absolute gamer nonsense @peachiluna - Tumblr Blog

dragon age ii has one of the funniest premises of all time: somebody blew up the vatican. we need to kidnap colleen hoover asap, she might know more.

#this is exactly the plot of da2 #dragon age

blorbo-age

My girlfriend and I saw you from across the casino and we really hate your vibe.

#i need to be their third #please please im begging #da:v

morebird

God Killer

#raw. next question #da:v #lucanis dellamorte

housederiva

#me #dragon age

rachelamberish

One of the craziest things about Dragon Age (and this might help those of you who don’t go here kind of understand what people are yelling about in the coming months) is its lore. But I don’t mean that in the way you’re probably thinking.

I mean, quite literally, the way it presents its lore to you. In picking up notes and books as you go along and sifting through the codex, the game effectively asks you to act as an anthropologist. You’re met with a host of primary and secondary sources, some many hundreds of years apart from one another, written by anyone from the highest Chantry scholar to John Farmer, and you’re meant to constantly be questioning every piece of information you’re given. What biases are present in what I’m reading? What is fact and what is complete fabrication and what is, potentially, a slightly twisted version of a fact? How does one source potentially contradict another? The lore is one giant mystery-puzzle that you get to piece together across three games, and what conclusions you draw are going to be entirely different from someone else’s, and so on.

And yet, the series still does something even cooler than any of that. You realize, at a certain point, that this idea you have been engaging with on a meta-level — this idea that history is biased and fallible, that it’s written by colonizers and conquerers, genocidal racists and religious zealots, that the ability to control historical narrative is the prize you win for spilling the most blood — that idea is one of, if not perhaps THE most important, overarching theme of the series. The way that we remember history — what we remember and what we don’t, and why — and the impact that has on people on a sociological, political, cultural and psychological level, on both a macro and micro scale. It’s the entire thesis of the series’ main villain’s whole motivation.

And there’s gonna be a lot of people that don’t care about all that but me personally it makes me want to gnaw on a cinder block and scratch at my walls

#ohhhh YESSSS #THIS IS THE TAKE I WAS WAITING FOR #da:v

prettyandsarcastic

One of my fave things about the DA games is the parallels of characterization between the protags.

The Warden and The Inquisitor both have a kind of dignity and honor about them. They're both like "I absolutely did not want to be in this position, but here I am and we'll get this done one way or another." They both force people to work together for a greater good and unite under their banner and both are reasonably competent at their jobs.

Hawke and Rook on the other hand... things are just going wrong constantly for them, they are both consistently on their 13th reason, and their main defense is a "the horrors persist but so do I" attitude. They also did not want to be in the position they're in but they're "DOING MY FUCKING BEST CUT ME SOME SLACK I DON'T SEE ANYONE ELSE STEPPING UP" and if one more thing goes wrong they're both going to just start biting people.

#thank god we needed another loser protag #da:v

chromatic-r

I love how the game tries to convince you that the First Warden is so unreasonable and annoying and a pisser when Rook talks to everyone like a flat earther. Like going up to your county sheriff and saying "hold all your calls. We need to focus on the real problem: Zeus and Aphrodite from Greek Mythology are in the White House and they have the nuclear missile codes" it's a wonder he didn't just kill them on the spot

#no wait ur so right HELP #da:v