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CHARLIE SPEECKAERT

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Taxi in the Sea, Issui Enomoto:

I work as a taxi driver in Yokohama. I always put cameras by my side and shoot various scenes of the town one after another, while looking for a passenger.

The people who coming and going in a town and various components forming the town, these become the subject for photography. For example, buildings lighted up by the artificial light, roadside trees rustling in wind, the cars crossing the view incessantly and the viaducts of the expressway covering the sight, and so on.

When it is defined a town as aggregate of limitless components, it may be just said that a taxi is existence such as a small submarine advancing in the huge sea filled with those components.

From the moment when I got in a taxi as a photographer, every component that can become subject wraps me up. And as like great pressure acts on an object in the deep sea by a physical law, the seawater of components put fierce pressure on my five senses.

I run a taxi earnestly without knowledge about the total picture of this sea. I fix this sea which I watched through one’s sense into a dimension of this world by the technique called the photograph.

(via Fraction Magazine Japan)

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fractionmagazinejapan:

Taxi in the Sea by Issui Enomoto

I work as a taxi driver in Yokohama. I always put cameras by my side and shoot various scenes of the town one after another, while looking for a passenger. The people who coming and going in a town and various components forming the town, these become the subject for photography. For example, buildings lighted up by the artificial light, roadside trees rustling in wind, the cars crossing the view incessantly and the viaducts of the expressway covering the sight, and so on.

When it is defined a town as aggregate of limitless components, it may be just said that a taxi is existence such as a small submarine advancing in the huge sea filled with those components. From the moment when I got in a taxi as a photographer, every component that can become subject wraps me up. And as like great pressure acts on an object in the deep sea by a physical law, the seawater of components put fierce pressure on my five senses.

I run a taxi earnestly without knowledge about the total picture of this sea. I fix this sea which I watched through one’s sense into a dimension of this world by the technique called the photograph.

Issui Enomoto is a photographer based in Yokohama, Japan. To view more of Issui Enomoto’s work, please visit his website.

via Sibui Kys

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Evocative Multiple-Exposure Photos From a Japanese Taxicab. Photo credit: Issui Enomoto

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But most importantly, have fun.

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-“You don’t look happy.”

-“Have I ever?”

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Scenes from ‘’We Need to Talk About Kevin’’ directed by Lynne Ramsay

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It’s like this: you wake and watch TV, get in your car and listen to the radio you go to your little jobs or little school, but you don’t hear about that on the 6 o’clock news, why? ‘Cause nothing is really happening, and you go home and watch some more TV and maybe it’s a fun night and you go out and watch a movie. I mean it’s got so bad that half the people on TV, inside the TV, they’re watching TV. What are these people watching, people like me? (We Need to Talk About Kevin, 2011 )