Supervising Film Editor, Hal Kern, with the completed GONE WITH THE WIND (‘39)
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Supervising Film Editor, Hal Kern, with the completed GONE WITH THE WIND (‘39)
1. Always take the initiative. 2. There is nothing wrong with spending a night in jail if it means getting the shot you need. 3. Send out all your dogs and one might return with prey. 4. Never wallow in your troubles; despair must be kept private and brief. 5. Learn to live with your mistakes. 6. Expand your knowledge and understanding of music and literature, old and modern. 7. That roll of unexposed celluloid you have in your hand might be the last in existence, so do something impressive with it. 8. There is never an excuse not to finish a film. 9. Carry bolt cutters everywhere. 10. Thwart institutional cowardice. 11. Ask for forgiveness, not permission. 12. Take your fate into your own hands. 13. Learn to read the inner essence of a landscape. 14. Ignite the fire within and explore unknown territory. 15. Walk straight ahead, never detour. 16. Manoeuvre and mislead, but always deliver. 17. Don’t be fearful of rejection. 18. Develop your own voice. 19. Day one is the point of no return. 20. A badge of honor is to fail a film theory class. 21. Chance is the lifeblood of cinema. 22. Guerrilla tactics are best. 23. Take revenge if need be. 24. Get used to the bear behind you.
The definitive manifesto.
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Not smoking shouldn’t be allowed in editing rooms. If you ever need to watch ‘days’ of rushes, you would want your own pipe. Sleeping is one of the less evident dangers.
It happened one night
Thelma Colbert Schoonmaker (born January 3, 1940) is an American film editor who has worked with director Martin Scorsese for over forty years. She has edited all of Scorsese’s films.
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Stanley Kubrick’s daughter, Vivian recently shared these photos of her father and his assistant editors working on Barry Lyndon (1975) in the converted garage of Kubrick’s home in Abbots Mead, December 1974
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