The fuck is an open relationship? I will behead you and take it with me everywhere
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@phantomblood
The fuck is an open relationship? I will behead you and take it with me everywhere
Jonadio commission for @kinitajojo!! Thank you so much for giving me the opportunity to draw them! 🥹
There's a good chance this is secretly a devious boy... but what do I know I just work here
Okaay, I see you like something like that. So how about we raise the degree a little? :)
Maa boyys…💫
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Back from vacation so I'm back to work on commissions, but in the meantime, a warmup tonight
FORGIVE ME FATHER 4 I HAVE SINNED
trying to do more quick/simple doodles as warm ups........
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I drew this 7 months ago for boobs zine... would do it differently now!! Anyway the process on my Telegram and Boosty
Quería poner mas detalles, Bueno, DJD pero Chilenos, aunque no se nota... #vivachilemierda
Hi… miss seeing you around on Twitter… I’m a lurker we only interacted like once but I used to love checking up on your account. your analysis is so incredibly high quality and I love what you’ve put up here as well! you’ve changed the way I look at my favorite series which I’m so so grateful for:) thank you for writing and sharing your thoughts!
hello!👋 thank YOU for engaging with my #content. i always feel a little self-conscious about doing this sort of writing for jjba of all things just because, well, araki is not exactly a subtle writer even by shounen manga standards lol so any observations i could possibly make feel like they must be overstating the obvious and/or cornplating. but there is such a dearth of serious critical/analytical writing (at least in the anglosphere, im sure much of this has already been discussed to death on some obscure asian fan forum somewhere) on jjba as a whole, and pb in particular, that even the obvious stuff cant possibly hurt… and tbqh if you have been in this fandom for any length of time you probably already know that most jjba "readers" (if in fact they are reading at all - many of them arent even watching the anime apparently) seem to struggle with parsing even the surface-level series of events which are depicted on the page, never mind recognizing subtext or inferring any meaning from it. i acknowledge that thats a judgemental thing to say that makes me seem like a pretentious pseudointellectual, but, well. i am in fact both of those things.
lately i have been making a more concentrated effort to get the fuck off twitter since elon's mismanagement has rendered it completely unusable for any legitimate purpose, and even before his takeover the whole platform was kind of inherently hostile to any degree of in-depth discussion by design. any time i wanted to post anything i spent at least as long editing and rephrasing my ideas to cram them inside the character count as i did typing them up in the first place (you might have noticed by now that i have a propensity to be somewhat verbose!), and given the rapidly-progressing deterioration of the whole environment there over the past few years it just does not seem like a productive use of my time any more. @shonenvenus is still online as an archive, for now, and i still log into that account occasionally just to keep tabs on the fanartists (and there are lots of them!) who are not active on any other platforms… but my main account which i still used on a daily basis for doomscrolling and keeping in touch with friends was unceremoniously permabanned yesterday for no clear reason and my appeals are getting auto-rejected so that alt might not be long for this world either. but maybe that ban will be good for me in the long term because it will force me to actually stop brain-damaging myself with prolonged exposure to the stupidest takes youve ever seen in your life on virtually every subject imaginable? idk!
i do intend to (eventually) compile the commentary and analysis ive already published on that account into a better format for archival. idk if i will do that on here (though its certainly better than letting it rot in obscurity on elon musk's x.com the everything app), i did buy a domain name some time ago that i intended to use for hosting that as well as additional writing, but who knows when i will actually get around to it if ever. my irl has been somewhat unstable for various reasons for the past er…. 4~ years and theres no sign of that abating any time soon (and im also procrastinating on various other obligations as i write this) so, sad to say jjba metaposting is not very high on my list of priorities, but i do have quite a lot to say that i have not yet gotten around to writing down so unless some kind of disaster occurs (which does not seem unlikely) there will be no shortage of Posts from me in the future, if youre willing to be patient with me. my fascination with jjba and jonadio has never really waned and in fact tends to intensify the more stress i am under so, lucky for you, i do think i might be stuck here lol. well this is all way more information than you asked for but thank you again for your very kind message
Karl Ove Knausgaard on the strange role necks play in our psyche.
jonathan and dio probably each have some sort of breeding and/or impregnation kink but there are different motivations behind them. dio enjoys inserting himself (via poison, flesh buds, sperm, etc) into others and then thinking about that little bit festering and growing inside. and jonathan is just a rich guy who likes to bust inside ig
i realize this is a joke but i kinda also think this is more or less on the money lol. jonathan's virility is baked into the narrative premise of the whole franchise and his role as progenitor thereof; jojo was conceived as a multigenerational saga very early in its development so the inevitability that its protagonist would eventually father children was foregone long before araki even put pen to paper. but it's also not just incidental, there are so many conventional (tbh quite stereotypical) masculine sexual anxieties built into every facet of his arc that i kinda think it all has to be on purpose
jonathan is the only child of noble parentage. his mother is killed in the act of preserving his life; his father lives out the rest of his days as a widower as his love and devotion to his late wife, ironically, renders him functionally impotent. whatever pedestrian grief or survivor's guilt jonathan himself carries over mary's death is compounded by the unique burden of his social standing: he is obligated to the social and sexual norms of victorian high society as well as to the legacy of his ancestors; without any brothers or sisters upon whom to defer the responsibility, jonathan's procreative potential is the last and only hope for his entire bloodline. he has a duty to have children, or else his mother died for nothing!
this underlying sexual anxiety is then complicated by the arrival of dio, who - at least initially - appears to displace him entirely as the favored son. he outperforms jonathan in all contests of filial duty as well as masculinity in general: socially, academically, physically, and most importantly sexually. jonathan's relationship with erina develops rapidly, but chastely; her assault by dio challenges jonathan's manhood directly by cuckolding him (it is imo significant that jonathan never actually finds out what dio did to erina, or that it was not consensual: jonathan is outraged and emasculated not only by his own failure to protect his girlfriend but by his failure to please her). jonathan's obligation to his lineage, past and future, is certainly a burden, but it's also his purpose, which dio's presence (and implied sexual prowess) renders moot. the conflict at the heart of phantom blood is one of "good vs evil" of course, but when you crack it open and examine the insides it's really just an inheritance dispute, and when you crack that one open it's all just male performance anxiety.
accordingly, jonathan's maturation and coming-of-age into manhood is narratively inextricable from his conquest and subduing of dio as a viable sexual competitor. he does not reconcile with his father, inheriting the "golden spirit" and ensuring its continuity throughout his unborn legacy, until after dio "dies" and eliminates himself from the gene pool; the nature of the ripple/hamon, the only force to which vampires are vulnerable, is "life force" (aka sexual/procreative energy); even the more conventional weapons jonathan wields in his crusade lend themselves to the creation of powerfully evocative phallic images:
once jonathan has attained the peak of his manhood and inseminated his wife, he follows his parents' footsteps and dies in the act of protecting his family; by embracing dio in death, he fulfills not only the masculine role of progenitor and protector, but also the feminine role of self-sacrificing provider, resolving at the conclusion of his arc into a kind of idealized, omni-gendered christlike figure of indiscriminate parental compassion and hope for the future (in araki-an terms, we might call this "transcending one's destiny"). dio, whose defeat and decapitation by jonathan has neutered him both figuratively and literally (moreover i get the impression that his vampire biology makes him sterile in the traditional sense, but i don't have any hard evidence to support that it's just a vibes-based assessment), can only reclaim his lost sexual prowess by the possession and exploitation of jonathan's corpse. this, too, is emasculation, in both directions: jonathan is made impotent by dio's sexual abuse of his corpse because he is powerless to prevent it; dio himself is made impotent by that selfsame abuse because all of the children he fathers by jonathan's loins are still undeniably jonathan's children.
tl;dr i would say jonathan joestar doesnt have a "breeding kink" so much as a "breeding complex" and that the circumstances and consequences thereof are the foundation of the intergenerational conflict he imparts upon his descendants that propels the whole plot of jojos bizarre adventure in the first place. When grandma realizes her pussy the reason for everybody in the room dot jpeg
A love letter 🩸🫀
You're just an insect to me
Under my feet