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Our Lady of Longing
Curse of Strahd, Lydia Petrovna. sticker design
wang ruoshan 王若珊 — hanfu photoshoot
xuan lu 宣璐 in hanfu | birthday photoshoot 🎂 — 15 january 2026
【UNWAVERING】
Liu Qingge | SVSSS
SHŌDA Kōhō（庄田 耕峯 Japanese, 1877-1924）
Moonlit Sea 1930？
woodblock print
. 𝒱𝒾𝓈𝓊𝒶𝓁 𝒫𝑜𝓇𝒸𝑒𝓁𝒶𝒾𝓃
. քʊʀɨȶʏ
Pendant
c. 1880-1910
ivory, feathers, gilt metal, fabric, lichen, plant husk
England
Powerhouse Collection
Twenty summers past.
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Mother by Lin Sun
René Lalique, Jasmin Corsage ornament, 1899-1901.
Private Collection Shai and Shuxiu Lin Bandmann.
XIA MENG 夏梦 | hanfu photoshoot
Xia Meng: more photos here hanfu photoshoot: more photos here
Tang dynasty hanfu
Hanfu with soft green and purple shades
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Ming Dynasty Hanfu
Hanfu Cape in Winter
. 𝕽𝖆𝖈𝖊 𝕬𝖑𝖔𝖓𝖌
Sanctuary of Amun-Re at the Temple of Amun, Karnak
▫ At the heart of the vast Karnak complex lies the Sanctuary of Amun-Re, a space conceived in deliberate darkness and restraint. Rebuilt in stone during the reign of Thutmose III (c. 1479–1425 B.C.), and later restored by New Kingdom kings including Amenhotep III, Seti I, and Ramesses II, this chamber formed the god’s most sacred earthly dwelling.
A small aperture in the ceiling admits a narrow shaft of sunlight, carefully controlled and symbolically charged. In a world where light signified creation itself, this descending beam evoked the moment when order emerged from the primeval waters of Nun, and when the god’s presence was made manifest.
Access to this chamber was strictly limited. Only the king and select priests could enter, bearing offerings and performing rituals to sustain divine order (Maʿat). Here, architecture, theology, and light converge; not for spectacle, but for communion.
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