No offense but do y'all have to be validated for EVERY fucking thing?

@theartofmadeline
Cosmic Funnies
Peter Solarz
art blog(derogatory)
Show & Tell
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Acquired Stardust

roma★
Keni
Misplaced Lens Cap

Kiana Khansmith
occasionally subtle
ojovivo
cherry valley forever
let's talk about Bridgerton tea, my ask is open

Andulka
Jules of Nature

oozey mess
hello vonnie
Lint Roller? I Barely Know Her
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@pradafiles
No offense but do y'all have to be validated for EVERY fucking thing?
Lindsey Wixson for the @allure January 2017 issue, photographed by Nicolas Kantor and styled by Catherine Newell-Hanson
Natalia Vodianova / W Magazine December 2012 “Sleep No More” by Mert & Marcus
Louis Vuitton Cruise 2016 Lookbook by Juergen Teller
Alexander Wang S/S 2017 Beauty
imagine getting dragged this hard by your own brother
Promotional Imagery for YSL Beauty
Amazing!!!
#Gone Girl (2014)
RNC attendees tried to hide a demonstrator’s “No racism, No hate” sign with an American flag. Clearly they failed to see the irony. The protester was from the Code Pink group — who haven’t been slowed down by this at all.
Using an American flag to cover up someone calling for an end to racism and hate is the best metaphor I’ve seen in a long time for the GOP.
‘Merica! Where a message reading no hate is deviant
GIRLS ON FIRE
Banks Fuck With Myself (2016) Tinashe for Dazed (2015) Megan Fox in Jennifer’s Body (2009)
What effects on fashion did AIDS have? Did people start to express their sexuality through their clothes instead of actual sex? (Thanks, Tom Ford)
The idea of “acting” your sexuality is interesting, but Tom Ford is way, way post-AIDS. Or at least post AIDS hysteria. The place to look at is the early to mid 1980s, when you had the cartoonish sexuality of Mugler and that hard, aggressive Montana woman, who looked like her sexuality could kill you. And there was also Yohji and Comme, whose clothes were desexed; and Westwood and Lacroix, escaping into history. Which fashion often does. I think Gaultier is very interesting in that cultural landscape, because he was articulating an overt gay sexuality at a time when it wasn’t just seen as subversive and different, but actually threatening. But he also cast real people as his models - he championed reality, and humanity. I wonder if that was a reaction to AIDS, even if unconscious? What Gaultier did in the 1980s was very powerful, and very different.
herb ritts and bruce weber, too, are very important in the aesthetic landscape of AIDS