Embroidery detail from a jacket (British, 1615–20).
Linen, silk, metal.
Image and text information courtesy The Met.
Cosimo Galluzzi
h
Show & Tell
hello vonnie
noise dept.
𓃗
No title available
2025 on Tumblr: Trends That Defined the Year
The Stonewall Inn
$LAYYYTER
tumblr dot com

PR's Tumblrdome
Interview Vampire Daily

if i look back, i am lost
I'd rather be in outer space 🛸
★
art blog(derogatory)

shark vs the universe

blake kathryn

Love Begins
seen from Malaysia

seen from Japan
seen from United States
seen from United Kingdom
seen from Mexico
seen from Malta
seen from United States
seen from Argentina

seen from Canada

seen from Malaysia

seen from Malaysia
seen from Argentina

seen from France

seen from Türkiye

seen from Vietnam

seen from Türkiye

seen from United States

seen from United States
seen from United States

seen from Netherlands
@purplebloom
Embroidery detail from a jacket (British, 1615–20).
Linen, silk, metal.
Image and text information courtesy The Met.
by P.S. Mildred
Keukenhof, The Netherlands
Edmund Henry Garrett Audrey PeatyÂ
Stan VanDerBeek - A La Mode (1959)
https://www.instagram.com/p/BWL7Pi3hHSj/
Katharina Fitz
Malaga - Paracosmic Houses
The series of photos, Malaga — Paracosmic Houses, portrays the fishing villages Pedregalejo and el Palo in Malaga, which reflect an important aspect of the cultural heritage of the city. Over the years, the neighbourhood of the fishing villages has been transformed into a tourist honey pot and is today a mixture of ancient tradition and a classy sightseeing destination. The drastic changes in the villages have led, on the one hand, to a loss of the tightly-knit community spirit, while, on the other hand, have also led to an economic upswing in the region. The partial loss of the community spirit of the once bustling fishing village is illustrated by the visual isolation of the houses. This focuses the viewers attention on the unique character of each individual building as it stands alone in space; the houses are transformed into protagonists within the images.
In part, individual elements were mounted into the facades and create a collage-like effect. With the elements from children´s playgrounds, I lent the images an artificial character that represents the artificially created world of tourism. I create my own paracosmos, an artificial and lively world in combination with a social and urban sociological background.
— Katharina Fitz
British tourists in Egypt, circa 1910Â
Emma Watson for Elle UK 2011//2014
I don’t need a man but where is he
Green house January 2.