Grafted Crest (30"x22") Acrylic Ink on Paper, 2022
Acquired Stardust
taylor price
cherry valley forever

Kiana Khansmith
Lint Roller? I Barely Know Her
I'd rather be in outer space 🛸

No title available
Not today Justin

Kaledo Art
Claire Keane
AnasAbdin

No title available

shark vs the universe
No title available

izzy's playlists!
styofa doing anything

@theartofmadeline
YOU ARE THE REASON
he wasn't even looking at me and he found me

Love Begins

seen from Brazil

seen from Greece
seen from Brazil
seen from Brazil

seen from Germany
seen from Colombia
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Congo - Brazzaville
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@plus-c-equals
Grafted Crest (30"x22") Acrylic Ink on Paper, 2022
CRESTED BLOOM CALACOTO, (46"x35") Acrylic Ink on Paper, 2022
Illustration by Charles Robertson for Percy Bysshe Shelley’s “The Sensitive Plant”, 1911.
Cornelia Fitzroy (UK b. 1962) Snow Fields acrylic on paper 58 x 76 cm https://dacre-art.com/artists/cornelia-fitzroy
Fumiko Hori was a Japanese artist, known for her paintings in the Nihonga style
Leo Amino, Refractional #88, (polyester resin), 1973 [Black Mountain College Museum + Arts Center, Asheville, NC. Plus David Zwirner, New York, NY. © Estate of Leo Amino]
Queen of the Night, 2022, by Ella Walker
Holiday Spa Health Club, designed by Brent D. Cornwell (1980s)
Scanned from the book, Interior Design Forum 2 (1990)
Designs for the tearoom on the ground floor of the Cafe Aubette, Sophie Taeuber-Arp (1926)
Thomas Demand | Bloom, 2014
at SprĂĽth Magers 200.0 x 398.0 (cm) 78.7 x 156.7 (inch)
Appalachian urge to just start walking into the woods and never stop.
Geometric Animations / 221203
Felix Gonzáles-Torres
Untitled (Perfect Lovers) 1987-1990
Two identical synchronised clocks placed side-by-side on a light blue painted wall. At first they keep time together, but gradually they move out of sync as the batteries drain and the clocks slow and eventually stop.
The piece reflects the gradual deterioration of Ross Laycock, Felix’s partner, who was dying of AIDS at the time these works were made. Felix would die of AIDS six years later.
Yi-Fei Chen, Tear Gun. 2016
From Dezeen:
After an altercation with a tutor, Design Academy Eindhoven graduate Yi-Fei Chen created this visual metaphor to show her personal struggle with speaking her mind... Chen has now visualised this personal struggle with speaking her mind as a conceptual graduation project – a brass gun that fires tears she has collected.
Marina Rhiengantz
Client, 2018;Â Magma, 2022 (detail); Revoada, 2015.