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“Every act of communication is an act of translation.”
— Gregory Rabassa (via larmoyante)
Minna Sjöholm
The Fallen Angels Entering Pandemonium, from ‘Paradise Lost’, Book 1 - Formerly attributed to John Martin
Phil Hale.
The Apocalypse (1903) - Albert Goodwin
The Blind Eye (Detail) - Santiago Caruso
MARTIN, John (1789-1854)
Great Day of His Wrath (detail, inv.) between 1851 and 1853 Oil on canvas, 197 x 303 cm Tate Britain Ed. Orig. Lic. Ed.
DORÉ, Gustave (1832-1883)
Angels vs Demons Edd. Origg. x x
Imants Tillers (Australia, 1950 - ) Kangaroo Blank, 1988 oilstick, gouache, synthetic polymer paint 78 canvas boards, nos. 16231 - 16308 installation 213.0 (h) x 195.0 (w) cm
Denis Forkas Kostromitin - Study for Andromeda I. 2013
The Conflict Between Satan and Death, 1832 by John Martin (English, 1789–1854)
“The best and worst of me are swathed in silence.”
— Navin E. (silence continues to reside here)
“Nature is awakening and becomes drunk again with sunlight.”
— Arthur Rimbaud, from The Orphans’ New Year’s Gift. (via xshayarsha)
Toshiko Okanoue From “A Long Journey” book
“Desire can make anything into a god.”
— Mark Doty, from ”The Death of Antinoüs” (via elucipher)
“But the hearts of small children are delicate organs. A cruel beginning in this world can twist them into curious shapes. The heart of a hurt child can shrink so that forever afterward it is hard and pitted as the seed of a peach. Or again, the heart of such a child may fester and swell until it is a misery to carry within the body, easily chafed and hurt by the most ordinary things.”
— “The Ballad of the Sad Café,” Carson McCullers, in The Ballad of the Sad Café and Other Stories (via existential-celestial)
Matina Galati, 2015
Land in flux
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