Well would you look at that
A tale as old as time.

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@punkrocksuperlock
Well would you look at that
A tale as old as time.
really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
Bridgerton S3 but it's only Polin related scenes edit (HD quality)
Ep 1
Ep 2
Ep 3
Ep 4
Ep 5
Ep 6
Ep 7
Ep 8
I left some scenes for context but most of the side characters are cut. Every episode is between 30-40 min long. Watch part 2 on Netflix till 15th of September for the views though! If there are any mistakes or something is not working please let me know. Shorter version in the works.
Also please reblog this with tags so more people can find it:)
Seems like a couple of people have found this - please keep in mind there is a limit on how many times a video can be watched on Google docs - the limit changes every day depending on Google servers. If you hit a limit come back the next day:)
by fomajc on instagram. im losing my shit over this
cruelty is so easy. youre not special for choosing it
"The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain."
-Ursula K. LeGuin, The Ones Who Walk Away from Omelas
"Evil is boring. Right? I kinda believe in the banality and mundaneness of evil. Evil is just selfish impulses, which at the end of the day are really easy to understand. Itâs easy to understand why people do bad things. Itâs like âyeah, ok, youâre selfish and scared and cruel, I get itâ. Being good is complex and beautiful and hard." - Brennan Lee Mulligan
âImaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.â
- Simone Weil
"Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, âWhat do I care if there is a summer; its warmth is no help to me now.â Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope."
- Vincent van Gogh
Clip #2: Polin Dancing #1 and New Dialogue
From a now removed Tudum interview
Credit to Valuable-Benefit-166 on Reddit
Sheâs everything. Heâs just Daemon.
Have you heard of the tragedy of the Champion of Kirkwall?
+ Bonus
The og post that made me go insane
Everyone is talking about how intimidated yet happy Deamon was when Rhaenyra appeared in Dragonstone, but noone is commenting on how happy Caraxes looked seeing Syrax!
I've been saying this. And (I know it's not book canon) but in the show, it really seems like Caraxes whips around when he sees Syrax fly up to the showdown at Dragonstone and thinks "damn she's looking fine" and shortly after that it seems that Daemon starts looking at Rhaenyra differently. Everything before that could be interpreted as doting uncle. All I'm saying is maybe Daemyra was the result of Caraxes just being super horny for Syrax, and vice versa. This is my new head canon
Daemyra + Incorrect Quotes
another one
MATT SMITH as DAEMON TARGARYEN in HOUSE OF THE DRAGON (2022-) S01E03 | âSecond of His Nameâ
Daemyra + Incorrect Quotes
Matt Smith as Daemon Targaryen
Behind the scenes of House of the Dragon
i saw the trailer for the new feel-good âanti-racistâ US war movie about the carpet bombing of North Korea and started writing up something for this blog, partially inspired by the absolute shit storm i got for sharing that post i made with pictures of everyday life outside pyongyang
and then i gave up, because whatâs the point? westerners canât even handle a single picture of a north korean not looking miserable without screaming propaganda
meanwhile, there are no stories about the horrors of life in the âhermit kingdomâ that are deemed too outlandish to be believable. i canât remember who said it, but itâs like the entire country has taken up permanent residence in the western imaginary as some silly little cartoon villain, where the leaders of the country does evil things for no discernible reason. theyâre just silly and evil like that, and the citizens, of course, are silly, too. silly and brainwashed.
i watched a video recently of a tourists visiting an auto dealership in pyongyang, and the entire time he was just gawking at the employees and costumers, shoving his phone in their face, and confidently explaining to his youtube audience that everyone heâs interacting with are actually actors.
what level of dehumanization do you have to reach for that thought to even cross your mind? to think that the people you see before you are actors? that entire cities and shops are erected with to sole purpose that you, a western, will see them and be impressed?
what frustrates me the most is the casual cruelty that seeps into any mention of north korea, no matter how small. if north koreans are not being evil, theyâre being silly.
a north korean newspaper reports that a group of archeologists in pyongyang have discovered an old rock carving with the words âunicorn lairâ (mistranslated), and the western press reports that north koreans now believe in unicorns.
a tourist at a hotel in hamhung is told by the receptionist to be careful at the beach: the waves can get high. that day the tourists goes to the beach, and there are no waves. she retells the story to her instagram followers, explaining that the poor woman at the hotel could never have seen real waves before because north koreans are probably never allowed to travel.
she adds a little teary-eyed emoji.
one of the cities i included in the post was sariwon, a densely populated city to the south of pyongyang. below are some pictures from its âfolk customs streetâ, which was built to showcase old korean traditions and customs
hereâs all wikipedia has to say about it
Built to display an ideal picture of ancient Korea, it includes buildings in the âhistorical styleâ and a collection of ancient Korean cannons. Although it is considered an inaccurate romanticized recreation of an ancient Korean street, it is frequently used as a destination for foreigners on official government tours. Many older style Korean buildings exist in the city.
itâs just north koreans being silly again. thereâs no mention of what might motivate them to build a street like that â why the preservation of old customs, culture and architecture might somehow be important for the city
could it perhaps have something to do with how the U.S. air force dropped 635,000 tons of bombs, including 32,557 tons of napalm, over the korean peninsula during the war? the carpet bombings, which are now the topic of an upcoming hollywood movie about overcoming racism through warcrimes, destroyed an estimate of 85% of all buildings in north korea. some cities were entirely wiped off the map.
in sariwon they missed a few buildings, but not many â after an intense firebombing campaign the U.S. military estimated the destruction of sariwon to be at 95%.
none of this is mentioned on the wikipedia page for sariwon.
we destroyed entire cities. memory-holed the entire thing, called it the forgotten war. and now, 70 years later, weâre convincing ourselves that the people living in the ruins are actors.
and somehow the north koreans are the brainwashed ones
reblogging this again because genuinely, if you can exorcise the western demon in your head that dehumanizes north koreans to the point of caricature, and tells you their country is not worthy of self-determination, you will also have discovered the antidote to US propaganda in the process
A pro-Palestine Jew on tiktok asked those of us who were raised pro-Israel, what got us to change our minds on Palestine. I made a video to answer (with my voice, not my face), and a few people watched it and found some value in it. I'm putting this here too. I communicate through text better than voice.
So I feel repetitive for saying this at this point, but I grew up in the West Bank settlements. I wrote this post to give an example of the extent to which Palestinians are dehumanized there.
Where I live now, I meet Palestinians in day to day life. Israeli Arab citizens living their lives. In the West Bank, it was nothing like that. Over there, I only saw them through the electric fence, and the hostility between us and Palestinians was tangible.
When you're a child being brought into the situation, you don't experience the context, you don't experience the history, you don't know why they're hostile to you. You just feel "these people hate me, they don't want me to exist." And that bubble was my reality. So when I was taught in school that everything we did was in self defense, that our military is special and uniquely ethical because it's the only defensive military in the world - that made sense to me. It slotted neatly into the reality I knew.
One of the first things to burst the bubble for me was when I spoke to an old Israeli man and he was talking about his trauma from battle. I don't remember what he said, but it hit me wrong. It conflicted with the history as I understood it. So I was a bit desperate to make it make sense again, and I said, "But everything we did was in self defense, right?"
He kinda looked at me, couldn't understand at all why I was upset, and he went, "We destroyed whole villages. Of course we did. It was war, that's what you do."
And that casual "of course" stuck with me. I had to look into it more.
I couldn't look at more accurate history, and not at accounts by Palestinians, I was too primed against these sources to trust them. The community I grew up in had an anti-intellectual element to it where scholars weren't trusted about things like this.
So what really solidified this for me, was seeing Palestinian culture.
Because part of the story that Israel tells us to justify everything, is that Palestinians are not a distinct group of people, they're just Arabs. They belong to the nations around us. They insist on being here because they want to deny us a homeland. The Palestinian identity exists to hurt us. This, because the idea of displacing them and taking over their lands doesn't sound like stealing, if this was never theirs and they're only pretending because they want to deprive us.
But then foods, dances, clothing, embroidery, the Palestinian dialect. These things are history. They don't pop into existence just because you hate Jews and they're trying to move here. How gorgeous is the Palestinian thobe? How stunning is tatreez in general? And when I saw specific patterns belonging to different regions of Palestine?
All of these painted for me a rich shared life of a group of people, and countered the narrative that the Palestininian identity was fabricated to hurt us. It taught me that, whatever we call them, whatever they call themselves, they have a history in this land, they have a right to it, they have a connection to it that we can't override with our own.
I started having conversations with leftist friends. Confronting the fact that the borders of the occupied territories are arbitrary and every Israeli city was taken from them. In one of those conversations, I was encouraged to rethink how I imagine peace.
This also goes back to schooling. Because they drilled into us, we're the ones who want peace, they're the ones who keep fighting, they're just so dedicated to death and killing and they won't leave us alone.
In high school, we had a stadium event with a speaker who was telling us about a person who defected from Hamas, converted to Christianity and became a Shin Bet agent. Pretty sure you can read this in the book "Son of Hamas." A lot of my friends read the book, I didn't read it, I only know what I was told in that lecture. I guess they couldn't risk us missing out on the indoctrination if we chose not to read it.
One of the things they told us was how he thought, we've been fighting with them for so long, Israelis must have a culture around the glorification of violence. And he looked for that in music. He looked for songs about war. And for a while he just couldn't find any, but when he did, he translated it more fully, and he found out the song was about an end to wars. And this, according to the story as I was told it, was one of the things that convinced him. If you know know the current trending Israeli "war anthem," you know this flimsy reasoning doesn't work.
Back then, my friend encouraged me to think more critically about how we as Israelis envision peace, as the absence of resistance. And how self-centered it is. They can be suffering under our occupation, but as long as it doesn't reach us, that's called peace. So of course we want it and they don't.
Unless we're willing to work to change the situation entirely, our calls for peace are just "please stop fighting back against the harm we cause you."
In this video, Shlomo Yitzchak shares how he changed his mind. His story is much more interesting than mine, and he's much more eloquent telling it. He mentions how he was taught to fear Palestinians. An automatic thought, "If I go with you, you'll kill me." I was taught this too. I was taught that, if I'm in a taxi, I should be looking at the driver's name. And if that name is Arab, I should watch the road and the route he's taking, to be prepared in case he wants to take me somewhere to kill me. Just a random person trying to work. For years it stayed a habit, I'd automatically look at the driver's name. Even after knowing that I want to align myself with liberation, justice, and equality. It was a process of unlearning.
On October, not long after the current escalation of violence, I had to take a taxi again. A Jewish driver stopped and told me he'll take me, "so an Arab doesn't get you." Israeli Jews are so comfortable saying things like this to each other. My neighbors discussed a Palestinian employee, with one saying "We should tell him not to come anymore, that we want to hire a Jew." The second answered, "No, he'll say it's discrimination," like it would be so ridiculous of him. And the first just shrugged, "So we don't have to tell him why." They didn't go through with it, but they were so casual about this conversation.
In the Torah, we're told to treat those who are foreign to us well, because we know what it's like to be the foreigner. Fighting back against oppression is the natural human thing to do. We know it because we lived it. And as soon as I looked at things from this angle, it wasn't really a choice of what to support.
I'm sure this has been pointed out before but
Aemond is just Daemon with a little D in the end