Vampire Weekend LP3 @postmodernvampiresofthecity - Tumblr Blog

janskylar

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[yelling] IN DECEMBER DRINKING HORCHAATAAAAdjskfafdkla

postmodernvampiresofthecity

Dat time of year errybody

forggy2000

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Kevin devine covering Hannah Hunt…it’s just as good as the title suggests.

pitchfork

Listen to Vampire Weekend’s Ezra Koenig sing the “Seinfeld” theme song in this bizarre online video game.

hellodecatur

Dammit, Hannah.

toppomeranian-deactivated201308

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Ezra’s Tweets Illustrated

making an album is 10% Sentimental Education, 90% World Wrestling Federation (rly driving this into the ground now)

braindesktop

fullmetalparka

VAMPIRE WEEKEND’S ‘MODERN VAMPIRES OF THE CITY’ HAS BEEN NOMINATED FOR BEST ALTERNATIVE MUSIC ALBUM AT THE 56TH ANNUAL GRAMMY AWARDS

The awards show will take place on Sunday, January 26, 2014, at Staples Center in Los Angeles and will be broadcast on CBS from 8 - 11:30 p.m. (ET/PT).

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early MVOTC mock ups that didn’t make the cut (via rostams instagram)

fullmetalparka

ROLLING STONE’S 50 BEST ALBUM’S OF 2013: #1 - VAMPIRE WEEKEND, ‘MODERN VAMPIRES OF THE CITY’

The first two Vampire Weekend albums showed off a sound unlike any other in rock: a precocious mix of indie pop, African guitar grooves and wry, boat-shoe-preppy lyrics that were sometimes too cute for their own good. But with Modern Vampires of the City, they went deeper, adding scope and ambition to all the sophistication. In 2013, no other record mixed emotional weight with studio-rat craft and sheer stuck-in-your-head hummability like this one. It’s one of rock’s great albums about staring down adulthood and trying not to blink — that moment where, as singer Ezra Koenig puts it, you realize “wisdom’s a gift/But you’d trade it for youth.” The music is sculpted and subtly bonkers, with orchestral sweeps balancing hymnlike beauty and dub-inflected grooves. Koenig earns those Paul Simon comparisons thanks to vivid lyrics about youngish things in crisis — the unemployed friend who can’t find a reason to shave in “Obvious Bicycle,” the weary couple soldiering through the road-trip epic “Hannah Hunt.” Then there’s Koenig himself, filling songs like “Worship You” with religious allusions, evoking the search for meaning and faith with wit and skepticism. The album’s fog-over-New York cover reminds us just how hard that search has become. The music makes it feel worth the heartache just the same.

(via Rolling Stone)