RISD Textiles 2018

Emma Werowinski's art and design adventures at RISD and beyond. May include but not limited to graphic design, text, embroidery, sewing, clothing, pattern, typography, books, quotes, painting, sculpture, poetry, graffiti, street art, and ballet. A digital...

[pussydeity-deactivated20151212]

[pendlewinski]

dessert comes in from a different stomach

emma

[pendlewinski]

DRAG ME

Emma

[pendlewinski]

im not allowed to use that word around them anymore

the kitchen table

[yyunglame]

[smokemeowttt-deactivated2015120]

What

[pendlewinski]

@acollectionofquestions what life feels like rn

[stability]

truly incredible

[pendlewinski]

amazing

[brwnpaperbag]

Collections by Valentino: Resort 2016 and Pre-Fall 2016

[lettttere]

[pendlewinski]

Asemic writing by Karri Kokko

[lettttere]

[pendlewinski]

Asemic writing by Karri Kokko

[lettttere]

[pendlewinski]

Asemic writing by Karri Kokko

[retromingent]

Asemic Writing A Newsletter by Mirtha Dermisache http://thenewpostliterate.blogspot.co.uk/2013/01/mirtha-dermisache-historical-perspective.html

[dirtypixel]

Mirtha Dermisache

“I started writing and the result was something unreadable.”

Mirtha Dermisache (1940-2012) from Argentina, practiced asemic writing since the early 1970s. It is a wordless open semantic form of writing. The word asemic means having no specific semantic content. Asemic writing seeks to make the reader hover in a state between reading and looking.

[anotherfuckingfashionblog]

Ashish ready to wear spring 2016

[shinyfabulousdarling]

more of this because UGHHHHHHH! so much want.

[awfulfortunecookies]

A Brief History of Meme.

[pendlewinski]

relevant

[tealpaws]

[nalgenebottle-deactivated201706]

This is a good map

[pendlewinski]

this is a good infographic @acollectionofquestions

[vignellicenter]

Designing a book about designing

There are two books called design: Vignelli. The first published in 1981 contains black and white images of the designs of Massimo and Lella Vignelli. The second design: Vignelli book was published in 1990. It is bigger, has more images (and in color!), and more text. This second volume coincided with an exhibition of the Vignellis’ work which traveled all over the world.

More about design: Vignelli:

Vignellis + Calendars http://vignellicenter.tumblr.com/post/109605388552/design-vignelli-calendar-sketches

Book Awareness week http://vignellicenter.tumblr.com/post/103220013657/design-vignelli-book-manuscripts-sketches

Picturing the Vignellis http://vignellicenter.tumblr.com/post/97669218762/design-vignelli-two-books

The grid is everything http://vignellicenter.tumblr.com/post/95909526072/design-vignelli-book-grids

Sketch by Massimo Vignelli for design: Vignelli book (circa 1981) pencil on paper Massimo and Lella Vignelli Papers Vignelli Center for Design Studies Rochester, New York

Sketchbook by Michael Bierut for design: Vignelli book (circa 1981) pencil on paper Massimo and Lella Vignelli Papers Vignelli Center for Design Studies Rochester, New York

design: Vignelli book (excerpts), 1981 10 1/8” x 10 1/8” Massimo and Lella Vignelli Papers Vignelli Center for Design Studies Rochester, New York

Layout designs with grid for design: Vignelli book (circa 1990) 15” x 22” Portfolio V12, Massimo and Lella Vignelli Papers Vignelli Center for Design Studies Rochester, New York

design: Vignelli book (excerpts), 1990 10 1/8” x 10 1/8” Massimo and Lella Vignelli Papers Vignelli Center for Design Studies Rochester, New York

[bofransson]

Fairfield Porter - Low Tide, 1962