Embroidery detail from a jacket (British, 1615–20).
Linen, silk, metal.
Image and text information courtesy The Met.
KIROKAZE
2025 on Tumblr: Trends That Defined the Year
AnasAbdin

izzy's playlists!
let's talk about Bridgerton tea, my ask is open
No title available
ojovivo

if i look back, i am lost
I'd rather be in outer space 🛸
h
sheepfilms
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
almost home

blake kathryn

Discoholic 🪩
Cosmic Funnies
Cosimo Galluzzi

ellievsbear
$LAYYYTER

seen from Türkiye
seen from United States
seen from Albania
seen from Albania
seen from Albania

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States

seen from Germany
seen from United States

seen from Iraq

seen from Türkiye
@purplebloom
Embroidery detail from a jacket (British, 1615–20).
Linen, silk, metal.
Image and text information courtesy The Met.
by P.S. Mildred
Keukenhof, The Netherlands
Edmund Henry Garrett Audrey Peaty
Stan VanDerBeek - A La Mode (1959)
https://www.instagram.com/p/BWL7Pi3hHSj/
Katharina Fitz
Malaga - Paracosmic Houses
The series of photos, Malaga — Paracosmic Houses, portrays the fishing villages Pedregalejo and el Palo in Malaga, which reflect an important aspect of the cultural heritage of the city. Over the years, the neighbourhood of the fishing villages has been transformed into a tourist honey pot and is today a mixture of ancient tradition and a classy sightseeing destination. The drastic changes in the villages have led, on the one hand, to a loss of the tightly-knit community spirit, while, on the other hand, have also led to an economic upswing in the region. The partial loss of the community spirit of the once bustling fishing village is illustrated by the visual isolation of the houses. This focuses the viewers attention on the unique character of each individual building as it stands alone in space; the houses are transformed into protagonists within the images.
In part, individual elements were mounted into the facades and create a collage-like effect. With the elements from children´s playgrounds, I lent the images an artificial character that represents the artificially created world of tourism. I create my own paracosmos, an artificial and lively world in combination with a social and urban sociological background.
— Katharina Fitz
British tourists in Egypt, circa 1910
Emma Watson for Elle UK 2011//2014
I don’t need a man but where is he
Green house January 2.