming film Hustlers, which is about strippers scamming their Wall Street clients.
My conclusion? Most men–at least most straight, cisgender men, who are both my sample population and most of the ones whining that Carol is a “villain”–are perfectly fine with, and desensitized to, media where men do violence to women (horror movies), or men do violence to men (horror and action movies). They’re even sort of fine when women do violence to women (“ooooo cat fight!”).
But they get intensely uncomfortable when women are depicted doing any kind of violence to men, especially in films that tilt the balance of power to the other side of the m/f gender binary beyond a single moment or scene.
So woman as flesh-eating monster with men as her preferred cuisine? Woman who responds to unwanted sexual contact by biting it off? Woman who frames her cheating husband for murder? Woman whose response to harassment–behavior that many of the loudest whiners know is both creepy and reflective of their own thoughts/actions–is to break something?
Too scary. Unacceptable. Disturbing. These men hate being presented with the idea, even in fiction, that their position of power is socially constructed, that it could easily be flipped the other way. It terrifies them.
In feeling that terror, they experience a tiny modicum of what living, existing, moving, being perceived as a woman in the world is like.
And they flinch every time.
Here have a newspaper comic from 1993
Those curious babies approached me gingerly to check me out, then lay down in my vicinity. I was so flattered.
The quilt top is finally done! Took another six month break with only three seams left to go, because that's just how we roll I guess. It's roughly the size of a double bed, and a total pain to try and take a full picture of.
Really pleased with how it's turning out! It's a little in your face, but in a cool way.
eley kishimoto/sonja nuttall/philip treacy a/w 1995-6 in techno textiles: revolutionary fabrics for fashion + design - sarah e. braddock + marie o'mahony (1998)
Isita
Georges de Feure (design), Lith. J. E. Goossens (lithographer)
color lithograph, c. 1895
Musée d'art et d'histoire de Genève
A Cloudy Day at White Rock, Crimea by Alexei
Found a shy little friend (pic taken by soleatto)
Yippy yay my horsies