underrated twin peaks line is the best and worst people are drawn to a dead dog and the rest just turn away
Game of Thrones Daily
trying on a metaphor
Jules of Nature
cherry valley forever
d e v o n
No title available
will byers stan first human second
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
almost home

titsay
EXPECTATIONS
Sweet Seals For You, Always
Stranger Things
𓃗
NASA

Product Placement
art blog(derogatory)
Monterey Bay Aquarium

seen from Canada

seen from United Kingdom

seen from United Kingdom

seen from Netherlands

seen from United States

seen from United Kingdom
seen from United Kingdom
seen from Denmark

seen from Netherlands
seen from United Kingdom

seen from United States

seen from United Kingdom
seen from Indonesia
seen from Saudi Arabia

seen from Türkiye
seen from Germany
seen from Panama
seen from Colombia
seen from Germany

seen from Netherlands
@poettri
underrated twin peaks line is the best and worst people are drawn to a dead dog and the rest just turn away
“(…) people kiss and hold hands and fall in love and fuck and laugh and cry and hurt others and nurse broken hearts and start wars and pull sleeping children out of car seats and shout at each other. If you could harness that energy—that constant, roving hunger—you could do wonders with it. You could push the earth inch by inch through the cosmos until it collided heart-first with the sun.”
— In the Dream House, Carmen Maria Machado (via deformititties)
Ana Mendieta - “Silueta” Series
The “Siluetas” comprise more than 200 earth-body works that saw the artist burn, carve, and mold her silhouette into the landscapes of Iowa and Mexico. The sculptures made tangible Mendieta’s belief of the earth as goddess, rooted in Afro-Cuban Santería and the indigenous Taíno practices of her homeland.
“It is a way of reclaiming my roots and becoming one with nature.”
eurydice - sarah ruhl
i can‘t remember the name of my favorite poem but it has this quote in it that’s like “if you pretend to love enough people you will never go hungry” and its about where this person was when Elliott smith died and at the end of it he opens up a fortune cookie and it says something bad and he doesn’t tell anyone about it for a whole year
“Ode to Elliot Smith, Ending in the First Snow Snowfall of 2003” The Crown Ain’t Worth Much by Hanif Willis-Abdurraqib
“I loved you before I was born. It doesn’t make sense, I know. I saw your eyes before I had eyes to see. And I’ve lived longing for your every look ever since. That longing entered time as this body. And the longing grew as this body waxed. And the longing grows as this body wanes. That longing will outlive this body. I loved you before I was born. It makes no sense, I know. Long before eternity, I caught a glimpse of your neck and shoulders, your ankles and toes. And I’ve been lonely for you from that instant. That loneliness appeared on earth as this body. And my share of time has been nothing but your name outrunning my ever saying it clearly. Your face fleeing my ever kissing it firmly once on the mouth. In longing, I am most myself, rapt, my lamp mortal, my light hidden and singing. I give you my blank heart. Please write on it what you wish.”
— Li-Young Lee, from The Undressing: Poems; “I loved you before I was born” (via feral-ballad)
Sue Zhao
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”
“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”
“That’s true,” the frog acknowledged. “Climb aboard, then!” But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. “Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”
“I can’t help it,” said the scorpion. “It’s my nature.”
___
…But no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.
“It was going to sting me anyway,” muttered the frog, emerging on the other side of the river. “It was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.”
___
…But no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. “What do you think you’re doing?” said the frog.
“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”
They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.
“After the kindness I showed you!” said the frog. “And you threatened to kill me in return?”
“Kindness?” said the scorpion. “To only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpion’s sting.”
___
…“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”
“You have a point,” the frog acknowledged. “But once we get to dry land, couldn’t you sting me then without repercussion?”
“All I want is to cross the river safely,” said the scorpion. “Once I’m on the other side I would gladly let you be.”
“But I would have to trust you on that,” said the frog. “While you’re pressing a stinger to my neck. By ferrying you to land I’d be be giving up the one deterrent I hold over you.”
“But by the same logic, I can’t possibly withdraw my stinger while we’re still over water,” the scorpion protested.
The frog paused in the middle of the river, treading water. “So, I suppose we’re at an impasse.”
The river rushed around them. The scorpion’s stinger twitched against the frog’s unbroken skin. “I suppose so,” the scorpion said.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Absolutely not!” said the frog, and dived beneath the waters, and so none of them learned anything.
___
A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell. The turtle, swimming placidly, failed to notice.
They reached the other side of the river, and parted ways as friends.
___
…Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell.
The turtle, hearing the tap of the scorpion’s sting, was offended at the scorpion’s ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” sneered the frog. “You’d sting me if I let you on my back.”
The scorpion pleaded earnestly. “Do you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!”
“That’s true,” the frog acknowledged. “Even a scorpion knows to look out for its own skin. Climb aboard, then!”
But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.
“I knew it,” snarled the frog, as they both thrashed and drowned. “A scorpion cannot change its nature.”
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.
“I’ve only myself to blame,” sighed the frog, as they both sank beneath the waters. “You, you’re a scorpion, I couldn’t have expected anything better. But I knew better, and yet I went against my judgement! And now I’ve doomed us both!”
“You couldn’t help it,” said the scorpion mildly. “It’s your nature.”
___
…“Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”
“Alas, I was of two natures,” said the scorpion. “One said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.” It smiled wistfully. “Ah, it would be nice to be just one thing, wouldn’t it? Unadulterated in nature. Without the capacity for conflict or regret.”
___
“By the way,” said the frog, as they swam, “I’ve been meaning to ask: What’s on the other side of the river?”
“It’s the journey,” said the scorpion. “Not the destination.”
___
…“What’s on the other side of anything?” said the scorpion. “A new beginning.”
___
…”Another scorpion to mate with,” said the scorpion. “And more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.”
___
…”Nothing we will live to see, I fear,” said the scorpion. “Already the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?”
___
“I love you,” said the scorpion.
The frog glanced upward. “Do you?”
“Absolutely. Can you imagine the fear of drowning? Of course not. You’re a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isn’t that love? Isn’t that trust? Isn’t that necessity? I could not kill you without killing myself. Are we not inseparable in this?”
The frog swam on, the both of them silent.
___
“I’m so tired,” murmured the frog eventually. “How much further to the other side? I don’t know how long we’ve been swimming. I’ve been treading water. And it’s getting so very dark.”
“Shh,” the scorpion said. “Don’t be afraid.”
The frog’s legs kicked out weakly. “How long has it been? We’re lost. We’re lost! We’re doomed to be cast about the waters forever. There is no land. There’s nothing on the other side, don’t you see!”
“Shh, shh,” said the scorpion. “My venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.”
“You - You’ve killed us both,” said the frog, and began to laugh deliriously. “Is this - is this what it’s like to drown?”
“We’ve killed each other,” said the scorpion soothingly. “My venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?”
“What a foolish thing to do,” murmured the frog. “No logic. No logic to it at all.”
“We couldn’t help it,” whispered the scorpion. “It’s our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - It’s all our fault! We are both blameless. We’re together now, darling. It couldn’t have happened any other way.”
___
“It’s funny,” said the frog. “I can’t say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But I’m doing this for you regardless. It’s strange, isn’t it? It’s strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?”
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”
“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”
“That’s true,” the frog acknowledged. “Come aboard, then!” But no sooner had the scorpion mounted the frog’s back than it began to sting, repeatedly, while still safely on the river’s bank.
The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. “Ah,” it muttered. “For some reason I never considered this possibility.”
“Because you were never scared of me,” the scorpion whispered in its ear. “You were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?” The scorpion bowed its head and drank. “How could anyone kill you without killing themselves?”
In Orwell’s essay “A Hanging,” the writer watches the condemned man, walking toward the gallows, swerve to avoid a puddle. For Orwell, this represents precisely what he calls the “mystery” of the life that is about to be taken: when there is no good reason for it, the condemned man is still thinking about keeping his shoes clean. It is an “irrelevant” act (and a marvelous bit of noticing on Orwell’s part). Now suppose this were not an essay but a piece of fiction. And indeed there has been a fair amount of speculation about the proportion of fact to fiction in such essays of Orwell’s.
The avoidance of the puddle would be precisely the kind of superb detail that, say, Tolstoy might flourish; War and Peace has an execution scene very close in spirit to Orwell’s essay, and it may well be that Orwell basically cribbed the detail from Tolstoy. In War and Peace, Pierre witnesses a man being executed by the French, and notices that, just before death, the man adjusts the blindfold at the back of his head, because it is uncomfortably tight. The avoidance of the puddle, the fiddling with the blindfold—these are what might be called irrelevant or superfluous details. They are not explicable; in fiction, they exist to denote precisely the inexplicable. This is one of the “effects” of realism, of “realistic” style.
But Orwell’s essay, assuming it records an actual occurrence, shows us that such fictional effects are not merely conventionally irrelevant, or formally arbitrary, but have something to tell us about the irrelevance of reality itself (…) There was no logical reason for the condemned man to avoid the puddle. It was pure remembered habit. Life, then, will always contain an inevitable surplus, a margin of the gratuitous, a realm in which there is always more than we need: more things, more impressions, more memories, more habits, more words, more happiness, more unhappiness.
— JAMES WOOD, from How Fiction Works.
intangible - madisen kuhn
OPPOSING FORCES
Even in this sharp weather there are lovers everywhere holding onto each other, hands in one another’s pockets for warmth, for the sense of I’m yours, the tender claim it keeps making—one couple stopping in the chill to stand there, faces pressed together, arms around jacketed shoulders so I can see bare hands grapple with padding, see the rosy redness of cold fingers as they shift a little, trying to register through fold after fold, This is my flesh feeling you you’re feeling.
It must be some contrary instinct in the blood that sets itself against the weather like this, brings lovers out like early buds, like the silver-grey catkins I saw this morning polished to brightness by ice overnight. Geese, too: more and more couples voyaging north, great high-spirited congregations taking the freezing air in and letting it out as song, as if this frigid enterprise were all joy, nothing to be afraid of.
EAMON GRENNAN
Damn the fire alarm. My pasta is fine. Serrated knife to slice tomatoes, leftover water for thick sauce, and since the ventilation is one clogged window, you fan smoke away with a baking pan. It’s an easy meal, and we have been simple with each other across kitchens. While you rinse freckles of dirt from button mushrooms, I set my heart on the table. I’m so used to chasing after my breath, it occurs to me as I chop basil, we could argue as well with my head on your chest. If I kiss you now it would taste like garlic we would both taste like garlic
— Rhiannon McGavin, “Garlic Breath,” in Branches
When I see the article about the polar bears wandering into Russian homes I leave it open unread for a week and consider this trying. Because I am trying to be honest, I can’t say I am doing my best, or even trying my best, but at the very least, at my very worst, I’m trying. I wake up, and this is trying, by which I mean I am sad and yet participate in the requisite functions of my life, usually without audible complaint or demonstrative suffering, trying, for others’ benefit, to be polite, or (trying to be honest) because I am embarrassed to be suffering—but I also mean this, that I am sad and it is difficult, a trial, a circumstance that tries my patience, this sadness is so annoying, I’m so sad it drives me crazy. Like everyone else, I try to do the dishes, to remember birthdays, not to pick at my degenerate skin. Because I am female I try to fulfill domestic labors like cleaning out the fridge and unreciprocated kindness, I try to improve my appearance without making it evident I care about my appearance, I try to care about the right things while making it clear I am still trying, with my appearance, so that men might consider fucking me, and I should consider this (privately) the measure of my worth. And because I am American I try to keep up with the crisis de l’heure, with domestic politics and public displays of rage, I try to be productive, I try to remember reusable bags for my produce, to reduce my footprint, to check pronouns and my privilege, I try to do my part, to cause little harm, but because I am alive harm comes with the territory, the territory upon which I rent is stolen, the city gentrified, and all year an unseasonable heat that I, minor accomplice, have to try very hard not to delight in, short sleeves in February, sweating through Halloween, I admit it, for no defensible reason I still eat meat, still drive on occasion to the CVS down the street, I’ve been known to tell a joke that verges on mean, I’m trying, I mean it, to be good, to be good in a way that is not covertly gendered or self-serving, to be accountable, to practice virtue without announcement, to make at least half as good what I leave as how I found it—trying for you, inkblot, mirage, standing in the artificial dawn on cold tile, golden dew on a stick, first snow pawing at the window to get in.
— Leila Chatti, “Trying”
The cattle lower their heads as they enter the chapel. Even the lowly will be anointed. Because Francis too had his time in the wilderness, lost in the mountains outside Assisi. He was drunk for months. Coming down from the hillside he kissed a man out of pity and through this grace became sainted. I’m missing part of the story— the kiss was likely a test—but I’m not religious, and only for a moment have I understood sublimity, walking through Central Park the morning after I met her. I had to go to the dentist. But I paused for the horses, beautiful and humiliated. Cardinal in my rib cage. Red plumage everywhere, a thin silver ringing. I can’t get that cleanness back, but look: I am trying to remember animals. To believe in beauty, this strange yearly processional— the hand of the priest on the back of the camel and the dead rat outside the cathedral. The sick man at the foot of the mountain, waiting for anyone to come down.
— Madeleine Cravens, “The Feast of Saint Francis”
Mary Oliver, from “Singapore”
[text ID: A poem should always have birds in it. / Kingfishers, say, with their bold eyes and gaudy wings. / Rivers are pleasant, and of course trees. / A waterfall, or if that’s not possible, a fountain rising and falling. / A person wants to stand in a happy place, in a poem.]
Mimesis
by Fady Joudah
My daughter wouldn’t hurt a spider That had nested Between her bicycle handles For two weeks She waited Until it left of its own accord If you tear down the web I said It will simply know This isn’t a place to call home And you’d get to go biking She said that’s how others Become refugees isn’t it?
Tell The People You Love That You Love Them By Rachel C. Lewis, December 18th, 2013