FACE by Stacey Chanel, New York Awards Ball (1999)

titsay
taylor price
KIROKAZE
todays bird
𓃗

pixel skylines

gracie abrams
One Nice Bug Per Day

Jimmy Eat World
Doug Jones

if i look back, i am lost

Jar Jar Binks Fan Club
Lint Roller? I Barely Know Her
RMH
$LAYYYTER
d e v o n
sheepfilms
Aqua Utopia|海の底で記憶を紡ぐ

oozey mess
cherry valley forever

seen from Argentina

seen from Malaysia
seen from Türkiye

seen from Malaysia
seen from Finland
seen from Austria
seen from Bangladesh

seen from Indonesia

seen from China
seen from China
seen from United Kingdom

seen from Türkiye
seen from Caribbean Netherlands
seen from Curaçao

seen from Malaysia

seen from United States
seen from Brazil
seen from Vietnam
seen from United States

seen from China
@princekmmonroe
FACE by Stacey Chanel, New York Awards Ball (1999)
The Ex-Con, Voodoo Priest, Goddess, and the African King: A Social, Cultural, and Political Analysis of Four Black Comic Book Heroes (2016)
“Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.
Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.
In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.”
by William Jones
Get it now here
William Jones, the founder of Afrofuturism Network, is a historian, “comic book geek”, writer, and educator. He is a sought-after public speaker on the subjects of the history of black people in America, the image of black people in various forms of media, pop culture and hip-hop music, to name just a few. He has spoken on various college campuses and at conferences both nationally and abroad.
[Follow SuperheroesInColor faceb / instag / twitter / tumblr / pinterest]
The Ex-Con, Voodoo Priest, Goddess, and the African King: A Social, Cultural, and Political Analysis of Four Black Comic Book Heroes (2016)
“Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.
Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.
In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.”
by William Jones
Get it now here
William Jones, the founder of Afrofuturism Network, is a historian, “comic book geek”, writer, and educator. He is a sought-after public speaker on the subjects of the history of black people in America, the image of black people in various forms of media, pop culture and hip-hop music, to name just a few. He has spoken on various college campuses and at conferences both nationally and abroad.
[Follow SuperheroesInColor faceb / instag / twitter / tumblr / pinterest]
Beach Bum
Pose in Heaven Kenntastic!!! 💔😇😿😭 https://www.instagram.com/p/By-W1g0hhbf/?igshid=1i6irjehdep4
jewels
I took the ssss outta the 🐍 (I took the soul out the snake) 🤤😈🤫 https://www.instagram.com/p/BvUOtSXlT3X/?utm_source=ig_tumblr_share&igshid=q9a0nonidngu
I was just underrated, then I turned to a beast . Eat you like a gator when you stuck up in the streets 🖕🏾🐍🐊 ♓️ a whole lot of BDay drip♓️ (at The Spot) https://www.instagram.com/p/Bu1WafvloDV/?utm_source=ig_tumblr_share&igshid=1qllqf8rn1vlp
Somebody told me I missed hump day so I had to throw it back 🤸🏽♂️😝🍑 https://www.instagram.com/p/Buul_auFnab/?utm_source=ig_tumblr_share&igshid=1gcqnj0dw8cla
I know they eyes seeing me, but i'on see a soul 👁🗨🥶 (at Huntsville, Alabama) https://www.instagram.com/p/BuT6nMvF-K_/?utm_source=ig_tumblr_share&igshid=1wxsy9qddgbli
🗣Alexa play: More Than A Woman! x Aliyaah #WCW 💙⚡️🤞🏽 https://www.instagram.com/p/BtSGt9gFJ1H/?utm_source=ig_tumblr_share&igshid=133rvmpxi2mmw
Oh hi.
The Ex-Con, Voodoo Priest, Goddess, and the African King: A Social, Cultural, and Political Analysis of Four Black Comic Book Heroes (2016)
“Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.
Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.
In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.”
by William Jones
Get it now here
William Jones, the founder of Afrofuturism Network, is a historian, “comic book geek”, writer, and educator. He is a sought-after public speaker on the subjects of the history of black people in America, the image of black people in various forms of media, pop culture and hip-hop music, to name just a few. He has spoken on various college campuses and at conferences both nationally and abroad.
[Follow SuperheroesInColor faceb / instag / twitter / tumblr / pinterest]
@keke said it best [ HOOD & BOUJIE]💁🏽♂️😎💁🏽♀️ (at Tha Hood) https://www.instagram.com/p/BshBItIF3WZ/?utm_source=ig_tumblr_share&igshid=ci0j04p8w4m8
glass tip nails by krocaine on instagram