object permanence

JACQUELINE LA FOLLE

[shesnake]

The Handmaiden (2016) dir. Park Chan-wook

[zzzze]

Josef Breitenbach, Au Cimetière des chats, 1933-39

[seanklingelhoefer]

PAN-O-RAMA

Großglockner Hochalpenstraße, Heiligenblut, Austria 2018.

CONTAX G2 | Zeiss Biogon 28mm f/2.8 | Kodak Gold 200

[hannahlockillustration]

Pumpkin Prince and Witch Dance Risograph.

[timotaychalamet]

Cleo from 5 to 7 (1962) dir. Agnès Varda

[deathandmysticism]

David de Negker, The Wild Man and His Family, 1545

[blueblackdream]

Marina Pierro in Interno di un convento, 1978 (dir. Walerian Borowczyk)

[adelphe]

Illustration by Aubrey Beardsley in The Savoy No. 8, 1896

The Collected Drawings of Aubrey Beardsley, 1967

[archimaps]

Inside the Salle des Empereurs of the Louvre, Paris

[poete]

The Seventh Victim (1943)

[witchinghour]

Phantom Thread (2017) dir. Paul Thomas Anderson

[sakrogoat]

Jean Delville - The Love of Souls

[bienenkiste]

Sara Grace Wallerstedt and Jess Maybury photographed by Pieter Hugo for Re-Edition Magazine #11

[lookingbackatfashionhistory]

• "Tulipes Hollandaises" (textile).

Designer: Charles Frederick Worth (French (born England), Bourne 1825–1895 Paris)

Textile Designer: A. M. Gourd & Cie; Textile Manufacturer: Morel, Poeckès & Paumlin

Date: 1889

Culture: French

Medium: Silk, metal

[songesoleil]

Thaïs by Jules Massenet based on the novel by Anatole France.1893.

Art by Jean Veber.(1868-1928).

[bienenkiste]

“Strange Days”. Photographed by Saty + Pratha for Lula Japan

[enchantedbook]

Daphne and Apollo 1470 Antonio Pollaiolo