Persephónê @ppasdeprobleme - Tumblr Blog

I saw people do this & adopted it myself, and it’s actually been super helpful—set a daily reminder to do your arab.org click of the day. It has been said ad nauseam at this point, but if each person in the thousands of people who engage on palestine posts clicked on this, we’d be raising thousands in revenue towards humanitarian aid. Don’t think your one little click is unnecessary. It adds up fast—but only if you actually do it.

A lot of people asked how they can help if they don’t have funds to spare. This is the most passive way to raise donations towards Palestinian aid.

cosmicanger

gogumagirl

cadaverette

A Coward, Michael Gira (1984)

zegalba

A displaced Iraqi woman holds her cat, Lulu, while waiting for transport in the Iraqi Kurdish checkpoint village of Shaqouli after she fled her home with her children on November 10, 2016.

blistexenthusiast

engraved carabiners

2001hz

H.R. Giger: 'double torso with hook' (1978-1983)

epellucid

via

zegalba

Mounir Fatmi: The Machinery (2017)

389

Mona Hatoum, Grater Divide, 2002 Mild steel, 204 cm x variable width and depth

earnedmagic

Mona Hatoum is a Palestinian artist. From Artform’s 2021 Rape is a Border:

Take Grater Divide, 2002. The work is ridiculous: a standing metal cheese grater more than six feet high. Installed in a gallery, it works as a room divider, but the holes make privacy impossible. The wall is a weapon rather than a shield: A person undressing behind it could be cut as well as peeped at, opened up by sharp edges made for shredding. The work is not only an enlargement of a grater, however, but also a miniaturization of a divide, prototyping, in particular, the West Bank barrier Israel had begun to construct on appropriated Palestinian land. A person traveling through a border checkpoint may be asked to undress—strip searches are not prohibited by Israeli law. In the United States, they have been allowed ever since the 1985 Supreme Court case United States v. Rosa Elvira Montoya de Hernandez, which originated with the cavity search of Hernandez, who was traveling to Los Angeles from Colombia. In both countries, the coercive invasion of bodies is more likely to be visited on people of color, who are disproportionately singled out for selective or heightened “screening.” This word’s very meaning is reframed, or enlarged, by the Grater Divide. Gloria Anzaldúa, the queer Chicana theorist of Borderlands/La Frontera (1987), called the United States–Mexico border an “open wound” where “the Third World grates against the first and bleeds.” All borders are graters: not solid walls but permeable ones whose pores are sharpened to pierce what passes through.