Birders, 2019 (dir. Otilia Portillo Padua)
The Bowery Presents

pixel skylines

gracie abrams
"I'm Dorothy Gale from Kansas"

@theartofmadeline
Cookie Run:Kingdom Official!

tannertan36
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
One Nice Bug Per Day
occasionally subtle
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PR's Tumblrdome
ojovivo
$LAYYYTER
Interview Vampire Daily
cherry valley forever

Andulka

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Origami Around
seen from United States

seen from Türkiye
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seen from United States

seen from Kazakhstan
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seen from Brazil
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seen from Malaysia
@porchlightblues
Birders, 2019 (dir. Otilia Portillo Padua)
Big Sur, California, USA by Caitlin
I think living with the absence of someone we love is like living in front of a mountain from which a person—a speck in the distance, on some distant ridge—is perpetually waving.
Simon Van Booy, from “Everything Is a Beautiful Trick,”
The Secret Lives of People in Love
(Turtle Point Press, 2007)
(via karibu-nyumbani)
friar laurence: romeo she’s alive
friar laurence: oh god he has airpods in he can’t hear me oh god
Springtime above Salt Lake City - sound on
Waterhouse, Lamia, 1905
Christian Berard (1902-1949), Deux Espagnoles. Gouache, aquarelle et encre de Chine sur papier, 38 x 31 cm. (14 7/8 x 12 1/8 in.)
New York in the 80s, photographed by Steven Siegel
I found an old train ticket in this second hand book I bought a while ago.
I’m wondering who was so passionate about studying Romanticism on a train from Milano to Trieste on 11th april 1988. Were they returning from holidays and studying for an exam? Or were they doing research for their thesis?
“Derivation of the Roman letter M from the ancient Egyptian hieroglyphic owl.” Psychology, general introduction. 1917.
This is the only story about a haunted sword where the haunted sword is the least interesting part of the story.
INDIA. Jammu and Kashmir. Srinagar. 1999. Saffron harvesting. An acre yeilds only a few pounds of the world’s most costly spice. Lush fields and placid lakes once drew more than half a million visitors a year, but civil unrest has shattered Kashmir’s calm and left tourism in shambles. By Steve McCurry
18th century marbled endpapers
Guillaume Amat. Open Fields . Inspired by the Greek Myth ‘Orpheus and Eurydice’ in which the topic of looking forward and backward is central to the story.
Jupiter’s surface looks like it came from a dream
Stéphane © C. Krieger, P. Chaumont and A. Zaerpour, Courtesy of Jacquemus. Source