[perativered]

PERATIVERED : an independent / selective 𝓹ortrayal of * ada wong from the resident evil games ( * by capcom. ) a detailed look into self preservation through survival & calculated steps , the mystery in red working from the shadow ; the sense of identity explored behind the safety of a crafted mask and when it slips revealing the loneliness adapted behind it. writer goes by gardenia ( 25 she \ her ) ! mature content found below | oc & multiverse friendly. this blog is low activity.

BLOG ROLL ; @plagasaved 、 @genedloves.

ON THE RADAR ; coming soon , this will be a linked list of mains !

( quick links ) * rules * verses * headcanons

[perativered]

a little self written headcanon that I absolutely adore about ada is the aspect of her apartment , she changes locations periodically for safety and even so she isnt one to let another in that space ( making the exceptions which in it self is rare ) ada doesnt really decorate it , but what she does keep is the small trinkets of memiores down the line apart from some of her equipment . those trinkets range from things collecting during her being out in the field and personal ones , a particular personal one she has is a folded up crumbled at the edges photo of her during her childhood one she let's herself keep. a reason for her selectiveness to let someone in that space is the caution she has , to her it feels like if she let's someone cross that line then it almost like seeing the girl behind the operative which may just be her own calcualtive overthinking.

[perativered]

mini starter * @ofrequiem !

echo of a vinyl Emily had selected on a loop filters the space ( * the operative still finds it strange , her apartment which is normally so empty to her lit up & filled with chatter. ) her tiers curl when her gaze shifts to the jellyfish plushie seated on the counter ' which had been a neccessary buy , last on the shelf .' she doesn't have to look to know Grace eyes are centered on her expression. " I think I'm an expert on jelly fishes now thanks to Emily. " or atleast she could recite what the info intercoms had said when on their way back , they had the whole hour of sharing which one was their particular favorite.

popping open a draw & grabbing three cups one different in pastel petaled partners. " coffee ? prior warning I haven't done a grocery run yet so I only got decaf as an option. " the place was relatively still new , she had gotten it three weeks ago returning from a post op / a small tucked between local buisness & the weekend pop up stores that she'd visit when she was present.

[ofrequiem]

                “  if  you  hate  me,  you  can  just  say  it  -  ”  grace  joked  when  ada  told  her  all  she  had  was  decaf  coffee.

because  what  the  fuck  was  the  point  of  coffee  if  it  was  decaf?  grace  wanted  her  coffee  strong  and  giving  her  jitters  or  she  didn't  want  it  at  all.  or  maybe  she  was  just  addicted  to  coffee,  either  way,  she  absolutely  did  not  want  decaf  and  simply  made  a  face  at  the  offer.  they  should  have  picked  up  some  drinks  before  coming  back  to  ada's.

“  just  water  is  fine  -  milk  for  emily  if  you  have  it,”  she  added  as  a  next  thought.  the  girl  was  far  too  young  for  coffee  after  all. 

and  as  ada  prepared  all  that,  grace  looked  around  the  apartment.  it  was  humble,  very  undecorated,  but  cute.  it  suited  ada  in  a  way  -  and  the  old  fashioned  music  player  was  a  nice  touch.  clearly  the  child  with  them  agreed,  given  she  was  replaying  one  record  over  and  over  again,  seemingly  entranced  by  the  spinning  black  disk.  she  almost  wondered  if  she  should  buy  one  for  emily  herself  -  the  girl  seemed  to  like  it  more  than  even  her  jellyfish  plush.  or  perhaps  she  simply  liked  new  things.

“  i'm  going  to  have  to  check  her  bag  before  we  leave  her  -  lest  she  try  to  steal  your  record  player,”  she  laughed.

[perativered]

" then I'd be giving you the discount satchet one's , next time I'll get my paycheck I'll treat you both. "

Ada wasnt frugal by any means , funds having been spent on optimizing equipment & the necessary upgrades that came with it ( * her hookshot for one that after a last op that gottten complicated near the end had needed the wiring fixed ; which her connections had come in handy for in such times. ) she wouldn't say it but the change of spending it on someone she cared for aswell was nice. pouring water in the cup , as she shifted around the space opening her fridge. " she has taken a liking to it hasn't she ? "

a chuckle slips , her hip rests against the counter as she glances over ( * endearment in dark hues settles in the simplicity of one's curiousty at something new ) in the fascination moments earlier explaining how it worked & to pick from the modest collection she had gained over the years from spare time in travels.

the cup between pads of fingertips setting it next to Grace. " think I could convince you both to stay ? " a rarity of a ask but not the first time , she is one of the few exception's where normally her place was off limits to others. a safety percussion & ounce of paranoia that came with her line of work.

[inkribbonstudios]

Because in this world, someone always pays.

[ohisms]

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .

[perativered]

PERATIVERED : the message was sent ; you know what to do .... penned by Gardenia ! ( she / her 25 ) an independent and selective portrayal of ADA WONG from CAPCOM resident evil games . an exploration of the well constructed mark & the nature of an elusive mystery , the girl hidden behind the mirage of red .

[acecroft]

ADA WONG in Resident Evil 4 Remake: Separate Ways DLC (2023)

requested by @thequantumranger

[perativered]

going to be ambitious and work on adding a supernatural themed au for ada & eventually an analysis of her hookshot detailing the significance of it 🤞

[mimi-maru]

Madame W 🦋

[perativered]

Hold still. I mean it. Hold still.

* answered from BLOOD ON YOUR SLEEVE ! @hollowagent

there irony , in favours repayed ( * he knows she's here on ulterior motives like the first time ; a walking ghost in red striked again yet it not a bullet this time. ) " we should stop meeting like this. " there humour laced there somewhere in a tone that normally hard to decipher. what clear is the hate of the prospect of being a liability , she can walk it off is what the operative wants to say but she knows he'll match the insistent nature & he does. Hold still , I mean it , hold still. there hardly room to argue ; he should have resentment for her / a part of him must when Ada appears like it nothing but he's not the type to leave someone in need of help & she knows that.

" I can handle it , you should focus on your objective. " it nothing she can't take care of herself , if anything an arrow that had left a nasty cut on her arm blotted red mixing with fabric shade is mundane compared to what she has sustained before. what starts to become a numb reaction when one gets used to it enough. " I'm sure more of them will want to join the party. " it was quiet for now , numbers dulled down that she's sure they'll account for in reinforcement soon when they locate them. not to add that further deviation from set path will only account for a not so pleased ring from her intercom soon.

[perativered]

posting this on here too while I get some house chores done and then I'll be around <3 but happy pride month !! ♡

[perativered]

trying to tag a blog and realizing this blog is too new is actually just me sitting there in the corner in this void of a hold this app has on me rn-

[mythshire]

✦ ⋆ 𖤓 ⋆ ✦ 𝐁𝐋𝐎𝐎𝐃 𝐎𝐍 𝐘𝐎𝐔𝐑 𝐒𝐋𝐄𝐄𝐕𝐄 ··· a collection of injuries tended in silence, pain worn like armour, the intimacy of being seen at your worst. genre: hurt and comfort, angst, romance, drama.

• You're bleeding through your shirt. Don't tell me you're fine. • How long have you been walking around like this? • I'm not going to hurt you. I just need to see how bad it is. • You should have told me the moment it happened. • Hold still. I mean it. Hold still. • This is going to sting. Bite down on something if you need to. • You've been hiding this for days, haven't you. • Who did this to you? I need you to tell me who did this. • Stop being brave for five minutes and let me help you. • I've seen worse. I've also seen men die from worse, so let me look at it. • I found the bandages in the trash. You want to explain that? • Don't you dare apologize for bleeding on me. • Your hands are cold. That's not a good sign. • I'm not angry. I'm terrified. There's a difference. • Come into the light. Let me see your face. • You should have stitches. I know you won't go. So sit down and let me do what I can. • You're white as a sheet and still trying to stand up straight. • I could hear you in the night. I didn't say anything. I'm saying something now. • Don't look at it if it makes it worse. Just look at me. • It's not weak to let someone see you hurt. • You came to me. Of all the places you could have gone, you came here.  • Lay back. You're not getting up until the color comes back to your face. • I'm not going to ask what happened. Not yet. First let me fix what I can. • You've been holding your left side since you walked in. Think I didn't notice? • This is going to leave a mark. I'm sorry. I'm so sorry. • I've patched up a lot of people in my time. None of them scared me like you do right now. • You could have died out there. You could have died and I would have been the last person to know. • Sleep. I'll be right here when you wake up. I'm not going anywhere. • You're allowed to make a sound. Nobody's watching. • I need you to stay awake for me. Just a little longer. Talk to me. • You're lucky the cut wasn't deeper.  • Stop apologizing for needing help. Stop it right now. • I've seen what it looks like when someone's used to this. That's what scares me most about you. • Tell me your name. Tell me what day it is. Stay with me. • You're going to be alright. I promise you.  • You went back out there after this? With this? • Nobody takes care of you, do they? That ends tonight. • I've been gentle with you. I need you to be honest with me in return. • You're safe now. You're here, you're safe, and I've got you. Just breathe.

[perativered]

mini starter * @ofrequiem !

echo of a vinyl Emily had selected on a loop filters the space ( * the operative still finds it strange , her apartment which is normally so empty to her lit up & filled with chatter. ) her tiers curl when her gaze shifts to the jellyfish plushie seated on the counter ' which had been a neccessary buy , last on the shelf .' she doesn't have to look to know Grace eyes are centered on her expression. " I think I'm an expert on jelly fishes now thanks to Emily. " or atleast she could recite what the info intercoms had said when on their way back , they had the whole hour of sharing which one was their particular favorite.

popping open a draw & grabbing three cups one different in pastel petaled partners. " coffee ? prior warning I haven't done a grocery run yet so I only got decaf as an option. " the place was relatively still new , she had gotten it three weeks ago returning from a post op / a small tucked between local buisness & the weekend pop up stores that she'd visit when she was present.

[perativered]

oo you want to like this so I can ramble about our muses- ( yes this a unofficial plotting call let me send you all extensive paragraphs 😶💗 )

[mythshire]

°☠*:·゚  𝐀𝐅𝐓𝐄𝐑  𝐓𝐇𝐄  𝐄𝐍𝐃 ··· a collection of survival instinct, found family, moral compromise & last days of humanity roleplay sentence starters. genre: apocalyptic, angst, hurt and comfort, life or death.

• How long has it been since you've seen another person? • You need to eat. I don't care if you're not hungry. • That's the last of the clean water. We have maybe three days. • Don't go out there. Not after dark. • I heard gunshots about two miles west. We need to move. • You're burning through supplies like we have somewhere to restock. • I can't remember what coffee tastes like anymore. • Show me your arm. • The radio's been silent for six days now. • I found a Polaroid in that house. Look—people used to smile like this. • We're not taking them with us. We barely have enough for ourselves. • You've been coughing for three days. Don't lie to me. • I think I saw smoke on the horizon. Could be a settlement. Could be a trap. • This is the fourth body we've found this week. • You want to talk about what happened back there? Or are we just going to pretend? • I'm not leaving you behind. I don't care what you say. • The fence has a breach. Something got through last night. • When was the last time you slept? And I mean actually slept. • You're rationing your own food to feed me, aren't you? • I can still hear the sirens sometimes. Even though they stopped months ago. • We can't stay here. This place is compromised. • I found batteries. Three AAs and a nine-volt. • You never told me what you did before all this. • That's a gunshot wound. Who shot you? • I haven't seen the sun in four days. This ash won't clear. • We're down to eleven bullets. Make them count. • I know what day it is. It's your birthday. • The last time I trusted someone, they stole half our supplies and disappeared. • You're running a fever. Sit down before you collapse. • I can't do this anymore. I can't keep watching people die. • We have to go back. I left something—someone—behind. • You've been talking in your sleep. About before. • I found a working generator. We could have power for a week, maybe two. • You're the only person left who knows my real name. • That smell means the bodies are close. Cover your mouth. • I'm not asking you to forgive me. I'm asking you to survive. • The coordinates led us here. There's nothing. It was all a lie. • How many people have you killed since this started? Don't lie. • We used to have rules. Remember that? • You took the last dose of antibiotics. That was for the kid. • I saw your hand shake when you raised that gun. You're not okay. • This is it. This is all that's left of the world. • I can't remember their face anymore. Isn't that terrible? • You're planning to leave, aren't you? I can tell. • We found a car with half a tank. That's a goddamn miracle. • You didn't have to kill them. They would have left. • I'm trying to remember what music sounded like. • This is the third night you've taken watch. You're going to get us killed. • The map stops here. Everything past this point is unmapped territory.