Plastik

[plastikmagazine]

Plastik vol 35 featuring Sasha Velour by Eli Rezkallah

[elirezkallah]

First shot from our Huda Beauty Restung Boss Face Campaign

Shot by @elirezkallah

Featuring #hudakattan #violetchachki #sheacoulee #farrahMoan

Produced by Plastik 2019

[plastikmagazine]

HUDA BEAUTY ‘NOT YOUR MOMA’S PANTYHOSE’ CAMPAIGN

Photography @EliRezkallah

Produced by Plastik Studios 2019

[plastikmagazine]

LOVE ANGELES by Tony Kelly for Plastik Magazine

“Dive with us into a world that romanticises riches, ostentation and consumerism. The dichotomy of excess and emptiness is one that we deniably cherish and want to belong to: that’s why we Love Angeles. ”

plastikstudios.com

[plastikmagazine]

LOVE ANGELES by Tony Kelly for Plastik Magazine

“Dive with us into a world that romanticises riches, ostentation and consumerism. The dichotomy of excess and emptiness is one that we deniably cherish and want to belong to: that’s why we Love Angeles. ”

plastikstudios.com

[plastikmagazine]

Today marks the completion of Sasha Velour’s ‘so emotional’ reign as America’s Next Drag Superstar. Ever since snatching the crown in one of the most iconic moments in RPDG history, Sasha has been turning heads, performing to sold-out audiences worldwide (including Beirut), creating her own drag show “Nightgowns”, and making her mark in both the Art and Fashion worlds. Yet Sasha’s biggest accomplishment is the everlasting impact she has had shedding light on LGBTQI rights, and giving a voice to the marginalized members of its community.Sasha has devoted her rise to fame to empower gay activists around the world, as well as to showcase other forms of Drag otherwise unseen by the general public. A living and breathing art installation, she consistently pushes the boundaries of drag with each of her head-spinning designs, fueled by an undying vocation to ‘turn darkness into light’. In order to celebrate her Queendom, Plastik is sharing a glimpse of her mesmerising limited edition cover to be featured in Plastik Magazine’s next issue, shot by none other than @elirezkallah produced by Plastik Studios 2018. Pre-order your copies today on our website.

[plastikmagazine]

FAKE NEWS

[plastikmagazine]

PLASTIK vol 33 “SUPERSIZED” Cover 02/03 by Tony Kelly Out now

[plastikmagazine]

@plastikmagazine vol 33 cover 01/03 by TONY KELLY

[elirezkallah]

Neon Mona Lisa with a digital gaze and a photoshopped consciousness.

“PINK NOISE” a collaborative series with my friend @signepierce for Marzook FW18 campaign @plastikstudios 2018 #elirezkallahxsignepierceformarzook #elirezkallahxsignepierce #elirezkallah #signepierce #plastik #plastikmagazine #plastikstudios

[elirezkallah]

Neon Mona Lisa with a digital gaze and a photoshopped consciousness.

From “PINK NOISE” a collaborative series @elirezkallah and @signepierce For Marzook FW18 campaign Plastik Studios 2018 #elirezkallahxsignepierceformarzook

[elirezkallah]

Most of my conversations lately revolved around anxiety and how fast everything is going, how did Facebook know that I wanted to buy this specific product? Is my phone spying on me? Are our computers watching us? Everyone seems to think that we are being watched, spied on and stalked by an unknown “force”: a group of marketers, brands, governments, establishments and even individuals. So I went on imagining a modern day horror story inspired by Alfred Hitchcock’s haunting film “The Birds”, where technology revolts against humans. “The Drones” is a shoot set in the (very) near future: one that is threatening to materialize at any given day. 

Photography Eli Rezkallah

Plastik Studios 2018

[elirezkallah]

“Mother” is a photographic series recreating photographs of my mom that marked my childhood, the first image I shot in 2018, the second is a picture of my mom from 1992 taking a picture of me while performing at a school play. My work is about women in denial and the measures they take to escape reality. Throughout the years It became clearer to me that my main inspiration comes from me growing up in Lebanon during the war watching my mother put on her “sunday best” just to try and live life as if nothing was happening. This series is an ode to my original muse and my very first fan ❤️.

PLASTIK STUDIOS 2018

[elirezkallah]

“Mother” 🎂 is a series of images inspired by my childhood in Lebanon. It’s an ode to my original muse and first fan.

Photography by me Fashion editor @aminejreissaty Model @irinaroshik Assistant fashion editor @jaybassam Stylist @gabrielakassab Beauty @ivannasalameh @lvan_kuz Producer @raya_skoll assistant producer @lilialaurel Project manager @stephkassouf Art director @alex.curtis Produced by @plastikstudios 2018

[elirezkallah]

Most of my conversations lately revolved around anxiety and how fast everything is going, how did Facebook know that I wanted to buy this specific product? Is my phone spying on me? Are our computers watching us? 
Everyone seems to think that we are being watched, spied on and stalked by an unknown “force”: a group of marketers, brands, governments, establishments and even individuals. So I went on imagining a modern day horror story inspired by Alfred Hitchcock’s haunting film “The Birds”, where technology revolts against humans. “The Drones” is a shoot set in the (very) near future: one that is threatening to materialize at any given day.

Photography Eli Rezkallah Plastik Studios 2018

[elirezkallah]

“Mother” is a photographic series recreating photographs of my mom that marked my childhood, the first image I shot in 2018, the second is a picture of my mom from 1992 taking a picture of me while performing at a school play. My work is about women in denial and the measures they take to escape reality. Throughout the years It became clearer to me that my main inspiration comes from me growing up in Lebanon during the war watching my mother put on her “sunday best” just to try and live life as if nothing was happening. This series is an ode to my original muse and my very first fan ❤️.

Photography Eli Rezkallah PLASTIK STUDIOS 2018

[elirezkallah]

“The Drones” is a modern day story heroing a Hitchcockian blonde, attacked by the same birds that attack us, - indirectly - everyday. With computers accessing our locations, conversations, sensations, thoughts and wants and needs, we are more vulnerable now than ever.
We exist on data clouds as much as we do in the Real World. But What real World? 
Photography Eli Rezkallah 
Produced by PLASTIK Studios 2018