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TITULO DE PRUEBA

Once again, Mexican talent is chasing Oscar glory, and the country's most promising filmmakers are making their voices heard on the festival circuit. But back home, the box-office numbers tell a different story. Locally produced movies captured less than 6 percent of Mexico's box-office share last year, while the lion's share of a record-breaking year ($892 million in receipts) went to

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TITULO DE PRUEBA

Once again, Mexican talent is chasing Oscar glory, and the country's most promising filmmakers are making their voices heard on the festival circuit. But back home, the box-office numbers tell a different story. Locally produced movies captured less than 6 percent of Mexico's box-office share last year, while the lion's share of a record-breaking year ($892 million in receipts) went to Hollywood distributors.

Más

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TITULO DE PRUEBA

Once again, Mexican talent is chasing Oscar glory, and the country's most promising filmmakers are making their voices heard on the festival circuit. But back home, the box-office numbers tell a different story. Locally produced movies captured less than 6 percent of Mexico's box-office share last year, while the lion's share of a record-breaking year ($892 million in receipts) went to Hollywood distributors.

Más

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Título de prueba TITULO DE PRUEBA

The state of Latin American cinema is something of a paradox: overall film production and box-office numbers seem to break records every year, and there is certainly plenty of talent, with local auteurs regularly making the jump to Hollywood (think Narcos co-creator Jose Padilha or Hateful Eight co-star Demian Bichir).

But while the festival circuit consistently honors the region's best with top awards, only a handful of local films — mostly comedies featuring TV stars — make a dent at the local box office. And when they do succeed, they take most of an already reduced share of the market, which is heavily concentrated and dominated by Hollywood blockbusters.

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