The Next Dragon Age 2020 Game Awards Teaser Trailer Analysis
“I’ve faced tyrants and would-be gods. Seen friends loose life and limb. But there’s always someone bent on breaking the world. It’s time for a new hero. No magic hand, no ancient prophecy. The kind of person they’ll never see coming. We’ve got your back. I’ve got your back. Demons. Dragons. Darkspawn. Even the Dread Wolf. This, is your story.”
I think the teaser trailer did a really great job at giving us a general vibe the game will be going for. Trailers for the past Dragon Age games usually hit high notes of heroism; sacrifice, duty, might, etc. This trailer immediately feels different, and I’m personally keeping an open mind about that. I hesitate to use the word “dark” to describe media, because I feel that most people have a different definition of what makes something have a “dark tone” than I do, but I would apply that here. The music is cinematic not in the sense of epicness, but of dire straits. Dare I say I got more “end of the world” vibes from this trailer than from all of Inquisition.
The term “teaser trailer” is definitely appropriately used here, because that’s what it is; a tease. BioWare is very good at teasing, at sharing enough bits of information to keep you thinking, without giving it all away. So with that said, these are my own personal thoughts.
If you have not yet seen The Next Dragon Age Official Teaser Trailer released during the 2020 Game Awards, you can view it here: [Link]
The trailer opens and closes with another large painting by Solas. A clear image of the entire mural was changed as the background of EA’s official Dragon Age webpage.
It interests me that Solas represented himself as the Dread Wolf with red mouth and blue eyes. In past depictions of Fen’Harel, he has red eyes and a blue moth, such as the DA:I tarot card:
The colours blue and red have traditionally been representative of opposite forces, most often good and evil, in media. If there is meaning to this, (because after all, it could just be a style choice,) I wonder if it is indicative of his role reversal from Inquisition?
On either side of the Dread Wolf are two figures, with familiar shapes as their heads:
These shapes are found fixated on top of metallic dragon statues and eluvians in Trespasser:
In the game files, they are referred to as the following:
These “Tyrant Idol Heads” obviously represent the Evanuris. The second head that looks like the sun is obviously Elgar’nan. The third head I believe represents Mythal, as it holds resemblance to dragon horns, and Flemeth’s silhouette. The question remains which member of the Evanuris does the first represent, the one appearing as the head of the left creature in the mural. Given the monstrous nature, how @felassan pointed out the head and body has the same shape as a monster seen in concept art, and that Ghilan’nain’s monsters were recently explored in the Tevinter Nights story, the Horror of Hormak, Ghilan’nain is my guess.
The second figure in the mural? I think that is another Evanuris. This is a shot in the dark, but I wonder if perhaps June, given we know next to nothing about him thus far, and I do think it’s supposed to be a male one, given the stereotypically masculine body shape.
The figures are both hanging upside down with their hands folded over their chest. This is symbolic of martyrdom in Catholicism. (Why Solas has become Catholic, I do not know.)
At the bottom of the mural is, from right to left, the red lyrium statue of meredith with the red lyrium idol sword, a crumbling city full of red lyrium, and Corypheus with the orb. The circling yellow light around the city reads as an explosion to me, which is very interesting, given the plot of The Streets of Minrathous in Tevinter Nights. The remaining Venatori wish to summon a very powerful demon resting under the capital city, blowing it up in the process. Perhaps they are not the only ones with such a goal, or perhaps they will try again?
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