[princessofpranksa]

               𝐒𝐎𝐌𝐄𝐓𝐈𝐌𝐄𝐒 𝐓𝐇𝐄 𝐓𝐇𝐈𝐍𝐆𝐒 𝐓𝐇𝐀𝐓 𝐀𝐑𝐄 𝐓𝐇𝐄 𝐌𝐎𝐒𝐓 𝐁𝐄𝐀𝐔𝐓𝐈𝐅𝐔𝐋                      𝐀𝐑𝐄 𝐓𝐇𝐄 𝐓𝐇𝐈𝐍𝐆𝐒 𝐓𝐇𝐀𝐓 𝐂𝐀𝐍 𝐇𝐔𝐑𝐓 𝐘𝐎𝐔 𝐓𝐇𝐄 𝐖𝐎𝐑𝐒𝐓.

#      𝑝𝑟𝑖𝑛𝑐𝑒𝑠𝑠𝑜𝑓𝑝𝑟𝑎𝑛𝑘𝑠   .      independent & private & mutuals only blog for      ✨   𝑔𝑒𝑛𝑒𝑣𝑖𝑒𝑣𝑒 ' 𝑗𝑒𝑠𝑡𝑒𝑟 ' 𝑙𝑎𝑣𝑜𝑟𝑟𝑒      ✨      of critical role      .      canon divergent & headcanon based   ,   cherished by alexys   (   she/her , mst , 29   )      .

𝑐𝑎𝑟𝑟𝑑 / 𝑖𝑛𝑡𝑒𝑟𝑎𝑐𝑡𝑖𝑜𝑛 𝑐𝑎𝑙𝑙 / 𝑑𝑖𝑠𝑐𝑜𝑟𝑑 : available by request !

find me : 𝑎𝑡𝑙𝑎𝑠𝑏𝑢𝑟𝑑𝑒𝑛𝑒𝑑 / 𝑒𝑣𝑒𝑟𝑙𝑖𝑔ℎ𝑡𝑒𝑑

[thebabblingbabs]

Jester Lavorre and the Cupcake of Deliciousness !!!

[princessofpranksarc]

& so i drew & i drew & i drew some more . it became my way of interacting with the outside world . and mama’s too . it was enough , i told myself it was enough . some things changed as i grew up . my art got better ! & still other things stayed the same . i knew how to be alone . i was good at it . but the truth was … the truth was i needed a fucking friend . promo template by carestuff & starclub !

[sunflowervc]

CR friendo buddies for palentine’s day <33

[princessofpranksa]

anyway … 

[cwladiesdaily]

LIZ ORTECHO S03E04 | “Walk on the Ocean”

[ruushes]

🌺🌻🌹🌷🌼🌸 a mural of wildflowers 🌺🌻🌹🌷🌼🌸

[leneemusing]

FOR THE “YOU CAN KILL ME BUT DON’T YOU DARE TOUCH THEM” DYNAMICS 

❝  i only want you.  ❞

❝  i don’t need anyone else.  i just…you.  you’re all i need.  ❞

❝  listen,  i’ve lost a lot of people in my life.  i learned how to deal with it but…you’re different.  i can’t take it if it’s you.  ❞

❝  i think about anything happening to you and i— i just.  i fucking lose it.  ❞

❝  you don’t understand.  i need you safe.  not because i don’t think you can handle yourself but because i can’t focus on anything else if there’s even the smallest possibility you’re in danger.  ❞

❝  no one is ever gonna get near you again,  you hear me?  ❞

❝  i won’t let you get hurt.  i promise.  and i don’t make empty promises.  ❞

❝  turn around.  you don’t need to see this part.  ❞

❝  just give the word and i’ll kill every one of them.  ❞

❝  you can’t get all worked up every time something happens to me.  that’s just life.  you’re not always gonna be able to protect me from it.  ❞

❝  no one else understands me.  but you do.  you always do.  ❞

❝  i don’t think i’m the best person for you,  i don’t.  but i do know i’m the one that can keep you safe  ❞

❝  hey—  look at me.  it’s over.  it’s done.  we’re okay.  ❞

❝  who the fuck made you cry i’ll fucking rip their head off.  ❞ 

❝  i know you’ve always got my back.  ❞

❝  please,  let me take care of you this time.  you’re always protecting me but it tears me up inside every time you get hurt because of it.  ❞

❝  can you make everyone else just go away?  i know they mean well but i just want to be alone—  alone with you i mean.  ❞

❝  i know when you’re here,  the real monsters can’t touch me.  ❞

❝   oh,  i am one of the monsters.  but that just means i can keep all the other monsters from ever hurting you again. ❞ 

❝  if you’re gonna keep risking your life for me than you’re also gonna let me patch you up without a single complaint.  ❞

❝  we keep each other safe.  it’s my turn to protect you.  ❞

❝  i killed them for you.  i know you could’ve done it yourself,  but you shouldn’t have to.  ❞

❝   i love you because i know how capable you are.  and i show that love by making sure you don’t have to be the one to always do the hard things.  ❞

❝   i’m gonna make them regret ever even thinking about laying a hand on you.  ❞

❝  tell me what you want me to do.  i’ll do it.  whatever you want.  ❞

❝  i love you just like this.  i love you when you touch me gently like no one else ever has.  and i love you when your hands are bloody and your knuckles are bruised. ❞

❝  please,  just let me protect you.  ❞

❝  are you hurt?  did they hurt you?  ❞

❝  wait,  stop you’re bleeding.  ❞

❝  did you just wince?  where are you hurt?  ❞

❝  i need you in my life.  i’m not used to that—  needing people.  but i do need you.  ❞

❝  you make me feel things i’m not used to feeling.  ❞

❝  why do you let me close when you’re always driving everyone else away?  ❞

❝   you’re mine.  and i protect what’s mine.  ❞

❝  thank you for always being here for me.  ❞

❝  you see things in me that i didn’t even know where there.  ❞

❝  that’s enough.  let’s go home.  ❞

❝  i’m okay now.  i’m safe.  you don’t have to be angry anymore.  ❞

❝  please stop—  this is scaring me. ❞

❝  you don’t have to do this for me.  ❞

❝   hey stop— stop!  look at me.  they’re dead now.  you can stop.  ❞

❝  i have to make an example outta them so no one else tries to hurt you again.  ❞

❝  killing for you is easy.  it’s right.  it feels natural.  ❞

❝  let me do this for you.  ❞

SCENARIOS

[ ONE ]  for sender to take a bullet for receiver. 

[ TWO ]  for receiver to take a bullet for sender. 

[ THREE ]  for sender to protect receiver and then carry them to safety. 

[ FOUR ]  for receiver to protect sender and then carry them to safety. 

[ FIVE ]  for sender to witness receiver get hurt which sends them into a violent rage.

[ SIX ]  for receiver to witness sender get hurt which sends them into a violent rage. 

[ SEVEN ]  for sender to be hurt trying to protect receiver which makes them bloodthirsty for revenge.

[ EIGHT ]   for receiver to be hurt trying to protect sender which makes them bloodthirsty for revenge.

[ NINE ]  for sender to have violently protected receiver,  so receiver kisses them to calm them down. 

[ TEN ]  for receiver to have violently protected sender,  so sender kisses them to calm them down. 

[ ELEVEN ]  for sender to carefully approach receiver in the aftermath,  gently touching them to try and bring them back to themselves. 

[ TWELVE ]  for receiver to carefully approach sender in the aftermath,  gently touching them to try and bring them back to themselves. 

[ THIRTEEN ]  sender was kidnapped,  receiver shows up to save them.  

[ FOURTEEN ]  receiver was kidnapped,  sender shows up to save them.  

[ FIFTEEN ]  sender executes a third party in front of receiver because that person hurt them. 

[ SIXTEEN ]  receiver executes a third party in front of sender because that person hurt them. 

[ SEVENTEEN ]  sender thinks they’re alone but receiver comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ EIGHTEEN ]   receiver thinks they’re alone but sender comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ NINETEEN ]  sender has been devastated by something.  receiver holds them until they calm down so they don’t do anything drastic. 

[ TWENTY ]  receiver has been devastated by something.  sender holds them until they calm down so they don’t do anything drastic. 

[ TWENTY-ONE ]  sender thought receiver died so they set out to get revenge.  receiver shows up in time to stand in front of them before they go too far.  

[ TWENTY-TWO ]  receiver thought sender died so they set out to get revenge.  sender shows up in time to stand in front of them before they go too far. 

[ TWENTY-THREE ]  sender is in a vengeful rage because of something that happened to receiver.  receiver gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FOUR ]  receiver is in a vengeful rage because of something that happened to sender.  sender gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FIVE ]  for sender to have receiver stand by somewhere safe where they can watch sender kill on their behalf. 

[ TWENTY-SIX ]  for receiver to have sender stand by somewhere safe where they can watch receiver kill on their behalf. 

[mjalti]

listen, when i go to open my mouth & what comes out is 12 degrees of seperation from what the original topic was, u need to connect the dots bitch. think fast. i’m not gonna hold ur hand but we’re leaving now and visiting every topic along the line. wave it goodbye, don’t get hung up on it

[ohisms]

𝐁𝐀𝐒𝐎𝐑𝐄𝐗𝐈𝐀 ;   𝒕𝒉𝒆 𝒐𝒗𝒆𝒓𝒘𝒉𝒆𝒍𝒎𝒊𝒏𝒈 𝒅𝒆𝒔𝒊𝒓𝒆 𝒕𝒐 𝒌𝒊𝒔𝒔 .    (   a  series  of  kiss  prompts .   some  nsfw  material  present .   )

❛  01 .   a  kiss  to  say  hello . ❛  02 .   a  kiss  for  the  first  time . ❛  03 .   a  kiss  after  a  long  time  apart . ❛  04 .   a  kiss  to  apologize . ❛  05 .   a  kiss  to  forgive . ❛  06 .   a  kiss  during  a  fight . ❛  07 .   a  kiss  to  say  what  you  can’t  say  aloud . ❛  08 .   a  kiss  in  secret  /  a  forbidden  kiss . ❛  09 .   a  kiss  to  prove  a  point . ❛  10 .   a  kiss  against  a  wall . ❛  11 .   a  kiss  on  a  rooftop . ❛  12 .   a  kiss  that  seals  a  marriage . ❛  13 .   a  kiss  before  one  goes  away . ❛  14 .   a  kiss  in  the  shower . ❛  15 .   a  kiss  that  comes  out  of  nowhere . ❛  16 .   a  kiss  first  thing  in  the  morning . ❛  17 .   a  kiss  last  thing  at  night . ❛  18 .   a  kiss  during  combat . ❛  19 .   a  kiss  during  a  fake  relationship . ❛  20 .   a  kiss  out  of  desperation . ❛  21 .   a  kiss  on  the  cheek . ❛  22 .   a  kiss  on  the  forehead . ❛  23 .   a  kiss  on  the  back  of  the  hand . ❛  24 .   a  kiss  on  the  neck . ❛  25 .   a  kiss  on  the  fingertips . ❛  26 .   a  kiss  on  the  stomach . ❛  27 .   a  kiss  to  end  the  sexual  tension . ❛  28 .   a  kiss  over  a  scar . ❛  29 .   a  kiss  over  a  wound . ❛  30 .   a  kiss  to  say  goodbye .

[zei-ord-art]

Jester babey

[temeult]

the  older  i  get,  the  more  fears  i  collect.   i  gather  them  from  all  the  people  i  meet.  their  stories  reveal  regrets  their  smiles  can’t  conceal    —  (   i  carry  them  with  me.  )

[ruushes]

tattoo designs… but make it beaujes 💎💎💙💙

[zazieebeetz]

[ladiesofrnm]

JEANINE MASON in Dolly Parton’s Christmas on the Square (2020)

[soulprompts]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[funnytwittertweets]