ăăăȘăăăăŁăŒăŻć«ă
Monterey Bay Aquarium

if i look back, i am lost

Discoholic đȘ©
let's talk about Bridgerton tea, my ask is open

pixel skylines
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
sheepfilms

Love Begins
I'd rather be in outer space đž

No title available
2025 on Tumblr: Trends That Defined the Year
RMH
Show & Tell

No title available
dirt enthusiast

Kiana Khansmith
Misplaced Lens Cap

JVL

Janaina Medeiros
AnasAbdin

seen from Philippines

seen from United Kingdom
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seen from United States

seen from United Kingdom
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seen from Canada

seen from Australia

seen from Malaysia

seen from TĂŒrkiye
seen from United Kingdom
seen from United States

seen from Mexico

seen from Australia
seen from Czechia
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seen from Ukraine

seen from Malaysia
seen from United States
seen from Germany
@pieralarue
ăăăȘăăăăŁăŒăŻć«ă
Stills from âBabiesâ by Pulp, 1993
Textures of the Scottish Landscape by Haarkon
fraktur love letters (pennsylvania c.1800-1850)
butterfly leggy loos
Belladonna of Sadness (Eiichi Yamamoto, 1973)
Albert Aublet - Selene, 1880
Han Cheng Yeh, 2011
i want these
Millions of people have decided not to be sensitive. They have grown thick skins around themselves just to avoid being hurt by anybody. But it is at great cost. Nobody can hurt them, but nobody can make them happy either.
Osho (via llleighsmith)
giving love is not a waste
girl of myth, chiaki kuriyama by kishin shinoyama, 1997
play a sad sad song: mame camara for slimi mag
You horrify me. But at the same time, I horrify myself. We are horrible.
HĂ©lĂšne Cixous, from The Selected Plays of HĂ©lĂšne Cixous; âThe Perjured City,â (via violentwavesofemotion)
NICOLAS COULOMB | BECCA HORN | ART DIRECTOR FLORENCE TETIER | INTERVIEW GERMANY | SEPTEMBER 2015