RHAENYRA & ALICENT in HOUSE OF THE DRAGON ── season 2, episode 8.
(in/sp)
★
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Cosmic Funnies
YOU ARE THE REASON
occasionally subtle

Kiana Khansmith

Product Placement
let's talk about Bridgerton tea, my ask is open
Not today Justin
macklin celebrini has autism
NASA

❣ Chile in a Photography ❣
RMH
noise dept.
taylor price

#extradirty

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Cosimo Galluzzi
$LAYYYTER

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@prayfortrippinplauges
RHAENYRA & ALICENT in HOUSE OF THE DRAGON ── season 2, episode 8.
(in/sp)
alicent + using viserys as a proxy
Is it the King's command? Yes, but it n- - Then at once, Your Grace. But it needn't be. None of this needs be this way in truth, Rhaenyra.
the tragedy of rhaenyra and alicent is that they cannot ever truly see the other without destroying the foundations of their own self-image. rhaenyra cannot see alicent as a child married to a man old enough to be her father because that’s rhaenyra’s father. and the image she has of both viserys as a just and kind man and of herself as the beloved daughter of that man would collapse under the weight of that realisation. the resentment she holds against alicent would have to turn upon viserys. if she recognised that viserys treats alicent little better than a broodmare, she would have to realise that fundamentally that is all her mother was to him too. if she understood why alicent was disgusted by her marrying daemon she would have to see herself not as someone with agency marrying a man she loved who happened to be her uncle but as someone manipulated and groomed since childhood. the agency she clings to, which is so important to how she sees herself, would be revealed as an illusion. by extension she would have to see her family as one in which the familial is warped almost beyond repair. her self-image, so rooted in targaryen exceptionalism, would collapse.
likewise alicent cannot fully grasp why rhaenyra was so upset that she married viserys because she would have to fully see viserys not as the king but her friend’s father. she would have to face the horror of her life head on. moreover she would have to see viserys in her own father. for her to accept that rhaenyra is not selfish or undutiful for having affairs and trying to carve out whatever agency she can, the pedestal on which alicent places duty would have to be destroyed. she would have to realise that duty is only as important as she believes it to be, that it has no meaningful moral weight to it, and that all of her suffering has been for nothing. alicent tells herself that her sadness is a condition of her existence, as a woman, a mother, a daughter, and that by trying to claw whatever happiness she can from the world rhaenyra has turned her back on all of those things; she is the wrong kind of woman. if she could ever accept that rhaenyra had slept around and birthed bastards without judgement the core of alicent’s identity as a good mother/wife/queen would collapse. she would have to face the reality that nothing that happened to her was justified, and crucially that her submissiveness at every turn was not noble or good and was never going to let her win, but only trapped her further. every cognitive barrier she has built up to protect herself and provide some sort of meaning to a life in which she has only ever really suffered would have to shatter.
and they both realise these things to some extent, rhaenyra knows that viserys is flawed and fallible because she’s experienced his mistakes firsthand (and she is definitely aware of daemon’s violence) and in many ways alicent is so viciously judgemental of rhaenyra’s choices because she wants that level of freedom so desperately for herself, and they so clearly love each other still that they both want to believe there’s something good in the other. but they bury those doubts under layers and layers of cognitive dissonance so they don’t have to face deeply painful realities, because neither of them can truly see the other without destroying themselves.
they can take the teenager out of the situationship, but they can’t take the situationship out of the teenager (34 year old grandmother)
alicent after a week of getting kicked out of her own small council to later finding out that rhaenyra is finally in her girl kissing era ten years too late and over 300 miles away
alicent putting her hand on rhaenyra's wrist and rhaenyra putting her hand on alicent's hand and rhaenyra shushing her and both of them gasping for breath what if we all just kill ourselves
HOUSE OF THE DRAGON S02E06 | dir. Andrij Parekh
To Me what makes the tragedy of their relationship so compelling is that they fall fast and hard and it's intense and all consuming but louis can't give himself over to it. he has the ghost of his abusive ex husband literally breathing on the back of his neck and the murder of said abusive ex husband hanging over his and his sisterdaughter's head, all of paris is a death trap waiting to get them, but he loves claudia too much to leave without her and i genuinely believe he also loves armand too much to leave without him. and while louis can't give himself over, armand is desperate to throw himself into it, has been waiting his whole immortal existence for this idealized companionship, and he will always be fundamentally terrified of losing it unless he can guarantee total and mutual ownership.
armand's warning brings this state of limbo to an end, and gives louis reason to think he's saving himself and claudia by finally giving himself over to this relationship, by trusting him. and armand... <book spoilers i guess> armand thinks he's securing their love by making himself the only person in the world for louis. and he is, in a way, but it's a pyrrhic victory. </book spoilers> 77 years later he still has louis. and louis loves him. but louis hates him, too, and there's a part of him that armand will never be able to reach.
My experience with queer media lately:
this is the funniest fucking thing he could possibly fucking say about lestat
my life for an iwtv link that works
Armands & Daniels from May 2024
EMMA D'ARCY & OLIVIA COOKE — Entertainment Weekly (May 14, 2024)
EMMA D'ARCY — Ph. by Sarah Piantadosi for ES Magazine (May 2024)
A moment of silence for Claudia who canonically has to travel through the war-torn Europe with her recently divorced dad who's getting hit on by every man they come across
Armand stimming part ii | (part i - s1)
bonus: