Some favorites from Gawker’s Hipsters of the Decade
NASA
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The Stonewall Inn
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★

EXPECTATIONS
almost home
Lint Roller? I Barely Know Her
I'd rather be in outer space 🛸
🩵 avery cochrane 🩵
$LAYYYTER
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@theartofmadeline
Color Me Curious
𓃗
Cosmic Funnies
Noah Kahan
PUT YOUR BEARD IN MY MOUTH

Jar Jar Binks Fan Club

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@projecthipster
Some favorites from Gawker’s Hipsters of the Decade
Heartbroken to find that Hipsterzine is dead. Next time I find some writing like that, I'm printing it out and making an actual little zine to keep. In the interest of preservation, read some posts on the wayback machine:
(2008-2012)
Everyone says they wish people were more genuine and openly passionate about the things they create but I see those same people hate on creators who actually are because they’re “cringe”
It’s interesting the media trend of being too self aware (or meta) and mocking itself in the text is kind of a reaction to exactly that.
It’s self-defeating because it colors the way people see your work but it is initially a defense mechanism for a lot of people.
“If I say it sucks from the start it won’t hurt when people say it does. I already said it so what did they expect-“
If you want people to be comfortable being genuine and passionate you have to let them do so without being an asshole. (Even when you don’t like it)
(Which is not the same as never criticizing anything or being 100% positive all the time. We don’t need to swing all the way in the other direction here and over correct..)
Something about the internet cycle of “people love a thing” —> “thing gets too popular” —-> “people suddenly VICIOUSLY hate the thing and people who like it are cringe/bad” is so exhausting to me
Growing to hate something bc of over saturation is absolutely a thing that happens but keep it to yourself and like minded people, you know? Be able to recognize that’s the problem and not the actual thing.
Yeah it can be fun to be a hater about stuff you dislike sometimes but know when and where it’s appropriate? Don’t be needlessly cruel to people who are just..minding their own business.
Because in a world where everything is really commercialized and overly sanitized for mass consumption maybe we should celebrate when people are actually passionate enough to create something out of love.
Yes, even if how they do it is “cringe” to you or it’s “overdone” they still felt moved enough to do something. Maybe it’s not the “best” in terms of quality or the most original thing in the world but it’s better than the mindless, unfeeling commercialized crap we get bombarded with constantly.
Being overly cynical and hateful 24/7 doesn’t make you smart or cool it just makes you unpleasant to be around.
It’s not a replacement for a personality it’s just a different form of being an annoying edgelord and saying “teehee I’m so different and so much better/smarter than these people”
Quotes from 1997 that keep being relevant and maybe just always will:
(I'll push back on the prev tags statement of “hipster attitude” being necessarily one of cynicism though ESPECIALLY one of cynicism against indie creators. I'd say that if there is a "hipster attitude" it's that things created outside of the industries of as you say sanitized commercialized crap are inherently better because of the human creative touch unfettered by focus group refinement. That's what I try to maintain. I would have put this in tags but it's to long. I add it as a second reblog for easy slicing off with a mid click.)
Everyone says they wish people were more genuine and openly passionate about the things they create but I see those same people hate on creators who actually are because they’re “cringe”
It’s interesting the media trend of being too self aware (or meta) and mocking itself in the text is kind of a reaction to exactly that.
It’s self-defeating because it colors the way people see your work but it is initially a defense mechanism for a lot of people.
“If I say it sucks from the start it won’t hurt when people say it does. I already said it so what did they expect-“
If you want people to be comfortable being genuine and passionate you have to let them do so without being an asshole. (Even when you don’t like it)
(Which is not the same as never criticizing anything or being 100% positive all the time. We don’t need to swing all the way in the other direction here and over correct..)
Something about the internet cycle of “people love a thing” —> “thing gets too popular” —-> “people suddenly VICIOUSLY hate the thing and people who like it are cringe/bad” is so exhausting to me
Growing to hate something bc of over saturation is absolutely a thing that happens but keep it to yourself and like minded people, you know? Be able to recognize that’s the problem and not the actual thing.
Yeah it can be fun to be a hater about stuff you dislike sometimes but know when and where it’s appropriate? Don’t be needlessly cruel to people who are just..minding their own business.
Because in a world where everything is really commercialized and overly sanitized for mass consumption maybe we should celebrate when people are actually passionate enough to create something out of love.
Yes, even if how they do it is “cringe” to you or it’s “overdone” they still felt moved enough to do something. Maybe it’s not the “best” in terms of quality or the most original thing in the world but it’s better than the mindless, unfeeling commercialized crap we get bombarded with constantly.
Being overly cynical and hateful 24/7 doesn’t make you smart or cool it just makes you unpleasant to be around.
It’s not a replacement for a personality it’s just a different form of being an annoying edgelord and saying “teehee I’m so different and so much better/smarter than these people”
Quotes from 1997 that keep being relevant and maybe just always will:
Aesthetic Moodboards // "Blue Ridge Mountains" by Fleet Foxes
My brother, where do you intend to go tonight?
Aesthetic Moodboards // “Meadowlarks” by Fleet Foxes
Meadowlark, fly your way down. I'll hold a cornucopia and a golden crown for you to wear upon your fleecy down.
“Why in the night sky are the lights hung? Why is the earth moving round the sun? Floating in the vacuum, not a purpose, not a one. Why in the night sky are the lights hung?”
Blue Spotted Tail, Fleet Foxes.
Fleet Foxes Moodboards // Mykonos
When out walking, brother, don't you forget it ain't often that you'll ever find a friend.
(requested by @i-eat-dirt-10)
Fleet Foxes Moodboards // The Shrine / An Argument
Underneath were all these pennies fallen from the hands of children. They were there and then were gone, and I wonder what became of them.
deriding things as performative is anti third space
im sitting on a patio at my favorite cafe rn and im hand stitching them hem of a dress im working on. and i can see why someone would say im being performative by working on something like this in a public space. but frankly theres no element of that. i just want to work somewhere that isnt my apartment. i want to be in public, i wanna chat with strangers, i wanna see the world. it’s nice to hang out somewhere that isnt my home!
what i mean is when you say people are being performative you discourage them from doing shit they love in public. and thats no way to foster the world we want to see.
While I'm talking music, I saw a post the other day in which op was lamenting the tiktokification of all media, and one thing they mentioned was that songs are getting shorter.
And I'm like. Y'all need to get away from iheartradio. Go on spotify or pandora or bandcamp and explore. There's TONS of great artists out there in every single genre that aren't catering to these trends. My favorite artist released an album last year, and the shortest track on it was 4 minutes and 17 seconds. The longest track was 9 minutes 20 seconds. Not everything is being truncated to fit a reel.
There's plenty of artists out there that are still making great music, and we have more access to obscure/indie artists now than any generation in history. Go support them.
May I once again drop in the mindblowingly building over 19 minute Decemberists song from 2024
if anyone was curious what the track list on a burnt CD from 2012 could look like…
God a road trip to this would hit so good
(I’d remove Thrift Shop though)
Folk Fest Day 1:
Made the right call claiming the setup and takedown shifts as now I get the volunteer entry pass along with full freedom over the festival itself. This is the way to do any local fest for sure. Kicked off with a tough choice between Julian Taylor and Mariel Buckley sets on simultaneous stages but I went with Mariel because she’s more local and I know more of her songs, Julian would have been amazing though. After wandering the market area for a while and casually catching a reggae act in the main stage, returned and started working into the main stage standing room while Valerie June played her set. She’s great; this year’s first nominee for the Sierra Ferrell Award For Artist I Didn’t Know But in the Future I’ll Get To Brag About Having Seen at Folk Fest Before They Blew Up. She had a tiny banjo for one song, a very unique cutesy Appalachian-accented singing voice, a very cosmic song about dancing on the Astral Plane that makes me think she could be a great Lord Huron opener, and finished off with a just-acapella-and-clapping version of Lonesome Valley because it is a folk festival after all.
And then of course the main event, Of Monsters and Men, the reason I’ve been OMAMposting here lately. They sounded great even if some of the instrumental was backing track.
Most of the set was Mouse Parade songs. The crowd as I could only expect reacted a lot more to the My Head is an Animal throwbacks. Well, who can blame them, I was also losing my mind during Dirty Paws and King and Lionheart. Not totally just playing the album sound though, I liked a bit of heavier guitar distortion added in towards the end of Little Talks as if to say; hey I know this is the one you think you have pegged and you all think this is stomp clap stuff but despite being booked for a folk fest let us remind you that we are also a rock band. And for the outro of King and Lionheart Nanna pulled out a thingamajig. A melodica I was informed. I’d have totally loved a random deep cut from the old era, a Numb Bears or Your Bones or Yellow Light. Alas I get why not when they only have a 70 minute set.
The crowd definitely could get into the new songs more by the end of each of them though, which just shows the strength of them. Middle albums repped with Crystals and Alligator, and yes Alligator goes crazy live. Wrapped it up with Fruit Bat which with that full piano outro is fucking transcendent.
All is love all is pain we are all the mouse parade.
My festival folk
My mind virus woke
My music live
OMAM in five
I can’t even put into words how much I love Of Monsters And Men
Of Monsters and Men fan poster I made for my college project